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He is the irrepressible spirit of youth. Under pressure due to his success, in a token socialite marriage, playwright J.M. Barrie is less than enamoured with his lot. Then whilst out walking his dog in Kensington Gardens, he meets widowed Sylvia Llewelyn Davies and her four young sons, George, Jack, Peter and Michael. It is the start of a long lasting friendship that revitalises Barrie and brings about his masterpiece, Peter Pan. OK, lets get the grumble out the way, you know the one, the one that so many are quick to mention. No this is not a definitive take on J.M. Barrie and this time in his life. Much like Allan Knee's play, "The Man Who Was Peter Pan", from which this is adapted, there are liberties taken and it's most definitely chronologically unsound. But this is not a biography is it? This is basically asking what sort of man conceived the magical world of Peter Pan? It's a celebration of childhood, life, whimsically asking us if it's wrong to keep the inner child in us all locked away as adulthood takes control? A tale of comedy blended with tragedy, from which glorious art is born to live long and forever, the kind that will be touching generations long after we have left this mortal coil. Elegantly crafted by director Marc Forster and his screenwriter David Magee, Finding Neverland could so easily have given way to over sentiment and floundered in the search for emotional kickers. Yet it doesn't because Forster (immeasurably aided by the lush cinematography by Roberto Schafer) has created a quaint Victorian world, a world where fantasy is never far away. What emotion is here (and there is lots of it) sits perfect within this setting. We are actually being asked to be Barrie himself, the makers daring us to not be swept up in the magic being born. Wonderful, wonderful stuff. Johnny Depp is perfectly cast as Barrie, delicately fusing childish playfulness with inner sorrow, Depp doesn't put a foot wrong. It will be a crime if this multi talented actor doesn't finish his career with the highest acting honour on offer, the Academy Award for Best Actor (nominated three times, including this performance), it's practically impossible to imagine another actor in this generation nailing the role of Barrie like Depp does. Playing off him expertly is Kate Winslet as Sylvia, raw and honest like, it's emotionally driven and gnaws away at the audience's heart strings. Yet it's young Freddie Highmore as Peter that steals the show. Very much the film's heart, his relationship with Barrie has a grace about it, with Highmore (just 12 at the time) able to portray a subtle tenderness that drives the relationship forward. Nominated for seven Academy Awards (including Best Picture), Finding Neverland won just the one for Jan Kaczmarek's poignant score. It matters not, because to me at least, this will forever be a personal favourite film. Something that just like Peter Pan himself, will never ever get old. 10/10
It can be just a little bit twee at times, this, but it's still quite an enjoyable look at the inspiration behind J.M. Barrie's timeless "Peter Pan". We start inauspiciously, though, as his latest play garners mediocre reviews. The pressure is on - he (Johnny Depp) must write something successful else risk his relationship with impresario Frohman (the very sparingly used Dustin Hoffman). Luckily, he encounters some children in the park playing with their mother "Sylvia" (Kate Winslet) and there starts a friendship that sees them all, and their dog "Nana", provide him with some much needed food for thought. There are some flies in his ointment, though. The young "Peter" (Freddie Highmore) still craves the return of their late father and her mother (Julie Christie) is entirely unsure of his motives and of his commitment. It's this latter concern that grows more important as he becomes more and more integrated with and fond of this family. Barrie comes up with an imaginative plan that might help the young "Peter" and his mother move on with their lives before we all discover that the children are in for another tragedy sooner than later, too. There's something touchingly straightforward about this drama and that's largely down to the engaging efforts from Highmore and his fellow siblings as they mess about and play at being children, dealing with grief and progress in their own way. There's a sub-plot illustrating his own troubled marriage with "Mary" (Radha Mitchell) which doesn't really add much, indeed, Depp himself doesn't really do much more than gently guide the story along as we watch the power of imagination and good will empower these young people, as it did so many others in "Neverland" and beyond. It's about healing, sure, but it's also about adventure and excitement and the thrills of being alive and young, invincible and immortal.
A group of friends meet in a cafeteria to discuss homework, there they come across a strange figure, a man with a horse head. The group gets puzzled and tries to find out more about the horseman when strange things begin to happen
Miser Ebenezer Scrooge is awakened on Christmas Eve by spirits who reveal to him his own miserable existence, what opportunities he wasted in his youth, his current cruelties, and the dire fate that awaits him if he does not change his ways. Scrooge is faced with his own story of growing bitterness and meanness, and must decide what his own future will hold: death or redemption.
The elderly Shukishi and his wife, Tomi, take the long journey from their small seaside village to visit their adult children in Tokyo. Their elder son, Koichi, a doctor, and their daughter, Shige, a hairdresser, don't have much time to spend with their aged parents, and so it falls to Noriko, the widow of their younger son who was killed in the war, to keep her in-laws company.
Akio wishes he had a better relationship with his reserved father Akira. One day Akira suddenly quits his job and retires without giving out any explanation to the family. Thinking it could be a good tool to be close to his father, Akio gives him software of online game "Final Fantasy XIV". By teaching his father how to play the game and secretly interacting with him as an anonymous online avatar, Akio hopes to know his father better through the adventures with other players in the game; little does the young man know what Akira is going through...
An English mystery novelist invites a medium to his home, so she may conduct a séance for a small gathering. The writer hopes to gather enough material for the book he's working on, as well as to expose the medium as a charlatan. However, proceedings take an unexpected turn, resulting in a chain of supernatural events being set into motion that wreak havoc on the man's present marriage.
When her father enlists to fight for the British in WWI, young Sara Crewe goes to New York to attend the same boarding school her late mother attended. She soon clashes with the severe headmistress, Miss Minchin, who attempts to stifle Sara's creativity and sense of self-worth.
Witty, playful and utterly magical, the story is a compelling romantic adventure in which Rosalind and Orlando's celebrated courtship is played out against a backdrop of political rivalry, banishment and exile in the Forest of Arden - set in 19th-century Japan.
Londoner Harry Fabian is a second-rate con man looking for an angle. After years of putting up with Harry's schemes, his girlfriend, Mary, becomes fed up when he taps her for yet another loan.
In a post-pandemic world, a grieving young widow struggling with her own self-destruction, fights to save people as part of a crisis response team. Embedded with the fire department, she is battling the men who don't want her there, the clients who fight her tooth and nail, and her own wounded psyche. She wants to save the world, if the job doesn't kill her first
In Northern England in the early 1960s, Frank Machin is mean, tough and ambitious enough to become an immediate star in the rugby league team run by local employer Weaver.
Boris Buzančić plays an idealistic young doctor who is assigned a nearly deserted village. The backwards residents at first resent Buzančić's new-fangled methods. Gradually, he proves his worth and wins their confidence. The clincher comes when Buzančić rids the community of a despotic villain.