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Should be required viewing in Parenting 101 courses. And also for anyone who thinks conversion therapy for gender issues is the solution. This film was the first jewel in the crown of Peter Jackson, a truly creative director, with clear vision. We're not worthy.
**An excellent film that shows the talent of Peter Jackson and the strength and commitment of a magnificent duo of young actresses.** I really liked this film. Like the overwhelming majority of people, I didn't know about the real crime behind the story of this film, where the friendship between two teenagers turns into a sexual and romantic obsession and leads the two young women to kill the mother of one of them, in hope that they can run away or stay together. Directed by Peter Jackson, still a long way from dreaming that he would be as successful as “The Lord of the Rings”, the film is excellent and does a great job in terms of recreating the events and psychology of the two central characters. Of course, according to what I've read, the facts are not entirely clear as to the nature of the relationship the two girls had, but it seems quite clear that, at the very least, there was a very strong obsession between them and a certain dissociation from reality. , through the creation of a fantasy alternative world that functioned as an escape. The film shows us this clearly and manages to maintain a certain ambiguity where it seems most necessary. This was the debut film for young Kate Winslet and Melanie Lynksey. None of them seem exactly like newcomers or inexperienced in the cinematographic art, which can only be a revealing parameter of talent, and of the great qualities that both have revealed since then, most especially Winslet, who has dedicated more time to cinema and achieved a different level of recognition. In addition to them, we also have the excellent performances by Sarah Peirse, Clive Morrison and Diana Kent, in the role of three of the paternal figures. Technically, the film doesn't have any major problems. The pace is ideal, there are no dead moments or situations that seem to be too much or to have been stilted, and the editing is very good and well executed. The cinematography is excellent, with great color and light, particularly in the fantasy scenes, where we enter the fantastic world that these young women created for themselves. The sets are good and, together with the costumes, recreate the period portrayed with verisimilitude. The filming locations are magnificent, very well selected and used. The soundtrack is equally good.
I had no idea what this story was about. I had no idea what these girls were about. Great to put it all together and shocking to see them carry it out. And it happened. And one is an author...crazy. This is so crazy. The camera sure does lots of moves.
While working as a counselor at a summer camp, college-student Marjorie Morgenstern falls for 32-year-old Noel Airman, a would-be dramatist working at a nearby summer theater. Like Marjorie, he is an upper-middle-class New York Jew, but has fallen away from his roots, and Marjorie's parents object among other things to his lack of a suitable profession. Noel himself warns Marjorie repeatedly that she's much too naive and conventional for him, but they nonetheless fall in love.
A calculating divorcée risks her chances at wealth and security with a man she doesn't love by getting involved with a hotheaded murderer.
Based on the Mario Mendoza's book and inspired by true events, tells three interconnected stories happening in the eve of the infamous Pozzetto Massacre.
An LA police officer is murdered in the onion fields outside of Bakersfield. However, legal loopholes could keep his kidnappers from receiving justice, and his partner is haunted by overwhelming survivor's guilt.
Two straight actors must rehearse for an impending gay love scene. How will they make out?
Live chronicle of the landmark federal trial of California's Prop. 8 using the actual court transcripts and first-hand interviews.
Art editor Madeleine Damian carries on numerous loveless affairs. After a failed relationship with advertiser Felix Courtland, the increasingly depressed Madeleine attempts suicide. When Jack Garet, her secretary and former lover, tries to blackmail her, Madeleine resigns and seeks a reclusive life. Neighbor David Cousins befriends Madeleine, but soon Courtland and Garet discover her whereabouts and disrupt her new life.
Roland Dane finally retires to the house he was brought up in. Lost in thoughts of his lost love Lark, he does not want to be disturbed in his last days. However, the appearance of his niece and her subsequent romance with Lark's nephew causes him to reevaluate his life and offer some advice so the young couple doesn't make the same mistake he did, all those years ago.
Hillary and Bonnie meet one morning by the side of the road. They become fast friends, share their secrets, and, on a rising wave of frenzy, later that afternoon, murder an old woman. They did it, they say later, for fun.
Explores a fleeting moment between two strangers, revealing their brief connection in a hyper real fantasy.