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**A black comedy made for a restricted audience.** The film follows much of Yugoslav history, from its occupation by the Germans during World War II to its dismemberment. This is done through a small handful of characters: Marko and Blacky are friends, but follow different life paths: one becomes a kind of boss of the Communist Party, the other the head of a clandestine arms factory, which helps the another to get rich Directed by Emir Kusturica, it's a rather surreal and hard-to-understand film that feels like it was made for a niche audience that I don't belong to. There is something deeply cynical about all this, especially if we consider the critical way in which the director thought of the film: it is a film that does not bother to explain historical events, presumes that we already know them, and works on them in order to criticize the way we look at war heroes. I honestly prefer not to talk too much about the cast because I don't know any of those involved. Anyway, I feel they did a pretty satisfying job, considering the film it is and what the director wanted to do. The script has a lot of black humor, sometimes of debatable taste, and there are a number of issues that, if we think about it, make us question the plausibility of the script. For example, how is it possible for a group of people to stay hidden underground for so long without knowing what is going on in the world around them. It does not make sense. Technically, the film has excellent sets and a very well achieved cinematography. The editing is, however, a little poorly done as the film fails to maintain a regular pace, with several scenes too long. But what tired and irritated me the most was the strident soundtrack, dominated by a brass band and songs, with an adequate Slavic sound, but exaggeratedly strong and flashy.
Though this is a bit hit and miss, and I do wonder just how many editions of the BBC's "'Allo 'Allo" director Emir Kustrica had watched, this is still quite an entertaining look at the evolution of Yugoslavia from it's wartime Chetnik phase through until the dismantling of the country following the death of Tito. It's split into three distinct parts, and the start reminded me a little of the beginning of "Hannibal Brooks" (1969) with a zoo getting bombed and keeper "Ivan" (Slavko Stimac) rescuing one of his charges - a chimp this time, not an elephant. What now ensues follows how he, his brother "Marko" (Pedrag Manojlovic) and his best pal "Blacky" (Lazar Ristovski) as they try to keep their families safe during the Naxi onslaught whilst, at the same time, making a few extra dinars dealing on the black market. Only "Marko" gets to go above ground, the others remain below for their own safety - but as the war concludes, the former doesn't enlighten the latter - and so like a bunch of unaware moles, they continue to manufacture their munitions oblivious of the changes up top that see their new focus being anti-Communist activities as the regime of Josef Tito becomes firmly entrenched. The final phase deals with a sort of messy reconciliation of the first two parts as well as addressing the more raw issues faced as their country disintegrates into an abyss of civil war with profiteering and treachery rife, they lose touch and chaos reigns - despite the presence of the light blue berets of the UN troops. It's quite a long old watch, this, and there are times when you could easily take a razor blade to it, but the characterisations are quite enjoyably zany and entertaining whilst leaving enough substance to their principled behaviour in defence of their country and their communities to provoke some thought, too. The comedy isn't really sophisticated, it's actually pretty slap-stick for the most part (there's a scene at the end with a burning electric wheelchair that does rather sum the whole thing up), but that humour is used to quite potent effect pointing out just how traumatic it was for anyone growing up in this part of the Balkans in the last half of the 20th century, and at how stoically and energetically many took up that challenge. I can't say that any of the acting particularly stood out (except maybe the monkey having great fun inside a fully armoured tank), it's more of an ensemble effort that mixes farce with history quite engagingly.
During the Japanese occupation of China, two prisoners are dumped in a peasant's home in a small town. The owner is bullied into keeping the prisoners until the next New Year, at which time they will be collected. The village leaders convene to interrogate the prisoners. The townspeople then struggle to accommodate the prisoners. One is a bellicose Japanese nationalist, the other a nervous translator. Will the townspeople manage to keep the prisoners until the New Year?
Foon escapes an arranged marriage by walking the road of a Ji Sor. After an affair with Shing, she becomes pregnant. An attempted abortion nearly costs Foon her life. Wan, the young owner of a silk factory, rescues her. Wan and Foon share their romances, reflecting the experience of women during the 40's.
A CIA operation to purchase classified Russian documents is blown by a rival agent, who then shows up in the sleepy seaside village where Bourne and Marie have been living. The pair run for their lives and Bourne, who promised retaliation should anyone from his former life attempt contact, is forced to once again take up his life as a trained assassin to survive.
Bourne is brought out of hiding once again by reporter Simon Ross who is trying to unveil Operation Blackbriar, an upgrade to Project Treadstone, in a series of newspaper columns. Information from the reporter stirs a new set of memories, and Bourne must finally uncover his dark past while dodging The Company's best efforts to eradicate him.
The true, harrowing story of a young Jewish girl who, with her family and their friends, is forced into hiding in an attic in Nazi-occupied Amsterdam.
In 1942, in an occupied Paris, the apolitical grocer Edmond Batignole lives with his wife and daughter in a small apartment in the building of his grocery. When his future son-in-law and collaborator of the German Pierre-Jean Lamour calls the Nazis to arrest the Jewish Bernstein family, they move to the confiscated apartment. Some days later, the young Simon Bernstein escapes from the Germans and comes to his former home. When Batignole finds him, he feels sorry for the boy and lodges him, hiding Simon from Pierre-Jean and also from his wife. Later, two cousins of Simon meet him in the cellar of the grocery. When Pierre-Jean finds the children, Batignole decides to travel with the children to Switzerland.
Hayley’s a smart, charming teenage girl. Jeff’s a handsome, smooth fashion photographer. An Internet chat, a coffee shop meet-up, an impromptu fashion shoot back at Jeff’s place. Jeff thinks it’s his lucky night. He’s in for a surprise.
A faulty computer causes a passenger space shuttle to head straight for the sun, and man-with-a-past Ted Striker must save the day and get the shuttle back on track – again – all the while trying to patch up his relationship with Elaine.
In 1943, as Hitler continues to wage war across Europe, a group of college students mount an underground resistance movement in Munich. Dedicated expressly to the downfall of the monolithic Third Reich war machine, they call themselves the White Rose. One of its few female members, Sophie Scholl is captured during a dangerous mission to distribute pamphlets on campus with her brother Hans. Unwavering in her convictions and loyalty to the White Rose, her cross-examination by the Gestapo quickly escalates into a searing test of wills as Scholl delivers a passionate call to freedom and personal responsibility.
In the countryside near Normandy's beaches lives Marie, unhappy. It's 1945, she's married to Jérôme, a somewhat fussy milquetoast, diffident to the war around him and unwilling to move his wife to Paris, where she longs to live, shop, and party. A German outfit is bivouacked at Jérôme and Marie's crumbling château because its commanding officer is pursuing Marie. She's also eyed by a French spy working with the Allies as they plan D-Day. He woos her (posing to the Germans as her brother) and, in his passion, forgets his mission. Heroics come from an unexpected direction, and Marie makes her choice.
In the spring of 1944, in the Woëvre forest of Lorraine, a group of young maquisards takes in four German deserters. led by Saint-Brice is based in the Woevre forest. Lise, a nineteen-year-old girl, is their liaison officer. One evening, four German soldiers turn up as deserters. After a period of doubt, the maquisards agree to integrate them into their group. Lise falls in love with one of the newcomers, Werner, and becomes his mistress. One day, she leaves on a mission with Lucien, and comes across an enemy patrol. The SS shoot Lucien and free Lise. In the camp, people begin to think that the maquis has been betrayed.