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I hadn't seen this film since it was released when it was shown recently as a part of the Glasgow Youth Film Festival. The fact that it was chosen by the kids of today in what would have been just as unlikely a setting for this film as the North of England speaks volumes as to it's effect on challenging and breaking the stereotypical moulds that the British working class in the early 1980s was steeped in. The sylph-like "Billy" (the hugely engaging Jamie Bell) goes to boxing class each week but is soon more preoccupied by the adjacent dancing class of the no-nonsense "Mrs. Wilkinson" (Julie Walters) who gradually lets him join in. He's a bit scared that his dad (Gary Lewis) and his wayward brother "Tony" (Jamie Draven) will find out so it has to all be a bit clandestine. It's only when his striking miner father finds out from the boxing coach that "Billy" is spending his 50p elsewhere that a confrontation ensues and the film steps up a gear. The characterisations are strong and are not frightened to evolve - but not in a simplistic A+B=C fashion. There are troubles and traumas - not least those faced by a father who struggles with his own emotions; is facing financial difficulties, a wayward older son and a younger one who wants to dance and hangs about with best pal "Michael" (another strong effort from Stuart Wells) who is quite clearly gay. Walters and Bell and Bell and Lewis work well together here; allowing the story to emerge naturally and energetically and as feel-good films go, this takes some beating. It's the ultimate "anyone can do" film that resonates as well now as it did then - only, maybe, the soundtrack needs a bit of updating! Great film this - and there's even a tiny bit of Adam Cooper at the end.
Cameron, a Police Officer with psychic abilities, is called upon to interview an accused teen in hopes of finding the whereabouts of the teen's missing gay lover. His investigation immediately spirals into sordid tales of drug abuse, sexual obsessions, and a mysterious man living on a deserted mountain road.
After their mother dies and their father leaves them, teenage brothers Tex and Mason McCormick struggle to make it on their own.
A traveling accordionist and superintendent of an old castle lives in an unhappy marriage, with a grown up daughter and has a sister-in-law who has been in love with him for years. During a trip, he meets young journalist (Mato Pavelic)and falls madly in love. His visit to the old castle tears the family apart, resulting in tragedy.
Lara feels trapped in a world she no longer understands. Suffocated, she finds an escape in her childhood dreams and fantasies, but can she remain in this imaginary world forever or will reality prevail and force her to wake up?
A hypochondriac irks his partner by embracing the advice of an eccentric healer.
A teen girl’s experiences online and IRL blur together in this quietly inventive short by Micaela Durand and Daniel Chew. Through an ingenious use of subtitles, Durand and Chew seamlessly toggle between the banalities of young life and the fizzy, yearning commentary running beneath those same experiences when shared online.
A restless young man roves in the gay hotspots of a metropolis. Anonymous places dressed in mirrors, intense colors and kitschy decors are the landscape for this stranger in search of comfort, connection and himself.
29-year-old Eban has retreated home to his parent's house in Seaside Oregon after the dissolution of his teaching job in Seattle. There he courts 15-year-old Charlie and eventually the two start a sexual relationship. As the age of consent in Oregon is 18 years and given the age difference, the adults in this drama take a dim view of this development.
More interested in romance than sex, "Formula 17" swoons with youthful innocence. Naive country-boy Tien-Tsai travels to Taipei, where his quest to lose his virginity is impeded by his insistence on finding true love first. The film's Chinese title translates as "17-Year-Old's World" which accurately describes its niche.
