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I was surprised to actually like this film. Baby Doll, Sweet Pea, Rocket, Amber and Blondie are the 5 main characters in the film. As much as I like Baby Doll and her costume, I really liked Sweet Pea. Something in her was so familiar. She's the big sister who will do anything for her younger sister. That's me. I like the action scenes. Baby Doll was so sexy. I liked this movie.
Wow… Here I was, thinking I was going to get to see an awesome comic- like film about a group of girls kickin' a whole lotta butt surrounded by mind-bending fantasy scenery. Technically, I was right… But only technically. Sucker Punch is like Chinese food. You can eat three plates and it will still leave you feeling hungry. It's a great deal of empty calories, is basically what I'm saying. Substance? Nah. Let me just get right into it. What's wrong with Sucker Punch is the screenplay. Not the actors, not the director, just the story. This story revolves around a group of five girls in an institution for the mentally insane, in a fantastical, steampunk-wannabe 1940's (my best guess) setting. They are treated horribly and their lives are miserable, and to cope with it all, the main protagonist Babydoll, escapes into her fantasies and in this trance-like state, devises a plan for them all to escape. The concept is not bad. It might have even been really exciting, had it not been executed so laughably unrealistic. And by 'unrealistic', I don't mean the fantasies themselves. I'm referring to the fact that these fantasies were so obviously not dreamed up by an actual teenage girl, but rather they look like the perfect fulfillment of the wet wishes of a horny teenage boy. It is very likely that a teenage girl WOULD dream of being able to wield a samurai sword and beat up every monster, dragon and every other kind of bastard who crosses her path. She WOULD dream of coming out of every battle completely unscathed and with every hair on her pretty head still perfectly in place. She would NOT, however, be doing all of this scantily clad in sexy lingerie wearing fishnet stockings and high heels… I am a girl, with very vivid imagination. Trust me on this one. It was, in one word, ridiculous. Another thing that really bothered me was the way these characters were worked out. As obviously miserable as their personal predicaments were, I could not relate to a single one of them. They were all completely 2- dimensional and just flat-out uninteresting. I didn't care about what happened to a single one of them. I don't believe all of the blame for this falls on the actresses (although theirs weren't exactly Oscar winning performances...), again, I chalk it up to poor screen writing. The only one who was able to make her character slightly more than moderately interesting, was not even one of 'the girls', it was Dr. Vera Gorski, played by Carla Gugino. At least she was interesting to watch, and she was even somewhat of a scene-stealer, taking much thunder away from the girls simply because she (both the actress and the character) had the biggest personality. All the others, I felt were mostly just going through the motions, because they had zero character development and no interesting dialogue to work with. And that's bad when you're talking about the characters that are supposed to carry the story. A pleasant (and much needed surprise) came in the form of Scott Glenn, who only appears in the fantasy segments as several different versions of a wise man. That was a nice touch. However, the one thing that really stood out for me as the true axis of failure that sums up Sucker Punch, was the feeling of total confusion that was present from the beginning and never cleared up. I'm not saying I didn't 'get it', I'm saying it was a hot, incoherent mess. And I usually don't mind being thrown back and forth and to and fro throughout a film, I don't mind playing guessing games and wondering what it will all lead to. I DO mind when the roller-coaster ride is over and all I feel is queasy. Some people have suggested that this is a really deep and complex film, but honestly, I think they're just reading too much into it. The stupid thing is, for the most part it was completely predictable, and STILL it lacked structure and decent storytelling. That may seem like a paradox, but there's an easy way to explain it. In the words of the great Roger Ebert: "Now that's bad filmmaking." The only element in Sucker Punch that was somewhat redeeming, were the visual effects. I must say, it was all very gorgeous and eye-pleasing. Also, the soundtrack was excellent, filled with very well performed covers of well-known songs and some perfectly chosen originals. Emily Browning, who plays Babydoll (and also sings a few songs on the soundtrack), was a good choice for the lead role, but I must say, in all honesty, that was mostly because she was visually very appealing as the main protagonist. More simply put – she was very pretty. Still, I'm not sure that's enough to carry a film. All in all, I'm left feeling – Zack Snyder… Dude. What were you thinking. You can do so much better than this. I guess I just finally have to come to terms with the fact that everybody's human and is bound to make one big mistake at least once in their lives. Zack… this is yours. Sucker Punch sucks. _(November 2013)_
