Sebastian 2024 - Movies (Oct 2nd)
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A Quiet Place Day One 2024 - Movies (Oct 2nd)
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The Forgotten Coast 2024 - Movies (Feb 19th)
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Happys Place - (Feb 21st)
The Rachel Maddow Show - (Feb 21st)
The Last Word with Lawrence ODonnell - (Feb 21st)
Georgie and Mandys First Marriage - (Feb 21st)
The One Show - (Feb 21st)
Inside with Jen Psaki - (Feb 21st)
The Chase - (Feb 21st)
The Traitors - (Feb 21st)
Children Ruin Everything - (Feb 21st)
The ReidOut with Joy Reid - (Feb 21st)
Building Outside the Lines - (Feb 21st)
Severance - (Feb 21st)
The Pitt - (Feb 21st)
Surface - (Feb 21st)
The Bold and the Beautiful - (Feb 21st)
Lets Make a Deal - (Feb 21st)
The Young and the Restless - (Feb 21st)
Beat the Chasers - (Feb 21st)
Tipping Point - (Feb 21st)
The Beat with Ari Melber - (Feb 21st)
The eponymous protagonist of Jim Jarmusch's 1999 film GHOST DOG is an African-American hitman (Forest Whitaker) working for an Italian mafia in New Jersey and living according to the Hagakure, Japan's samurai code. After a hit goes wrong through no fault of the assassin's own, his mafia liaison Louie (John Tormey) is sympathetic, but explains that his superiors now want Ghost Dog dead. The film follows Ghost Dog's revenge and depicts a clash between two ancient tribes that both seem out of date in this modern world: Ghost Dog's samurai code and Italian mafia ideas of loyalty. Jarmusch has always been open about the fact that he soaks up a huge number of inspirations from earlier films, books, and music and then lets them reflect in his own work. Any cinephile will instantly recognize Jean-Pierre Melville's 1967 film Le Samouraï as the point of departure for GHOST DOG. In Meville's classic, a Parisian hired assassin lives according to a strict code. But Melville didn't really know much about Japan, and even the quotation from a samurai text at the beginning of his film was just made up by Meville himself. Jarmusch seems to have decided, "OK, I'll show you a hired-assassin film that's *really* rooted in the code of the Samurai". Forest Whitaker quotes from Hagakure throughout the film, and there are also references to the work of Akira Kurosawa. But GHOST DOG is not a remake, and Jarmusch takes the basic premise in a very individual direction. There's a lot of humour here, something missing from the serious Melville inspiration. In casting for the mafia dons, Jarmusch chose faces as brutal and distinctive as Dick Tracy's rogues gallery: Henry Silva as the don, and Cliff Gorman and Gene Ruffini as his righthand men. But Jarmusch then gives them the occasional zany line that cracks that chilling façade. Isaach de Bankole plays a supporting role as a French-speaking Haitian immigrant and Ghost Dog's best friend, a role that is pure comic relief because the man doesn't speak English and Ghost Dog doesn't understand French, but they always manage to understand each other. Until the late 1990s, Jarmusch had mainly been known as a fairly low-budget independent filmmaker writing cute little stories about personal relationships in low-key American life. Jarmusch's America was consistently depicted as run-down neighbourhoods and overgrown vacant lots. With its generous budget, large cast and special effects, GHOST DOG marked a huge leap forward in Jarmusch's work. Still, it maintains Jarmusch's interest in America as a land of urban blight and seedy underbellies: most of the film takes place in an ugly New Jersey urban setting. Furthermore, instead of being glamorized, the Italian mafia is depicted as a spent force, mainly elderly men who can't rake in the cash and influence they used to, and even forced to pay protection money to Chinese newcomers. As the film reaches its shocking ending, the glamour is drained from Ghost Dog's warrior code, as well. The music for GHOST DOG was provided by RZA, at the time still best known as part of the Wu-Tang Clan. The music mainly consists of wordless beats, though, with actual rapping only at a few points. Personally, I find the use of hip-hop a weak point of the film (Jarmusch looks like an outsider looking in to this scene, unable to organically make it part of his own work), and RZA's insistence on appearing in the film itself disrupts the rhythm of the film's climax.
A young woman’s quest for revenge against the people who kidnapped and tortured her as a child leads her and her best friend, also a victim of child abuse, on a terrifying journey into a living hell of depravity.
Mason Storm, a 'go it alone' cop, is gunned down at home. The intruders kill his wife, and think they've killed both Mason and his son too. Mason is secretly taken to a hospital where he spends several years in a coma. His son meanwhile is growing up thinking his father is dead. When Mason wakes up, everyone is in danger - himself, his son, his best friend, his nurse - but most of all those who arranged for his death
Jean Claude Van Damme plays a dual role as Alex and Chad, twins separated at the death of their parents. Chad is raised by a family retainer in Paris, Alex becomes a petty crook in Hong Kong. Seeing a picture of Alex, Chad rejoins him and convinces him that his rival in Hong Kong is also the man who killed their parents. Alex is suspicious of Chad, especially when it comes to his girlfriend.
A tough Russian policeman is forced to partner up with a cocky Chicago police detective when he is sent to Chicago to apprehend a Georgian drug lord who killed his partner and fled the country.
New York gangster Ben 'Bugsy' Siegel takes a brief business trip to Los Angeles. A sharp-dressing womanizer with a foul temper, Siegel doesn't hesitate to kill or maim anyone crossing him. In L.A. the life, the movies, and most of all strong-willed Virginia Hill detain him while his family wait back home. Then a trip to a run-down gambling joint at a spot in the desert known as Las Vegas gives him his big idea.
In 1841, young Ishmael signs up for service aboard the Pequod, a whaler sailing out of New Bedford. The ship is under the command of Captain Ahab, a strict disciplinarian who exhorts his men to find Moby Dick, the great white whale. Ahab lost his his leg to that creature and is desperate for revenge. As the crew soon learns, he will stop at nothing to gain satisfaction.
Will Plunkett and Captain James Macleane, two men from different ends of the social spectrum in 18th-century England, enter a gentlemen's agreement: They decide to rid the aristocrats of their belongings. With Plunkett's criminal know-how and Macleane's social connections, they team up to be soon known as "The Gentlemen Highwaymen". But when one day these gentlemen hold up Lord Chief Justice Gibson's coach, Macleane instantly falls in love with his beautiful and cunning niece, Lady Rebecca Gibson. Unfortunately, Thief Taker General Chance, who also is quite fond of Rebecca, is getting closer and closer to getting both.
The Limey follows Wilson, a tough English ex-con who travels to Los Angeles to avenge his daughter's death. Upon arrival, Wilson goes to task battling Valentine and an army of L.A.'s toughest criminals, hoping to find clues and piece together what happened. After surviving a near-death beating, getting thrown from a building and being chased down a dangerous mountain road, the Englishman decides to dole out some bodily harm of his own.
An old gangster is advised that Freddie Mays would leave jail after thirty years in prison. His mood changes and he recalls when he was a young punk and who joined Freddie's gang—a man he both envied and ultimately betrayed.
The story of Rubin "Hurricane" Carter, a boxer wrongly imprisoned for murder, and the people who aided in his fight to prove his innocence.
The life of 20-year-old Nico from upper class Zurich is all party, sex and drugs when she meets Paco, the front man of a rap band. She finds herself drawn to his independent, creative and profound way of life, so different from her own. With naiveté and infinite self-confidence, she tries to adopt his lifestyle - without anticipating the consequences.