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Well done sequel that's not quite as good as Identity but still entertaining. Most of the movie was shot well however could've done without the shaky cam during the car chase scene at the end. Otherwise, solid movie through and through. **4.0/5**
**The Bourne Supremacy is my favorite of the franchise because it cranks up the action, raises the stakes but also remembers to grow and deepen its characters.** The Bourne Supremacy takes Bourne to new heights with bigger set pieces and effects as well as new depths by exploring more of Bourne’s mysterious past and trauma. The action in Supremacy is cranked up with a larger budget allowing more exciting sequences with multiple car chases, explosions, and hand-to-hand fights. This sequel also highlights Bourne’s spy craft and skills at infiltrating. He pieces the clues of a mystery together by stealing information, flipping sources, creating new contacts, tapping phone lines, and more. In addition, matt Damon shows more of Bourne’s struggle and agony in this film as he discovers more about his past and is disgusted with his past misdeeds resulting in a quest for some sort of redemption. The Bourne Supremacy takes everything from the action to the storytelling to the next level with that sequel that, in my opinion, is the best of the franchise.
"Jason Bourne" (Matt Damon) lives quietly with girlfriend "Marie" (Franka Potente) until a CIA-Russian deal goes wrong, their safety is compromised and after moving around from pillar to post trying to stay one step ahead of their pursuers - tragedy ensues. All of which drives the highly trained assassin to the conclusion that the CIA have screwed up his life for the last time - and he sets out for answers, and revenge! It hasn't quite the style of the first film, but as sequels go it's a strong, gripping effort with Brian Cox reprising his role as "Ward Abbott" and Joan Allen entering the fray as the CIA Deputy Director "Landy" who sees "Bourne" as a lethal threat who must be apprehended and/or eliminated at all costs. As with the first film, the story sticks closely to Robert Ludlum's book and Paul Greengrass picks up well from Doug Liman with a pacy and exciting story of betrayal and manipulation. Great stuff.
Duke Philippe marries Cristina, the daughter of a fisherman. But his brothers, seeing that they would be cut from the family inheritance set to go to Cristina, decide to get rid of her by imprisoning her in a tower and making the duke believe she died.
Despite the life threat hanging over his head, Stéphane decides to go back to Corsica for the funeral of Christophe, a childhood friend and companion in arms, murdered the day before. On this occasion, the chain of events which made him, the learned petit-bourgeois from Bastia, shift from delinquency to political radicalization and then to clandestinity, comes back to his mind.
Unemployed and unemployable, Tony is a sympathetic recluse with severe social problems, an addiction to VHS action films and a horrible moustache. Occasionally he snaps and murder is the result…
O Crime do Padre Amaro ("The Crime of Father Amaro") is a novel by the 19th-century Portuguese writer José Maria de Eça de Queiroz. It was first published in 1875 to great controversy.
A troubled arsonist spins a tale of espionage to a captivating girl, who becomes enthralled and entangled in his dangerous fantasies, leading to unexpected murder and chaos that change their lives forever.
A nomadic 16th century warrior, condemned to hell for his brutal past, seeks redemption by renouncing violence, but finds some things are worth burning for as he fights to free a young Puritan woman from the grip of evil.
1943: Nine-year-old Eero whose father is killed during the war is brought to Sweden to foster parents to his protection like thousands of other Finnish children. Eero feels lost, particularly as his foster mother Signe behaves very unfriendly. She was expecting a little girl and still mourns for her daughter who drowned in the sea.
A recently-married woman who has been labeled as mentally unstable, begins to suspect that someone close to her is the culprit in a sudden string of murders.
When an explosion at an oil well threatens hundreds of lives, a crack team is called upon to make a deadly desert crossing with nitroglycerine in tow.
A series of bawdy and satirical episodes written during the reign of the emperor Nero and set in imperial Rome. Like the more famous version made by Federico Fellini, an adaptation of Petronius' Satyricon.
Anna, the wife of government minister Alexis Karenin, visits Moscow to help straighten out a family quarrel. There, Count Alexis Vronsky falls in love with her. Television adaptation of a play based on Leo Tolstoy's novel by Marcelle Maurette.
