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I was hoping for more. I thought it would delve further into her battles in the hip-hop world, and include more than just brief cameos of rap legends and icons (Biz Markie, MC Shan, Marley Marl, and a young NaS), but instead it turned into just a pseudo-bio/male-bashing escapade. I enjoyed some parts about it, primarily the focus on her rap career, Roxanne's Revenge, and how she came up in the game, but a lot of the time, it felt like this film was something it wasn't advertised as. Being a huge hip hop fan, mainly of the 80's and 90's, I was excited when i saw a biopic on Roxanne Shante. I'm a huge fan of NY hip hop from this era. I was disappointed when most of the film focused on her family struggles, and poor relationships (I would even say decisions too) with men. I knew there would be a backstory about her upbringing, but instead of really talking about the hip hop pioneer that she was, and maybe battles with KRS and others, it was like a 45 minute man-bashing flick veiled as a doc about a hip hop legend. Almost every male character is basically portrayed as abusive, manipulative, violent, or a sexual predator. The few males that somewhat have redeemable qualities are pushed aside, not to be focused on. This trope is one that seems to be the norm far too often in films of the last few years. It is very annoying to me, and reeks of disillusion. Every male is not a creep, just as every female is not a saint in the real world. Even the last excerpt at the end of the film before the credits was so out of place, and didn't seem to fit anything other than an agenda to bash males for "not handling their responsibilities, and bringing women flowers". What this has to do with hip hop culture, or anything relevant, for that matter, is beyond me. It could have been so much better, if it legitimately was about the career of Roxanne Shante, and her rise as a hip hop icon in the 80's. 2 door knocker ear rings out of 5.
For Jimmy Smith, Jr., life is a daily fight just to keep hope alive. Feeding his dreams in Detroit's vibrant music scene, Jimmy wages an extraordinary personal struggle to find his own voice - and earn a place in a world where rhymes rule, legends are born and every moment… is another chance.
Tano is 16-years-old and is already sitting in jail. In 48 hours he’s a free man and off to the wedding of his brother. In the two days he recounts his neighborhood in a section of Sevilla.
A passionate youngster who dreams of making it in the music industry is on the verge of losing his love. What will happen to his career and romance?
After a chaotic night of rioting in a marginal suburb of Paris, three young friends, Vinz, Hubert and Saïd, wander around unoccupied waiting for news about the state of health of a mutual friend who has been seriously injured when confronting the police.
Hendrix dreams of hip-hop greatness, but he’s spiraling down a rabbit-hole of crime and poverty until he meets Doc, an old poet still haunted by his martial law past. Can they turn each other’s lives around before they’re swallowed by their circumstance?
Salvatore "Sal" Fragione is the Italian owner of a pizzeria in Brooklyn. A neighborhood local, Buggin' Out, becomes upset when he sees that the pizzeria's Wall of Fame exhibits only Italian actors. Buggin' Out believes a pizzeria in a black neighborhood should showcase black actors, but Sal disagrees. The wall becomes a symbol of racism and hate to Buggin' Out and to other people in the neighborhood, and tensions rise.
An African-American Mafia hit man who models himself after the samurai of ancient Japan finds himself targeted for death by the mob.
With help from his friends, a Memphis pimp in a mid-life crisis attempts to become a successful hip-hop emcee.
Ali, a teenage Inuit hip hop fan, lives in Ivujivik, a small Arctic village where nothing interests him. All of his problems seem to materialize in his father's old snowmobile, constantly breaking down. His only way out ? The famous Rich E. Murdoch, Ali’s favorite rapper.
A suicidally disillusioned liberal politician puts a contract out on himself and takes the opportunity to be bluntly honest with his voters by affecting the rhythms and speech of hip-hop music and culture.
The life of 20-year-old Nico from upper class Zurich is all party, sex and drugs when she meets Paco, the front man of a rap band. She finds herself drawn to his independent, creative and profound way of life, so different from her own. With naiveté and infinite self-confidence, she tries to adopt his lifestyle - without anticipating the consequences.
