Homestead 2024 - Movies (Jan 31st)
Piglet 2025 - Movies (Jan 31st)
Absolution 2024 - Movies (Jan 31st)
Dark Match 2024 - Movies (Jan 30th)
Omni Loop 2024 - Movies (Jan 30th)
The Fabulous Four 2024 - Movies (Jan 30th)
Maurice And I 2024 - Movies (Jan 30th)
The Club That George Built 2024 - Movies (Jan 30th)
Heretic 2024 - Movies (Jan 30th)
Wicked 2024 - Movies (Jan 30th)
The Line 2024 - Movies (Jan 30th)
The Girl with the Fork 2024 - Movies (Jan 29th)
Black Girls 2024 - Movies (Jan 29th)
Freelance 2024 - Movies (Jan 29th)
Flight Risk 2025 - Movies (Jan 28th)
Dark Night of the Soul 2024 - Movies (Jan 28th)
Juror #2 2024 - Movies (Jan 28th)
The Fish Thief A Great Lakes Mystery 2025 - Movies (Jan 28th)
In Between Stars and Scars Masters of Cinema 2024 - Movies (Jan 28th)
Loch Ness Monster Captured 2024 - Movies (Jan 28th)
Echoes Of A Hermit Solitude Resilience and the Power Of Writing 2024 - Movies (Jan 28th)
TNA iMPACT - (Jan 31st)
Dexter- Original Sin - (Jan 31st)
Scamanda - (Jan 31st)
Southern Hospitality - (Jan 31st)
Malta- The Jewel of the Mediterranean - (Jan 31st)
Dateline- Unforgettable - (Jan 31st)
Ask This Old House - (Jan 31st)
Impractical Jokers - (Jan 31st)
This Old House - (Jan 31st)
Shoresy - (Jan 31st)
The Rachel Maddow Show - (Jan 31st)
Divided by Design - (Jan 31st)
The Last Word with Lawrence ODonnell - (Jan 31st)
Found - (Jan 31st)
Miss Shachiku and the Little Baby Ghost - (Jan 31st)
Someday at a Place in the Sun - (Jan 31st)
Bargain-Loving Brits in the Sun - (Jan 31st)
Animal Control - (Jan 31st)
Matlock - (Jan 31st)
Law and Order- Special Victims Unit - (Jan 31st)
I've always found Peter Greenaway films rather hit or miss, and this rather theatrical effort I found more the latter. It all centres around a sort of immaculate conception birth at the Medici court and follows the anticipatory and resultant shenanigans as human nature is (quite literally) laid bare for all to see (and that nature doesn't always come off so well!) It has something of the bawdy romp to it, with some suitably appropriate ecclesiastical excesses and loads of colour - usually red - to liven it up. The story? Well though interesting for the first twenty minutes or so, I felt it fell into pantomime territory all too quickly. The cast are a collection of reasonably competent talent, but too much of the emphasis of this production is on the style, imagery along with an admittedly glorious choral score that does so much to add to the vivid and seamy look of this rather lengthy effort. The message is clear enough, but it has something of sledgehammer and nut to it; there is no subtlety or nuance to it, it's an intellectual brute of a film before a denouement that confirms what most of us - certainly those without religious convictions - may have expected from the outset. As with all of his films, this is certainly worth watching - but as to enjoying it, well I didn't really.
The twisted tale of Kenneth, socially insecure technical writer who forms an obsessive relationship with "Nikki", an anatomically accurate silicone sex doll he orders over the Internet.
Two young women and their friends spend spare time at an exclusive nightclub in 1980s New York.
Sex is a background to examine intimacy and vulnerability. Looks at the complexity of modern day relationships told through eight separate couples. Through dialogue and compromising situations, the film takes us from the beginning of a relationship to the aftermath of one, and examines every stage in between seeing humor within the drama, heartache and confusion of it all.
Tommy Riley has moved with his dad to Chicago from a 'nice place'. He keeps to himself, goes to school. However, after a street fight he is noticed and quickly falls into the world of illegal underground boxing - where punches can kill.
Ko Chun is an extremely talented and well known gambler. On the eve of a big confrontation with a famous Singaporean gambler, Ko walks into a trap set by Knife, an avid but a so-so gambler, meant for an Indian neighbour. Struck on the head, Ko suffers from amnesia and regresses to a child-like state. Knife takes care of Ko and begins to exploit Ko's gambling talents.
Gerard Casanova is the man that all the rich and beautiful women call when they need a little more then the husbands to give them. He's always on call to satisfy their every sexual urge.
Famed Canadian-American leftist documentary filmmaker Leonard Fife was one of sixty thousand draft evaders and deserters who fled to Canada to avoid serving in Vietnam. Now in his late seventies, Fife is dying of cancer in Montreal and has agreed to a final interview in which he is determined to bare all his secrets at last, to demythologize his mythologized life.
The last day of creation. A stranger arrives in London. No one knows who he is or where he has come from. By the time he leaves, the entire universe will have been erased.