Snyder pushing buttons for polarising results. Off the bat I have to say I'm over thirty years older than what some pro critics have claimed is the demographic for this one. Sucker Punch, as reviews etc attest, is not for everyone, it has been called any number of things in derogative fashion, which since I enjoyed the film a lot means I'm a misogynist fetishist gamer, which to the best of my knowledge is not true. Lest I'm in the closet and now in middle age about to unleash traits and feelings previously untapped. Which if the latter is true you would have to say well done Zack Snyder, for that's serious film making... Sucker Punch is loud, full of visual orgasms, musically adroit, exciting, clever and very sexy. Snyder has made no secret of his fetish leanings when making this piece, but it hardy constitutes a dark seedy mind at work. It can easily be argued that the film is very much pro women, the story itself - in amongst the explosive thunder of the fantastical action - is tender and beautiful, complete with emotional kickers. Perhaps it's in the eye of the beholder? But I see a strong female led action movie, with shifting fantasy realms, and cunningly it calls for deeper ponder come the finale. Love it or hate it, Snyder has pushed buttons with this exercise. Better that than another cash cow sequel or another remake, re-imaging or rebirth. 7/10
I for one felt this was a masterpiece; a Zack Snyder original. The visual effects were stunning, the fight choreography was jaw dropping and the casts' performances were superb. Even the storyline itself was well written. This is one of my favourite films.
When a devoted husband and father is left home alone for the weekend, two stranded young women unexpectedly knock on his door for help. What starts out as a kind gesture results in a dangerous seduction and a deadly game of cat and mouse.
The residents of a small Alaskan town find themselves under attack by a flying reptile known in medieval mythology as a Wyvern. It has thawed from its ancient slumber by melting icecaps caused by global warming.
Von Ryan's Express stars Frank Sinatra as a POW colonel who leads a daring escape from WWII Italy by taking over a freight train, but he has to win over the British soldiers he finds himself commanding.
A Vietnam veteran, Charles Rane, returns home after years in a POW camp and is treated as a hero. He has a hard time adjusting, and things go badly. A movie about the walking dead, before that meant just flesh-eating zombies.
A virus spreads through an office complex causing white collar workers to act out their worst impulses.
Dave Lizewski is an unnoticed high school student and comic book fan who one day decides to become a super-hero, even though he has no powers, training or meaningful reason to do so.
The deranged military and former CIA agent Dean Cage is in a rehab program, trying to forget the traumatic loss of his best friend Scott in Bosnia. When he dates with his girl-friend and Scott's sister, Detective Amy Knight, in a dinning restaurant, he is mistakenly taken as being the CIA agent that is investigating the robbery of the military experiment EX by a man called Sullivan. He is injected with the drug and abducted by the thieves. Amy has six hours to find the also stolen antidote and save Dean's life.
The time is in the future and the youth gang violence is so high that the areas around some schools have become "free-fire zones", into which not even the police will venture. When Miles Langford, the head of Kennedy High School, decides to take his school back from the gangs, robotics specialist Dr. Robert Forrest provides "tactical education units". These are amazingly human-like androids that have been programmed to teach and are supplied with devastatingly effective solutions to discipline problems. So when the violent, out-of-control students of Kennedy High report for class tomorrow, they're going to get a real education... in staying alive!
This is the story of a little robot known as Pinocchio 3000 whose greatest wish is to become a real boy. The year is 3000. Geppetto, with the help of his faithful assistant, Spencer the cyber penguin, and by the holographic fairy Cyberina, creates Pinocchio, a prototype superrobot equipped for emotions. But before he can be given a heart and become a real boy, Cyberina insists that Pinocchio learn the difference between right and wrong.
The Haunted World of El Superbeasto is an animated comedy that also combines elements of a horror and thriller film. It is based upon the comic book series created by Rob Zombie that follows the character of El Superbeasto and his sexy sidekick sister, Suzi-X, voiced by Sheri Moon, as they confront an evil villain by the name of Dr. Satan.
A Chicago cop is caught in the middle of a gang war while his own comrades shun him because he wants to take an irresponsible cop down.