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I was surprised to actually like this film. Baby Doll, Sweet Pea, Rocket, Amber and Blondie are the 5 main characters in the film. As much as I like Baby Doll and her costume, I really liked Sweet Pea. Something in her was so familiar. She's the big sister who will do anything for her younger sister. That's me. I like the action scenes. Baby Doll was so sexy. I liked this movie.
Wow… Here I was, thinking I was going to get to see an awesome comic- like film about a group of girls kickin' a whole lotta butt surrounded by mind-bending fantasy scenery. Technically, I was right… But only technically. Sucker Punch is like Chinese food. You can eat three plates and it will still leave you feeling hungry. It's a great deal of empty calories, is basically what I'm saying. Substance? Nah. Let me just get right into it. What's wrong with Sucker Punch is the screenplay. Not the actors, not the director, just the story. This story revolves around a group of five girls in an institution for the mentally insane, in a fantastical, steampunk-wannabe 1940's (my best guess) setting. They are treated horribly and their lives are miserable, and to cope with it all, the main protagonist Babydoll, escapes into her fantasies and in this trance-like state, devises a plan for them all to escape. The concept is not bad. It might have even been really exciting, had it not been executed so laughably unrealistic. And by 'unrealistic', I don't mean the fantasies themselves. I'm referring to the fact that these fantasies were so obviously not dreamed up by an actual teenage girl, but rather they look like the perfect fulfillment of the wet wishes of a horny teenage boy. It is very likely that a teenage girl WOULD dream of being able to wield a samurai sword and beat up every monster, dragon and every other kind of bastard who crosses her path. She WOULD dream of coming out of every battle completely unscathed and with every hair on her pretty head still perfectly in place. She would NOT, however, be doing all of this scantily clad in sexy lingerie wearing fishnet stockings and high heels… I am a girl, with very vivid imagination. Trust me on this one. It was, in one word, ridiculous. Another thing that really bothered me was the way these characters were worked out. As obviously miserable as their personal predicaments were, I could not relate to a single one of them. They were all completely 2- dimensional and just flat-out uninteresting. I didn't care about what happened to a single one of them. I don't believe all of the blame for this falls on the actresses (although theirs weren't exactly Oscar winning performances...), again, I chalk it up to poor screen writing. The only one who was able to make her character slightly more than moderately interesting, was not even one of 'the girls', it was Dr. Vera Gorski, played by Carla Gugino. At least she was interesting to watch, and she was even somewhat of a scene-stealer, taking much thunder away from the girls simply because she (both the actress and the character) had the biggest personality. All the others, I felt were mostly just going through the motions, because they had zero character development and no interesting dialogue to work with. And that's bad when you're talking about the characters that are supposed to carry the story. A pleasant (and much needed surprise) came in the form of Scott Glenn, who only appears in the fantasy segments as several different versions of a wise man. That was a nice touch. However, the one thing that really stood out for me as the true axis of failure that sums up Sucker Punch, was the feeling of total confusion that was present from the beginning and never cleared up. I'm not saying I didn't 'get it', I'm saying it was a hot, incoherent mess. And I usually don't mind being thrown back and forth and to and fro throughout a film, I don't mind playing guessing games and wondering what it will all lead to. I DO mind when the roller-coaster ride is over and all I feel is queasy. Some people have suggested that this is a really deep and complex film, but honestly, I think they're just reading too much into it. The stupid thing is, for the most part it was completely predictable, and STILL it lacked structure and decent storytelling. That may seem like a paradox, but there's an easy way to explain it. In the words of the great Roger Ebert: "Now that's bad filmmaking." The only element in Sucker Punch that was somewhat redeeming, were the visual effects. I must say, it was all very gorgeous and eye-pleasing. Also, the soundtrack was excellent, filled with very well performed covers of well-known songs and some perfectly chosen originals. Emily Browning, who plays Babydoll (and also sings a few songs on the soundtrack), was a good choice for the lead role, but I must say, in all honesty, that was mostly because she was visually very appealing as the main protagonist. More simply put – she was very pretty. Still, I'm not sure that's enough to carry a film. All in all, I'm left feeling – Zack Snyder… Dude. What were you thinking. You can do so much better than this. I guess I just finally have to come to terms with the fact that everybody's human and is bound to make one big mistake at least once in their lives. Zack… this is yours. Sucker Punch sucks. _(November 2013)_
