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_American Assassin_ might be the most nothing movie of the year. I was sold on the trailer, I though Michael Keating looked great (and to be fair, he kinda was), but watching the movie itself, I felt completely blank. I can't even recommend _American Assassin_ as background noise. _Final rating:★½: - Boring/disappointing. Avoid where possible._
Don't bother watching, plot line has been so many times before. Turn off your TV and do something more productive instead !
This movie has been sitting on my unwatched shelf for quite a while and yesterday I finally got around to watch it. I actually found this movie to be not too bad actually. It is far from a cinematic masterpiece but it is a pretty solid action/revenge movie. Dylan O’Brien is, unfortunately, pretty meh as the main character. Michael Keaton on the other hand is quite good in his character. It is a reasonably action filled movie and I really like that they didn’t try to turn it into some PG-13 crap. It is sometimes fairly brutal. The story is okay. It works. It is not overly complex and some people are probably moaning about it not being original enough. Well, I say, so what? It is a good concept so why screw with it? I do like revenge movies and although this one is far from the best, it is not at all shabby. I wonder why some people seems to be claiming that this movie is just crap, one star out of ten and so on and so forth? Is it maybe because it dares bring up the subject of Islamist fanatics killing innocents? Or maybe because it doesn’t try to sugarcoat things and explain these “poor misunderstood” psychopaths but lays the blame straight on said lowlife as well as on Iran? Or maybe because it doesn’t try to blame certain of today’s political retards’ preferred boogieman Russia? I have not read the book so I guess, if it doesn’t do the book justice, I can somewhat understand not liking it. However, to me, this was a decent, not spectacular but decent, two hours of entertainment. Decent action, decent speed and (with the exception of O’Brien) decent acting.
This starts off with shades of the real Tunisian beach attacks from 2015, when "Rapp" (Dylan O'Brien) and his girlfriend find themselves caught up in a shooting that ends in tragedy. Determined on revenge, he attracts the attention of the CIA with whom he ends up working before being sent to the ultimate ninja training camp under the auspices of veteran "Hurley" (Michael Keaton). Working with local intelligence, they identify their target and after a few predictably failed attempts, they are soon on the trail of the criminal who has plans of his own to exact revenge on the American imperialists. O'Brien is easy enough on the eye but the rest of this is about as derivative as it comes. Set piece action scenes ensue as day follows night, peppered with who to trust issues and the introduction of an unlikely enemy in "Ghost" (Taylor Kitsch) who has his own axe to grind with "Hurley". This is genre-fodder, and kills just short of two hours effortlessly enough (though the CGI at the end is really poor for 2017!). You are unlikely to recall it afterwards, and the plot has virtually no jeopardy so don't expect much here.
First minutes announce bad direction. The script isn't too original; well, it can be still entertaining. But two things you'll notice right at the start: 1.The scenes between the protagonist and his fiancee are long, so viewers can connect emotionally. Does it work for you? And why not? 2.When killers appear and try to shoot you, how do you move? Look at the milling crowd. Does that look like they are fleeing? When your actors do not perform convincingly enough, it is your job as director to tell them what to do and repeat the scene. **If** you are doing your job. Not much more to say. Old plot, OKish action, some seasoned actors doing a solid job, but paycheck-level, nothing special. Half-bored.
A ruthless criminal operative has less than 24 hours to exact revenge on her enemies and in the process forms an unexpected bond with the daughter of one of her past victims.
For Miranda Wells, moving to New York to live in Dragonwyck Manor with her rich cousin, Nicholas, seems like a dream. However, the situation gradually becomes nightmarish. She observes Nicholas' troubled relationship with his tenant farmers, as well as with his daughter, to whom Miranda serves as governess. Her relationship with Nicholas intensifies after his wife dies, but his mental imbalance threatens any hope of happiness.
Things go horribly wrong when Catherine and Rebecca, two Catholic School girls, knock on the wrong door while selling Religious paraphernalia.
A terrorist places an atom bomb somewhere in an American metropolis. The president of the U.S. has no other choice; he has to call Delta Force.
Paul is a U.S. truck driver working in Iraq. After an attack by a group of Iraqis he wakes to find he is buried alive inside a coffin. With only a lighter and a cell phone it's a race against time to escape this claustrophobic death trap.
Enforcing the law within the notoriously rough Brownsville section of the city and especially within the Van Dyke housing projects is the NYPD's sixty-fifth precinct. Three police officers struggle with the sometimes fine line between right and wrong.
A huge burrowing machine tunnels out of control at ferocious speed, cutting clean through to the center of the earth, to the twilight world of pellucidar. Once there, Dr. Perry and David Innes are threatened by half human creatures, lizard-like birds, and man-eating plants.
A schoolteacher, stuck in a teaching post in an arid backwater, stops off in a mining town on his way home for Christmas. Discovering a local gambling craze that may grant him the money to move back to Sydney for good, he embarks on a five-day nightmarish odyssey of drinking, gambling, and hunting.
In 1976, four hijackers take over an Air France airplane en route from Tel Aviv to Paris and force it to land in Entebbe, Uganda. With 248 passengers on board, one of the most daring rescue missions ever is set in motion.
Lucy Millington is an independent woman who looks upon men with contempt. Novelist Donald Prime, who has written a book on women, considers himself an authority on the subject. Both are lured into the desolate backwoods of Arcady by adventurers who plan to keep them in captivity until a fortune bequeathed to them has been safely deposited in the hands of their rivals.
The destinies of different kind of people encounter in a passenger train that is traveling from Helsinki to the North. One tragedy after the other appears.