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HOW TO MAKE A FEMALE ASSASSIN. TRAUMA, TRAINING THEN GET HER EXTRA ANGRY. NATILIE PORTMANS FIRST ASSASSIN ROLE AND HOPEFULLY NOT HER LAST. WE NEED A PART 2 TO THIS MOVIE.
This films stars a 12-year old Natalie Portman as Mathilda, a girl living with her abusive stepfather, a step-sister, mother, and four-year old brother. She doesn’t care for any of these people except her brother. One day, she returns home from getting the groceries to find corrupt DEA agents have killed her entire family. Key amongst those agents is Stansfield, played by Gary Oldman. Seeking refuge in the flat of a neighbour she had befriended earlier, Léon (Jean Reno), she learns that he is a hitman. She makes a deal with him: she will look after the flat by doing the domestic chores if he will teach her how to get revenge on the men who killed her brother. Strange though the synopsis may be, the relationship between Léon and Mathilda is kept innocent, and the scenes between the two are believable. Mathilda’s sexual awareness is at a nascent stage and her exposure to the sordid side of life with her recently deceased family (her step-father worked for drug-dealers) means she is perhaps not as innocent as most 12-year old girls; however, Léon is unwilling to take advantage of the situation. This means the story can focus on the platonic relationship between the two, the bond that develops between them, and how each affects the other’s life. Although it may seem a little far-fetched that a young girl would accompany a hitman during his work, Léon ensures that her assistance is required only on fairly routine hits that follow a well-defined pattern. For the more complex hits he leaves her behind. There is a thread of humour running through the film, but you must bear in mind the film is framed in the world of corruption and greed and all is not sweet and light, and graphic violence is depicted. Jean Reno is wonderful as the extremely good but placid hitman, whose whole outlook on life is changed by the young Mathilda, played wonderfully by Natalie Portman in her first film. I’ve not read it, but I understand that Eppie has a similar effect on Silas Marner, as described in the book of the same name. I found Gary Oldman’s performance histrionic, the only let-down in the film, albeit not something that spoilt the film as a whole. Recommended.
A married woman is living an unexcited life, until she meets a man who is able to put a smile on her face again, at least for a couple of days.
New York in the 1920s. Max Perkins, a literary editor is the first to sign such subsequent literary greats as Ernest Hemingway and F. Scott Fitzgerald. When a sprawling, chaotic 1,000-page manuscript by an unknown writer falls into his hands, Perkins is convinced he has discovered a literary genius.
Smilja is a little girl living in Dalmatian Zagora. One day, her mother dies under a small oak tree and she is left without parents. Luckily, she gets adopted and continues to nurture the oak where her mother died. Many years later, Smilja is a handsome woman, but her jealous stepbrother Josip kills her boyfriend Ivan and rapes her. Ivan's brothers swear revenge.
“Urban Motives 4.1” is an anthology film consists of 5 short movies by 5 Azerbaijani directors. The first, by Anar Abbasov, is about a relationship between a man and women who live next door; second, by Ru Hasanov, is about a life of a musician who is different from others with his mentality; third, by Teymur Ismayilov, tells a story of a young worker who has his own dreams; fourth, by Jafar Akhundzade, is about traumas caused by war; and the last one, by Vugar Islamzadeh, is a story about a criminal group and an officer who wants to take revenge.
The story of former Ulster Volunteer Force member Alistair Little. Twenty-five years after Little killed Joe Griffin's brother, the media arrange an auspicious meeting between the two.
A folklore professor becomes unwittingly possessed by the ancient Japanese demons of Thunder and Lightning. But when The Bureau of Paranormal Research & Defense dispatches a team of agents to investigate, a cursed samurai sword sends Hellboy to a supernatural dimension of ghosts, monsters, and feudal mayhem. Now while pyrokinetic Liz Sherman and fishboy Abe Sapien battle one very pissed-off dragon, a lost and cranky Hellboy must find his way home.
F/X man Rollie Tyler is now a toymaker. Mike, the ex-husband of his girlfriend Kim, is a cop. He asks Rollie to help catch a killer. The operation goes well until some unknown man kills both the killer and Mike. Mike's boss, Silak says it was the killer who killed Mike but Rollie knows it wasn't. Obviously, Silak is involved with Mike's death, so he calls on Leo McCarthy, the cop from the last movie, who is now a P.I., for help and they discover it's not just Silak they have to worry about.
Vikings pillage Ireland, seeking silver and slaves, slaying men and women in the process. A young boy is spared when a Viking takes pity on him instead of killing him. Twenty years later the boy returns to Iceland take his revenge.
Trausti returns to Iceland just in time to be entangled in a family feud over a stranded whale-cadaver. His mother (the family head) is mortally wounded and Grim kills Erikur; the other clan leader. Isold, daughter of Erikur now takes his place. Isold and Trausti are attracted to each other, but Isold was promised to Hjoerleifur - the son of the Bishop (of Iceland) and his powerful wife. However, Isold has a plan...
The life of a woman is transformed after she is diagnosed with a terminal disease, fired from her job and abandoned by her boyfriend. Given two months to live, she throws caution to the wind to pursue her dreams.
Two policemen, one an old-timer, the other his volatile younger partner, find themselves suspended when a video of their strong-arm tactics becomes the media's cause du jour. Low on cash and with no other options, these two embittered soldiers descend into the criminal underworld to gain their just due, but instead find far more than they wanted awaiting them in the shadows.