Snyder pushing buttons for polarising results. Off the bat I have to say I'm over thirty years older than what some pro critics have claimed is the demographic for this one. Sucker Punch, as reviews etc attest, is not for everyone, it has been called any number of things in derogative fashion, which since I enjoyed the film a lot means I'm a misogynist fetishist gamer, which to the best of my knowledge is not true. Lest I'm in the closet and now in middle age about to unleash traits and feelings previously untapped. Which if the latter is true you would have to say well done Zack Snyder, for that's serious film making... Sucker Punch is loud, full of visual orgasms, musically adroit, exciting, clever and very sexy. Snyder has made no secret of his fetish leanings when making this piece, but it hardy constitutes a dark seedy mind at work. It can easily be argued that the film is very much pro women, the story itself - in amongst the explosive thunder of the fantastical action - is tender and beautiful, complete with emotional kickers. Perhaps it's in the eye of the beholder? But I see a strong female led action movie, with shifting fantasy realms, and cunningly it calls for deeper ponder come the finale. Love it or hate it, Snyder has pushed buttons with this exercise. Better that than another cash cow sequel or another remake, re-imaging or rebirth. 7/10
I for one felt this was a masterpiece; a Zack Snyder original. The visual effects were stunning, the fight choreography was jaw dropping and the casts' performances were superb. Even the storyline itself was well written. This is one of my favourite films.
David Sumner, a mild-mannered academic from the United States, marries Amy, an Englishwoman. In order to escape a hectic stateside lifestyle, David and his wife relocate to the small town in rural Cornwall where Amy was raised. There, David is ostracized by the brutish men of the village, including Amy's old flame, Charlie. Eventually the taunts escalate, and two of the locals rape Amy. This sexual assault awakes a shockingly violent side of David.
Precocious teenager Juliet moves to New Zealand with her family and soon befriends the quiet, brooding Pauline through their shared love of fantasy and literature. This friendship gradually develops into an intense and obsessive bond.
Set in the South just after the US Civil War, Laurel Sommersby is just managing to work the farm without her husband, believed killed in battle. By all accounts, Jack Sommersby was not a pleasant man, thus when he suddenly returns, Laurel has mixed emotions. It appears that Jack has changed a great deal, leading some people to believe that this is not actually Jack but an imposter. Laurel herself is unsure, but willing to take the man into her home, and perhaps later into her heart.
A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. But in the course of a single day he unknowingly captures a death on film.
In a world ravaged by crime, the entire island of Manhattan has been converted into a walled prison where brutal prisoners roam. After the US president crash-lands inside, war hero Snake Plissken has 24 hours to bring him back.
Tom Ludlow is a disillusioned L.A. Police Officer, rarely playing by the rules and haunted by the death of his wife. When evidence implicates him in the execution of a fellow officer, he is forced to go up against the cop culture he's been a part of his entire career, ultimately leading him to question the loyalties of everyone around him.
Based on Frank Miller's graphic novel, "300" is very loosely based the 480 B.C. Battle of Thermopylae, where the King of Sparta led his army against the advancing Persians; the battle is said to have inspired all of Greece to band together against the Persians, and helped usher in the world's first democracy.
Bilbo Baggins the Hobbit was just minding his own business, when his occasional visitor Gandalf the Wizard drops in one night. One by one, a whole group of dwarves drop in, and before he knows it, Bilbo has joined their quest to reclaim their kingdom, taken from them by the evil dragon Smaug. The only problem is that Gandalf has told the dwarves that Bilbo is an expert burglar, but he isn't...
When former Green Beret John Rambo is harassed by local law enforcement and arrested for vagrancy, he is forced to flee into the mountains and wage an escalating one-man war against his pursuers.
Morgan Adams and her slave, William Shaw, are on a quest to recover the three portions of a treasure map. Unfortunately, the final portion is held by her murderous uncle, Dawg. Her crew is skeptical of her leadership abilities, so she must complete her quest before they mutiny against her. This is made yet more difficult by the efforts of the British crown to end her pirate raids.
When a car bomb explodes on the American side of the U.S./Mexico border, Mexican drug enforcement agent Miguel Vargas begins his investigation, along with American police captain Hank Quinlan. When Vargas begins to suspect that Quinlan and his shady partner, Menzies, are planting evidence to frame an innocent man, his investigations into their possible corruption quickly put himself and his new bride, Susie, in jeopardy.