Monster Mash 2024 - Movies (Feb 23rd)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
Gladiator II 2024 - Movies (Feb 23rd)
Swimming Home 2024 - Movies (Feb 22nd)
Sugar Mama 2025 - Movies (Feb 22nd)
Ghost Rite Here Rite Now 2024 - Movies (Feb 22nd)
The Bayou 2025 - Movies (Feb 21st)
Old Guy 2024 - Movies (Feb 21st)
Millers in Marriage 2024 - Movies (Feb 21st)
Inheritance 2025 - Movies (Feb 21st)
Daytime Revolution 2024 - Movies (Feb 21st)
Assassins Guild 2024 - Movies (Feb 20th)
The Day the Earth Blew Up A Looney Tunes Movie 2024 - Movies (Feb 19th)
The Forgotten Coast 2024 - Movies (Feb 19th)
Controlling My Husband 2024 - Movies (Feb 19th)
Rosebud Baker The Mother Lode 2025 - Movies (Feb 18th)
We Beat the Dream Team 2025 - Movies (Feb 18th)
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Australian Survivor - (Feb 23rd)
True Crime Presents - (Feb 23rd)
Air Crash Investigation- Special Report - (Feb 23rd)
The Only Way Is Essex - (Feb 23rd)
Married at First Sight - (Feb 23rd)
Oceanfront Property Hunt - (Feb 23rd)
All Elite Wrestling- Collision - (Feb 23rd)
Lakefront Luxury - (Feb 23rd)
Britains Got Talent- Unseen - (Feb 23rd)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
Gavin Stone, a washed-up former child star, is forced to do community service at a local megachurch and pretends to be Christian so he can land the part of Jesus in their annual Passion Play, only to discover that the most important role of his life is far from Hollywood.
Sam Shepard's Pulitzer Prize-winning play in a production by The New Group, directed by Scott Elliott. Dodge (Ed Harris) and Halie (Amy Madigan) try to hang on to their farmland and their sanity while caring for their two wayward grown sons (Rich Sommer and Paul Sparks). When their grandson (Nat Wolff) arrives no one seems to recognize him and a secret must be kept.
A true story about one US and one USSR delegate who, during 1982 talks in Geneva between USA and USSR on limiting medium-range nukes in Europe, met by accident in a nearby forest while on a stroll and informally started a key discussion.
Anna and Michailo grow up together, attracted to each other since their earliest days. When Anna's father dies, her brothers force her into marriage with the mean farmer Mikola. After years of absence, Michailo comes home, to get her back.
While Camille refuses Perdican's advances, she takes offense when he courts Rosette. Then begins a confrontation of pride, where each seeks to establish his ascendancy over the other in the name of love.
Based on Michael Morpurgo's novel and adapted for the stage by Nick Stafford, War Horse takes audiences on an extraordinary journey from the fields of rural Devon to the trenches of First World War France.
During a writing slump, playwright J.M. Barrie meets a widow and her four children, all young boys—who soon become an important part of Barrie’s life and the inspiration that lead him to create his masterpiece. Peter Pan.
Set halfway through the 17th century, a church play is performed for the benefit of the young aristocrat Cosimo. In the play, a grotesque old woman gives birth to a beautiful baby boy. The child's older sister is quick to exploit the situation, selling blessings from the baby, and even claiming she's the true mother by virgin birth. However, when she attempts to seduce the bishop's son, the Church exacts a terrible revenge.
Marcelline is an actress. Forty, single and childless, she begins rehearsals for Turgenev’s A Month in the Country. Denis, the director, admires her greatly and promises he’ll make her happy on stage — she will shine. But things don’t go to plan.
A hospice nurse working at a spooky New Orleans plantation home finds herself entangled in a mystery involving the house's dark past.
Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.