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Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
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in 1992, Hollywood had certainly noticed Kenneth Branagh as he frequently achieved both critical and financial success in front of and behind the camera. America discovered what the United Kingdom had known for many years - before excelling in filmmaking, Branagh was a top stage actor and director! It would come as no surprise that the guy who found success bringing Shakespeare plays to modern audiences, honors and acknowledges his elders in a way that American filmmaker egos don't. This short film, **SWAN SONG**, is this on display. Adapted from an Anton Chekhov one-act play, and starring the late John Gielgud as an elderly actor at the sunset of his career. The whole piece is done in one location with only one additional actor, Branagh favorite Richard Biers as a theater employee who supports and understands the actors concerns. At just over 20 minutes, the focus is certainly on Gielgud. On the surface level, there is very little that suggests Branagh behind the camera. Looking a little deeper, the love of language and high drama, with the telling honoring a theatrical legend - Branagh is written all over it. As of this writing, the film is very difficult to watch aside from a couple horrible VHS ripped youtube videos.
Although Eva is a good swimmer, she was unable to save her brother from almost drowning. He is in a coma, and the cold relationship with her mother doesn’t help Eva feeling any less guilty. Then she discovers a mysterious puddle in her bathroom that leads her into the depths of the sea
New Year's Eve 1999 finds college-bound Clark and Trevor concerned about the future of their friendship, and a request for Clark to be Trevor's wingman ensures things will never be the same again.
Lucas wants a motorcycle. He meets Alvaro, who will give him money for just some innocent pictures. With them Alvaro is able to create a fake online identity to contact young girls.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
Newly arrived in town Nat and Gabe accept a dinner invitation from the volatile Hungarian Helene and her boorish husband Sasha. Whilst the other guests, ex-Bananarama member Marty, Angie, who 'makes bullets' and the supposedly suicidal Danny are affable enough, Nat and Gabe are shocked by their hosts' very public rows and Gabe's attempt at peace-making is awkwardly received. Nat is taken aback when virtual stranger Helene confides in her about Sasha's suspected infidelity and Gabe is rudely rebuffed when he tries to have a heart to heart with Sasha. After Helene physically attacks her husband the newcomers are desperate to leave but when Danny drops a bombshell Gabe is torn between responsibility and the easy way out.
Two high school friends, Caleb and Macon, are reunited after many years. During the tense reunion, Macon fights his tortured mind, wrestling with a dark secret that is the source of Caleb's greatest pain.
Seisho Music Academy, Siegfeld Institute of Music, and Seiran General Art Institute are to put on a play as part of an exchange program between the three schools. With Yachiyo supervising Siegfeld, she and the five middle schoolers meet with Claudine, Futaba, and Suzu. The play they will be performing is Seisho's popular program "The Wartime of Farewells". As it had been previously revived with Kaoruko and Maya in the lead roles, Claudine and Futaba participate with an extraordinary resolve; meanwhile, Suzu gains a keen interest in Siegfeld's newborn raw gems. Following Regalia, each of them has taken a step forward as a Stage Girl, but Shiro alone remains without a reason to stand on stage. Shiro has been a servant of the Siegfeld family since childhood, and has lived her life solely for Stella's sake, giving everything up for her. However, her reason of being is shaken up once a camaraderie between Stella and Ryoko starts to develop after their revue.
Led by Dylan Arnold (Oppenheimer, Halloween, Halloween Kills, Netflix's You), premiering at Cannes Court Métrage and landing its creators on Variety Magazine's "Students to Watch" list, Helpless comments on the high stakes of violence in America.
A lonely telephone operator leading an empty, amoral life finds God – only to have her faith continually tested in ways beyond what she could have imagined.
When a cynical ex-TV news anchor gets an alarming call on his radio show, he sees a chance for a career comeback — but it may cost his conscience.