I'm supposed to like this, right? I mean, politically, I'm supposed to like this one. Because, you know, a 60-omething white guy decides to get real and connect to the black community by becoming a rapper. Which, if it were true to Hollywood and Government, they would minus a "p" and make it about scandalous that end careers. Instead they make it about a man with a midlife crisis who decides to speak "the truth" to the youth and minority cultures of America by rapping... because that, apparently is the only way to reach them. Ultimately, he is reaching out to the minority community by talking down to them with the assumption that they won't understand it if he spoke to them like he would "normal" humans. Which... is kind of telling of how that certain political group views the people they claim as their base. I guess if you are Black, poor, it would come across as kind of offensive, another liberal politician talking down to you and claiming he understands you as he treats you like a child. And, I guess, if you're not a minority, it must be commendable and virtuous how much he talks down to diverse communities in an effort to speak their language. Honestly, I never was a part of that whole "Social Justice" trip, I kind of looked at it as just a way for people to justify censorship by claiming outrage... but this is actually pretty offensive in it's assumptions of how to reach youth and minorities.
When rebellious street dancer Andie lands at the elite Maryland School of the Arts, she finds herself fighting to fit in while also trying to hold onto her old life. When she joins forces with the schools hottest dancer, Chase, to form a crew of classmate outcasts to compete in Baltimore s underground dance battle The Streets.
When Will decides to tell his daughter the story of how he met her mother, he discovers that a second look at the past might also give him a second chance at the future.
The murder of Dutch filmmaker Theo van Gogh by an Islamic extremist in 2004, followed by the publishing of twelve satirical cartoons depicting the prophet Mohammed that was commissioned for the Danish newspaper Jyllands-Posten, provides the incendiary framework for Daniel Leconte's provocative documentary, It's Hard Being Loved by Jerks.
Doormat Wesley Gibson is an office worker whose life is going nowhere. He meets a sexy woman named Fox and discovers that his recently murdered father - whom Wesley never knew - belonged to the Fraternity, a secret society of assassins which takes its orders from Fate itself. Fox and Sloan, the Fraternity's leader, teach Wesley, through intense training, to tap into dormant powers and hone his innate killing skills. Though he enjoys his newfound abilities, he begins to suspect that there is more to the Fraternity than meets the eye.
The movie depicts the political crisis that led to the suicide of president Getúlio Vargas, in the 19 days that preceded August 24, 1954. The crisis began with the attempted assassination of journalist and politician Carlos Lacerda in August 5, 1954, at rua Toneleros, Rio de Janeiro, in which Major Vaz was assassinated instead. Investigations pointed to Gregório Fortunato, chief of Vargas' personal guard, as the orderer of the frustrated assassination. This incident was one of the most importants in the history of Brazil.
In 2012 German Bundespraesident Christian Wulff declares his resignation in the great hall of Bellevue Palace. At the side of his wife, he had to face the pressure of the media for 68 days while struggling for office of head of state of the Federal Republic of Germany.
Italy, early '90s. Calm, clever and inscrutable, politician Giulio Andreotti has been synonymous with power for decades. He has survived everything: electoral battles, terrorist massacres, loss of friends, slanderous accusations; but now certain repentant mobsters implicate him in the crimes of Cosa Nostra.
A man obsessed with conspiracy theories becomes a target after one of his theories turns out to be true. Unfortunately, in order to save himself, he has to figure out which theory it is.
In 1838, Francois-Xavier Bouchard (Francis Reddy) fights beside his Quebec countrymen and the English minority.
The daughter of a preacher becomes the centerpiece for a conservative political campaign but finds herself falling in love with a woman.
Two of the most popular Serbian actors discover a script that they immediately want to work on, forgetting that creating in Serbia isn't as easy as it seems.