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"Too little of too much" would describe this movie well, which presented us a dystopian New York with development potential and characters whose background is shared, exposed with brief moments of characterization that made me feel like I was missing this movie's predecessor. It didn't exist, and so the end result was of an expanded universe of unknown circumstances - except for the brief introduction we got in the opening credits - where the events barely told the story during the time it was running. But where this movie failed in terms of script, it almost made up with atmosphere and music. It sounds great throughout, but the credit goes to the opening theme that is as minimal as the presentation is grounded, in that humble approach of whom ambition wasn't unheard. Sadly, it's not the case of a classic whose production values challenge the computer generated visuals of today (and ironically this movie's novelty was the wireframe view), but if you're interested in history and want to make a contextual analysis, you may find something worth treasuring. __________________ When authors create they sign. When editors hack they design.
A Snake, a Brain, a Cabbie, a Duke and the President Of The USA. It's 1997 and Manhattan Island is a walled off prison, during the flight of Air Force One the president's plane is taken over by a terrorist and the president ejects out in the safety pod. Sadly for him he lands right in the middle of Manhattan Island. When an armed unit lands inside the walls they are told that the president has been taken hostage and they must get out of their prison ASAP. At a loss what to do, the authorities decide to send one man in alone, ex war hero turned criminal, Snake Plissken, not only does he have to contend with surviving the incredibly hostile prison, he also has a time bomb implanted in his body that, should he not get the president out safely within 24 hours, will explode and mean no more Snake Plissken! Made in 1981 and set in 1997, it's safe to say John Carpenter is not the best predictor of the future around. However, his vision of a future where America has thrown all its criminals on one island, where they create their own society out of harms way, has to rank as an incredibly adroit piece of work. This place is grim and deadly, the flotsam and jetsam of society thrust together in this bleak and desolate place of class separation. What Carpenter has achieved with his usual minimal budget allowance is a smouldering sci-fi classic that may be as daft as they come, but it pulses with cool and cheekily slaps you around the face with its cheeky satirical edginess. Kudos is given to the great production design from Joe Alves, who along with Carpenter has crafted this brilliantly dirty netherworld of crime. Our anti-hero of the piece, Snake Plissken, is superbly played by Kurt Russell, the original choice interestingly was Tommy Lee Jones, but Russell fuels Plissken's mantra to make him one of the eighties coolest grumpy bastards, and his work here is first class in terms of the films' apocalyptic structure. Surroundning Russell is a wealth of quality performers each adding their personal bits to this tick-tock stew, Lee Van Cleef, Ernest Borgnine, Donald Pleasance, Harry Dean Stanton, Adrienne Barbeau and Isaac Hayes all earn their money and flesh out the story to the end. Calling Escape From New York an action picture would be setting first time viewers up for a real let down, what action there is is minimal but highly effective, the machismo flourishes acting more as a point of reference to the picture's time bomb urgency. I like to think of the film as being more a sci-fi adventure yarn laced with darkly comic humour, with of course machismo thrown in as a side salad to accentuate the bleakness of it all. A wonderful concoction indeed. 9/10
Nails the "post-apocalyptic except the world didn't end" vibe. _Final rating:★★★★ - Very strong appeal. A personal favourite._
After "The Poseidon Adventure", in which the ship got flipped over by a tidal wave, the ship drifts bottom-up in the sea. While the passengers are still on board waiting to be rescued, two rivaling salvage parties enter the ship on search for money, gold and a small amount of plutonium.
Blood & Thunder (2024) was a professional wrestling event produced by Major League Wrestling (MLW), which took place on July 12, 2024, at The Coliseum in St. Petersburg, Florida. It was the fourth event under the Blood and Thunder chronology, and the first to be aired live. The event streamed live on MLW's YouTube channel, while additional matches were taped for Never Say Never, which aired as a TV special on August 10 on BeIN Sports USA and MLW's YouTube channel.
In the future, medical technology has advanced to the point where people can buy artificial organs to extend their lives. But if they default on payments, an organization known as the Union sends agents to repossess the organs. Remy is one of the best agents in the business, but when he becomes the recipient of an artificial heart, he finds himself in the same dire straits as his many victims.
In a series of escalating encounters, former security guard David Dunn uses his supernatural abilities to track Kevin Wendell Crumb, a disturbed man who has twenty-four personalities. Meanwhile, the shadowy presence of Elijah Price emerges as an orchestrator who holds secrets critical to both men.
American novelist David Raybourne accidentally becomes entangled in the Red Brigade's terrorist plan to kidnap Italian Premier Aldo Moro during a research trip to Rome. As the terrorists attempt to kill David, he and his photojournalist friend must struggle to stay alive.
The final stop on the Road to WrestleMania 37 shifts into high gear as Nia Jax & Shayna Baszler take on Bianca Belair & SmackDown Women's Champion Sasha Banks for the Women's Tag Team Championships, Braun Strowman gets his chance at revenge against Shane McMahon, Big E defends his Intercontinental Championship against Apollo Crews, and "The Head of the Table" Roman Reigns faces off with Daniel Bryan for the Universal Championship.
A crime syndicate places a hit on a billionaire's daughter, making her the target of an elite assassin squad. A small band of down-and-out mercenaries protects her, fighting tooth and nail to stop the assassins from reaching their target.
Following his defeat by Master Ip, Cheung Tin Chi tries to make a life with his young son in Hong Kong, waiting tables at a bar that caters to expats. But it's not long before the mix of foreigners, money, and triad leaders draw him once again to the fight.
The nineteenth and final night of the 29th edition of the G1 Climax featuring the last match of the tournament. Taking place at the Nippon Budokan Arena in Tokyo, the show is headlined by the A Block Winner going up against the B Block Winner of this year's G1.
After surviving an attempt on his life by his former partner, officer Cliff Garrett (Norris) exacts revenge on those who wronged him by going undercover as a hit man. He works to gain the reputation and trust needed in order to be accepted by the burgeoning Seattle-area criminal underworld, but it is all done in order to take it down from within.
Final Battle 2007 was a professional wrestling event held by Ring of Honor. It took place on December 30, 2007 at the Manhattan Center in New York City, New York. The show was ROH's last show of 2007. One of the show's two main events was to feature Nigel McGuinness defending the ROH World Championship in a Four Way Fray against Bryan Danielson, Chris Hero and Takeshi Morishima. However, the night before McGuinness was severely injured in his defense against Austin Aries. During the match, Aries dove from the ring, smashing Nigel's face on the edge of the guard rail, resulting in a concussion, a broken nose and a gash about his eye that need 15 stitches. As a result, Aries was added to the Four Way Fray, with the winner getting a shot at the ROH World Championship at the Sixth Anniversary Show.
