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This is a movie that you have to really watch. You cannot sit and divide your time between the movie and reading a book or glancing at your tablet. Doing that would be like watching half a painting. This movie is all about the graphical presentation. Its use of live actors yet with a cartoonish black and white (emphasize on black) look with some occasional splatter of colors is absolutely marvelous. Look down and you miss something. The background voice a’la old fashioned detective story only serves to reinforce the feeling of being dumped into an old cartoon. The story, or rather stories, are cartoon class material as well and not really much to write home about by themselves. They serve well enough to drive this particular movie though. The main actors where fitting right in and making a very enjoyable performance as far as I am concerned. Well, with the possible exception of Bruce Willis who mostly just stood around looking sad but then his role was a rather unrewarding one in the first place. I definitely liked Mickey Rourke as the rather exaggerated tuff guy Marv. This is a violent movie. Like Kill Bill violent if you know what I mean. If this movie would have been made as an ordinary live action movie without the cartoonish elements and the timely switch to silhouette images it would be grossly violent. Again, the cartoonish setting of the movie makes it simply work. Still, the movie is not for the squemish but then, this is the second Sin City movie, it is based on an existing cartoon and Robert Rodriguez had his hand in it so if you are surprised you either went into the wrong show room or should start to do a bit more research before deciding to watch something. I did find the fact that the movie actually revolved around two different stories a bit distracting though. A minor complaint but I was really expecting them to somehow get intertwined all through the movie and was a tad disappointed when the second story finished and so did the movie. Bottom line is that I quite enjoyed this movie. It is really a movie that stands out from the crowd in its use of black and white imagery and cartoon characters. It is black, grim and funny at the same time and for a photography interested person like me the imagery is really beautiful.
It's just not as good as the first. They over use colour, instead of tiny splashes here and there it's everywhere and it doesn't work Eva Green is absolutely perfect as Ava, I just wish her story was in the first film
A recently widowed detective still grieving over his wife's death discovers a shocking connection between himself and the suspects in a serial killing spree linked to the Four Horsemen of the Apocalypse.
Mind-control technology has taken society by a storm, a multiplayer on-line game called "Slayers" allows players to control human prisoners in mass-scale. Simon controls Kable, the online champion of the game. Kable's ultimate challenge becomes regaining his identity and independence by defeating the game's mastermind.
Fleeing New York City, a failed marriage and a fragile mental history, artist Robert Forrester moves to small-town Pennsylvania. There he becomes fascinated with the simple domesticity of a beautiful neighbor, watching her through the windows of her home -- until she invites him in for coffee. He is drawn into a relationship with the young woman whose boyfriend goes missing; Robert becomes a murder suspect, gradually sensing he is the target of a larger plot.
Haunted by memories of his father murdering a family, Arlis Sweeney prefers to keep to himself, focusing his energy on his work. One day, the traumatic past that eats away at him returns when he meets Kay Davies, a woman connected to the bloody event. Against all odds, Arlis and Kay fall in love; however, when his father, Roy, reappears in his life - with the coldhearted Ginnie in tow - Arlis must deal with his past demons.
When housewife Frances Hannon is abducted and buried alive, detective Madeline Foster is brought in. With only 24 hours before Frances' oxygen runs out, Madeline pursues the trail laid by a killer calling himself Harry Houdini. After capturing him, Madeline brings Harry back to the police station, but is unable to get him to confess where Frances is buried. As time runs down, Harry gets inside the head of unstable, alcoholic Madeline.
Sex & Fury chronicles Ocho's exploits as she searches for her father's killers, each identified by unique tattoos on their backs (a deer, a boar, and a butterfly). Along the way, she also crosses paths with Shonusuke, a radical set on murdering prominent politician Kurokawa and Christina, an American spy posing as a gambler.
An unhappy middle-aged banker agrees to a procedure that will fake his death and give him a completely new look and identity; one that comes with its own price.
Alex is going through a midlife crisis and it has become a very difficult time for him. His marriage is struggling, he's worried about his son, and his job of killing people for his family has become the most stressful part of his life. He seeks the help of a therapist and meets a woman in the waiting room that he connects with.
War heroes Rip Murdock and Johnny Drake are sent to Washington, D.C, to receive top honors for their service. Johnny, seemingly terrified by the publicity that awaits him, jumps off the train and later turns up dead. Suspecting foul play, Rip begins digging into his pal's past. He encounters cover-ups, threats to his own life and deadly femme fatale Coral Chandler.
Black police officer Russell Stevens applies for a special anti-drug squad which targets the highest boss of cocaine delivery to LA—the Colombian foreign minister's nephew. Russell works his way up from the bottom undercover, until he reaches the boss.