War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
This is by far the greatest movie of all time! Even better than the first Godfather!
Worthy sequel to the first movie. In something more meditative and unhurried, in something more philosophically meaningful than its legendary predecessor. Backstage games and backstage talks replaced the dramatic mood swings of the main characters and the exchange of fire. The second film continues the story of Michael Carleone in the role of the Godfather, and also complements the family story with scenes of the formation of the young Vito Andolini and his escape to America. The difficult choice of being young Don, his sphere of expansion of influence opens up new heights and horizons, but also acquires new enemies. Big money and power always keep pace with great temptation, and therefore you should always keep your ears open. After all, the knife in the back can insert exactly the one from whom you do not expect ...
Building on the first volume, this self-adaptation by writer Mario Puzo and director Francis Ford Coppola develops the story of the new Don - "Michael" (Al Pacino). His attempts to expand, and to a certain extent legitimise, the family businesses see him associating with the duplicitous "Hyman Roth" (Lee Strasberg) in Cuba; subject to betrayal, assassination attempts and fighting what may be a losing battle to keep his own family together - all whilst doing plenty of Machiavellian manipulation of his own. There is an equally strong parallel thread depicting how his father "Vito" (Robert de Niro) rose to prominence after fleeing Sicily after the murder of his family at the hands of "Don Ciccio". With the principal characters all now well established, we can hit the ground running with a solid and complex set of inter-connected, character-driven storylines. The superior cast deliver this story really effectively - Robert Duvall and Diane Keaton as the consigliere and wife respectively, standing out. The attention to detail alongside the instantly recognisable Nino Rota score add amply to what is just a great story of Michael's efforts to build upon (and honour) his father's legacy, before he loses all of his own, once prevailing, decency. It is long, and it does miss Brando, but Pacino is on super form as the increasingly ruthless and isolated - even lonely - figure and I reckon this is every bit as good at the "Godfather" (1972).
This Hollywood style formula movie about mobsters isn't as pathetic as the first or third one, simply because it is too dull and poorly directed to stay awake through. It's basically just a bunch of scenes of people "talking tough" or getting killed, with no point. If you're looking for a plot or story, forget it. There is none. It's a muddled mess. It appears that by the end, the chief mobster is in anguish over whether or not to kill his brother. Why? Who knows? None of this makes sense to those of us who aren't born with some super psychic ESP. It also appears there's some revenge, but we never know why, or who, or what. It's just a poorly directed and poorly written mess. It does cure Insomnia, though, which is why it gets a 2 rating instead of a 1.
New York in the 1920s. Max Perkins, a literary editor is the first to sign such subsequent literary greats as Ernest Hemingway and F. Scott Fitzgerald. When a sprawling, chaotic 1,000-page manuscript by an unknown writer falls into his hands, Perkins is convinced he has discovered a literary genius.
Smilja is a little girl living in Dalmatian Zagora. One day, her mother dies under a small oak tree and she is left without parents. Luckily, she gets adopted and continues to nurture the oak where her mother died. Many years later, Smilja is a handsome woman, but her jealous stepbrother Josip kills her boyfriend Ivan and rapes her. Ivan's brothers swear revenge.
The story of former Ulster Volunteer Force member Alistair Little. Twenty-five years after Little killed Joe Griffin's brother, the media arrange an auspicious meeting between the two.
Southern matriarch Madea has a lot on her plate. Her nieces, Vanessa and Lisa, have relationship troubles - Vanessa moves into Madea's house with her 2 young children and Lisa is engaged to a controlling man that her mother set her up with. In addition, Madea has just been court-ordered to become the guardian of Nikki, a rebellious runaway teenager. Madea must keep the peace and her family together while simultaneously planning her clan's reunion.
An honest, goodhearted man is forced to turn to a life of crime to finance his neurotic mother's skyrocketing medical bills.
Vikings pillage Ireland, seeking silver and slaves, slaying men and women in the process. A young boy is spared when a Viking takes pity on him instead of killing him. Twenty years later the boy returns to Iceland take his revenge.
Trausti returns to Iceland just in time to be entangled in a family feud over a stranded whale-cadaver. His mother (the family head) is mortally wounded and Grim kills Erikur; the other clan leader. Isold, daughter of Erikur now takes his place. Isold and Trausti are attracted to each other, but Isold was promised to Hjoerleifur - the son of the Bishop (of Iceland) and his powerful wife. However, Isold has a plan...
The real-life story of Dublin folk hero and criminal Martin Cahill, who pulled off two daring robberies in Ireland with his team, but attracted unwanted attention from the police, the I.R.A., the U.V.F., and members of his own team.
The life of a woman is transformed after she is diagnosed with a terminal disease, fired from her job and abandoned by her boyfriend. Given two months to live, she throws caution to the wind to pursue her dreams.
Two policemen, one an old-timer, the other his volatile younger partner, find themselves suspended when a video of their strong-arm tactics becomes the media's cause du jour. Low on cash and with no other options, these two embittered soldiers descend into the criminal underworld to gain their just due, but instead find far more than they wanted awaiting them in the shadows.
Holmes receives a message from Inspector Gregson (Igor Dmitriev) about a strange case in an abandoned house on Brixton Road: the body of an elderly American was found there, and the word "Revenge" is written in blood on the wall.