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*My Girl* (1991) is one of those movies that lingers long after the credits roll. At its core, it's a coming-of-age story that beautifully captures childhood innocence, friendship, and the tough lessons that come with growing up. The plot unfolds naturally, taking its time to let you connect with the characters, making the emotional moments hit even harder. It balances lighthearted humor with deeper themes without ever feeling forced, making it more than just a typical family drama. The directing by Howard Zieff keeps everything grounded, allowing the story to breathe and feel real. The cinematography leans into a nostalgic, warm aesthetic that perfectly complements the film's tone. There's a sense of comfort in the way it's shot, almost like flipping through old childhood memories. The script feels natural, with dialogue that flows effortlessly, making the characters feel genuine rather than overly scripted or dramatic. The score is subtle but effective, never overpowering the story but enhancing the emotions in just the right moments. When it comes to performances, Anna Chlumsky shines in her first major role, delivering a performance that feels authentic and heartfelt. Macaulay Culkin, fresh off his *Home Alone* success, takes on a very different role and does it with quiet charm. The supporting cast also does a great job, adding depth to the story without overshadowing the leads. Overall, *My Girl* is a beautifully crafted film that sticks with you. It’s emotional without being manipulative, nostalgic without being cliché, and tells a story that feels personal even decades later.
A weathered Sheriff returns to the remains of an accident he has spent a lifetime trying to forget. With each step forward, the memories come flooding back. Faced with his mistake once again, he must find the strength to carry on.
A young insecure man goes partying with his abusive friends. Often the butt of a joke in his friend group the man finds compassion from a girl he meets at the party.
The fates of three entwined families. Joséphine and Tomas have just got married. It was a joyful celebration. But soon, Joséphine’s parents will discover a darker side lurking behind the couple’s sunny happiness. Meanwhile, Mélanie tells her parents that she is pregnant but the father is not ideal.
Joel Barish, heartbroken that his girlfriend underwent a procedure to erase him from her memory, decides to do the same. However, as he watches his memories of her fade away, he realises that he still loves her, and may be too late to correct his mistake.
Two men share an odd friendship while they care for two women who are both in deep comas.
County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.
Léon, the top hit man in New York, has earned a rep as an effective "cleaner". But when his next-door neighbors are wiped out by a loose-cannon DEA agent, he becomes the unwilling custodian of 12-year-old Mathilda. Before long, Mathilda's thoughts turn to revenge, and she considers following in Léon's footsteps.
Several lonely hearts in a semi-provincial suburb of a town in Denmark use a beginner's course in Italian as the platform to meet the romance of their lives. The film, which unspools the connections and family drama shared between the students, complies with several aesthetic principles of Dogme 95 movement.
An examination on the effect of Franco-era religious schooling and sexual abuse on the lives of two longtime friends.
