Stage Fright

When an old adversary threatens Rome, the city calls once more on her hero and defender: Coriolanus. But he has enemies at home too. Famine threatens the city, the citizens’ hunger swells to an appetite for change, and on returning from the field Coriolanus must confront the march of realpolitik and the voice of an angry people.

Takatora Kureshima (Kamen Rider Zangetsu) visits a former Yggdrasill Corporation experimental project site located in the poverty and conflict stricken Republic of Torukia. He is visiting the site for the first time in 8 years, and is suddenly attacked! Suprised he stumble and falls into a giant hole which leads into an underground city. This underground city is the most dangerous place in the republic, in which many young men are killed defending themselves while trying to survive. These men use Lock Seeds and Drivers to transform into Armored Riders. Due to the fall Takatora has lost his memory. He is helped by the leader of Team Orange Ride. Unbeknownst to them, there are cameras hidden all around the underground city. The ones behind the cameras are responsible for the conflicts in the city. One man in particular is seeking revenge on Takatora for a specific reason...

Two friends turn on each other after discovering a rare artefact beneath a sacred shrine, and must hone their respective skills if they are to fight one another to the death in hopes of claiming it.

Maria is an actress, someone who is used to playing with and acting on feelings, her own as well as others’. However, behind the role there is a disappointed person who does not feel she has achieved what she wanted in life. All this changes when she is cast for the leading role in a play.

Revue Starlight ―The LIVE Seiran― BLUE GLITTER is a spin-off of Revue Starlight ―The LIVE― #2 Transition and features the students and staff of Seiran General Art Institute, which aims to win the national high school drama championship overall. Koharu Yanagi, head of the drama major in the stage department, is impatient because the performance has not been decided. The impatience spreads to deputy chiefs Ryo Minamifu and Hyonami Honami, and the gears of the three people slowly start to go haywire.

The story of the play, as with all the previous versions, depicts the Pearl Harbor Descent Mission on December 8, 11941, a prequel to the NieR:Automata video game.

National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.

Sharing the same dream two young actors embark on a journey filled with desire, determination and disappointment. When reckless Italian Alessandro meets cautious Englishwoman Celeste at a London acting school, they decide to move together to LA in the hope of striking gold in the Hollywood film industry. It tells the story of how dreams crash when faced with ugly reality, and how souls can be consumed by ambition.

Worried that he has not unlocked his full creative potential, Oscar, a young writer, throws away medication designed to remediate his schizophrenic outbursts. However, as his medication begins to wear off, Oscar finds it increasingly difficult to differentiate between the story he writes and the reality in which he lives. Centered around themes of isolation and perspective, THE FRONTIERS ARE MY PRISON explores the question: what does it mean to be a "frontiersman" in the twenty-first century?

An ex-theater actor is given one more chance to star in a musical yet his alcoholism may prevent it from happening.