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It came out in '93 when I was 13 and seriously got addicted to the moody mystery thrillers. I mean, I grew up in a house that fostered a love for pulp fiction novels, Sabitini, Leonard, Howard, Hammett, and these movies kind of fall right into those novels. And this had a great cast, Elwes, Silverstone, Rubin, so the film was cast in a way that it could save whatever trash the script was lacking in. And in this case it's plot turns and mystery that it's lacking. The story itself is honestly pretty boring. And I don't fault anyone that objects to that. However, it has enough tension to really enjoy it. The acting is great. It really sets the mood in the right places. It's only when it comes down to the script itself where it fails, and even then the premise is interesting if it were done better.
Two lost souls visiting Tokyo - the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial - find an odd solace and pensive freedom to be real in each other's company, away from their lives in America.
The starship Enterprise and its crew is pulled back into action when old nemesis, Khan, steals a top secret device called Project Genesis.
After Silvia Broome, an interpreter at United Nations headquarters, overhears plans of an assassination, an American Secret Service agent is sent to investigate.
Some of Sin City's most hard-boiled citizens cross paths with a few of its more reviled inhabitants.
The Borg, a relentless race of cyborgs, are on a direct course for Earth. Violating orders to stay away from the battle, Captain Picard and the crew of the newly-commissioned USS Enterprise E pursue the Borg back in time to prevent the invaders from changing Federation history and assimilating the galaxy.
Advertising man Roger Thornhill is mistaken for a spy, triggering a deadly cross-country chase.
Newspaper magnate Charles Foster Kane is taken from his mother as a boy and made the ward of a rich industrialist. As a result, every well-meaning, tyrannical or self-destructive move he makes for the rest of his life appears in some way to be a reaction to that deeply wounding event.
Story of a young woman who marries a fascinating widower only to find out that she must live in the shadow of his former wife, Rebecca, who died mysteriously several years earlier. The young wife must come to grips with the terrible secret of her handsome, cold husband, Max De Winter. She must also deal with the jealous, obsessed Mrs. Danvers, the housekeeper, who will not accept her as the mistress of the house.
In the continuing saga of the Corleone crime family, a young Vito Corleone grows up in Sicily and in 1910s New York. In the 1950s, Michael Corleone attempts to expand the family business into Las Vegas, Hollywood and Cuba.
Two victims of traumatized childhoods become lovers and serial murderers irresponsibly glorified by the mass media.
In the midst of trying to legitimize his business dealings in 1979 New York and Italy, aging mafia don, Michael Corleone seeks forgiveness for his sins while taking a young protege under his wing.
