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Go Away, Go Away, Go Away! Our Mother’s House is directed by Jack Clayton and adapted to screenplay by Jeremy Brooks and Haya Harareet from the novel of the same name written by Julian Gloag. It stars Dirk Bogarde, Margaret Brooks, Pamela Franklin, Louis Sheldon Williams, John Gugolka, Mark Lester and Yootha Joyce. Music is by Georges Delerue and cinematography by Larry Pizer. When seven youngsters are left orphaned by the death of their bedridden mother, they decide to keep her passing quiet case they get split up and sent into orphanages. The youngsters prove to be quite resourceful and tick along nicely, that is until one of the boys brings a friend home to live with them; just as the children’s estranged father appears on the doorstep. At first glance it seems material ripe for an Ealing Studios piece, a whimsical fable of adorable youngsters taking on the world in trying circumstances, Our Mother’s House is a far cry from such a thing! It’s a creepy off-kilter film of some considerable class, containing psychological insights into seven children adapting and improvising in life by creating their own new order. The results are both enlightening and frightening. They have a weekly séance type of set-up where they believe they are talking to their dead mother, they administer their own punishments and forge their own cheques! But of course this self sufficient life can’t possibly last… Children of the beguiled. Once their supposed father Charlie (Bogarde brilliant) arrives on the scene, the applecart is well and truly upset. He evokes a number of different passions in the children, good and bad, but he seems a genuine guy, however, both Charlie and the children have new colours yet to be revealed, and once out in the open all will form the potent and dramatic last quarter. The child actors are excellent, well guided by Clayton (The Innocents), who manages to bring out the various states of emotional confusion upon the death of the mother. Joyce in a rare serious role is good “Cougar” foil for Bogarde, Delerue’s music is very much in tune with the weird feel to the plotting, and Pizer’s photography really hits the psychological assistance markers, being particularly striking in the finale as the door to Hades is opened. Clayton and Bogarde were never happy with the finished film, but that's no marker to the quality on show here. It’s all a bit implausible of course, but very rarely does the pic disappoint. 8/10
Two brothers cannot overcome their opposite perceptions of life. One brother sees and feels bad in everyone and everything, subsequently he is violent, antisocial and unable to appreciate or enjoy the good things which his brother desperately tries to point out to him.
Dr. Burke Ryan is a successful self-help author and motivational speaker with a secret. While he helps thousands of people cope with tragedy and personal loss, he secretly is unable to overcome the death of his late wife. It's not until Burke meets a fiercely independent florist named Eloise that he is forced to face his past and overcome his demons.
On a quiet street in Helsinki, Sachie has opened a diner featuring rice balls. For a month she has no customers. Then, in short order, she has her first customer, meets Midori, a gangly Japanese tourist, and invites her to stay with her.
A young social climber wins the heart of a beautiful heiress but his former girlfriend's pregnancy stands in the way of his ambition.
An aging hood is about to go back to prison. Hoping to escape his fate, he supplies information on stolen guns to the feds, while simultaneously supplying arms to his bank robbing chums.
Rick Mason is the no-good lowdown rat who tries to capitalize on postwar patriotism and grief. He finagles a war widow into giving up her savings for a nonexistent memorial. When Mason falls in love with the widow he has pangs of conscience, but he reckons without his con-artist boss, who tends to bolster his arguments with muscle and bullets.
Detective Martin Beck investigates the grisly murder of a police Lieutenant in his hospital room, he soon realises the urgency of the case when it turns out the killer may hold a hatred for all policemen.
The main film character, an ordinary peasant Martyn Borylya, decided to get a noble order. Having chosen a little and primitive aim, in the chase of the artificial values, he loses everything.
After a spectacular college football career, John Harkless leaves the university to pursue a place in Indiana politics. He buys the failing Plattville Herald and, using the newspaper to expose various illegal activities, sets out to rid the county of all mobsters and corrupt officials.
A war veteran tries to investigate the murder of his son who was working as a Russian translator for the British intelligence service during the Cold War. He meets a web of deception and paranoia that seems impenetrable...
A married woman and a drifter fall in love, then plot to murder her husband.
