War of the Worlds Extinction 2024 - Movies (Mar 28th)
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Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
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Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
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England’s Lions The New Generation 2025 - Movies (Mar 26th)
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The One Show - (Mar 29th)
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Gogglebox - (Mar 28th)
Well I suppose a sequel was bound to happen after the success of the first film, but sadly this isn't a patch on that. Essentially, this is exactly the same film only we substitute a lunar space shuttle for the aircraft. "Ted" (Robert Hays) has been certified (by "Perry Mason" himself - Raymond Burr) after his wartime PTSD finally got the better of him - or, perhaps because he was just aware of flaws in the systems of the shuttle that the big bosses wanted to overlook. Anyway, he manages to escape custody and get a black-market ticket for the flight that duly goes awry. Can he stop it from crashing into the moon-base and thereby really irking William Shatner's "Murdock"? Most of the cast from the first outing have stuck with this, and there are quite a few entertaining parodies for the likes of Burr, Shatner, Chuck Connors, Bono and Rip Torn but the comedy ship had already sailed. This is a feeble imitation that struggles right from the start to find that sweet spot; the humour is more crass and vulgar delivering more emphasis on the disjointed box office cameos rather than providing us with a decent plot. It's watchable but quite forgettable.
**A sequel that should never have been made because the first film did everything there was to be done.** After the success of “Airplane”, there was an immediate desire to make a sequel. However, the creators of the first film had serious doubts about this because they felt that they had run out of jokes about airplanes, that the film had done almost everything it could do and that there wasn't really a logical continuation for that work. And I think that feeling had a strong impact on the way this film was imagined: we are no longer on a plane, but on a space shuttle heading to a human colony on the Moon, somewhere in a future where the technologies and clothes are the same as from the period in which the film was made. It is Ken Finkleman who directs and scripts, due to the refusal of the original creators to embark on this new project. New direction, new creatives, new team, but the “recipe” used was virtually the same as the previous film: situational comedy, sometimes quite mischievous, in a succession of jokes that may or may not work well and resemble a kind of collage of humorous sketches united by a common thread. The film's humor is reasonably good and I think there was a substantive effort to match the quality of the initial film. However, I believe that the directors/writers of the first film were right when they said that the basic premise was tired, and that it would not be a good idea to make a new film that was too identical. In fact, the film's atmosphere is very warm, the ideas surrounding space travel are very far-fetched, the dialogues are excessively identical to those of the first film and even some of the best jokes are recycled and reused, in an effort to copy and paste that demonstrates a certain mental laziness. The pacing is decent enough, but the film, in general, doesn't give us an experience that could be said to be satisfactory. In addition to all this, I felt that the film also reuses part of the environments and settings from the first film. That is, if the story is set in the future and inside a lunar shuttle, why on earth does it continue to resemble the interior of a common plane? Once again, laziness, lack of investment in the project and, perhaps, lack of a decent budget. The cast is, to a large extent, the same as what we saw in “Airplane” with the same characters and saying the same jokes, in the same situations. I can't say that the actors didn't try to make an effort and give us a job well done, but I'm sure they received bad material and were part of a project that should never have gotten off the ground. One of the most obvious absences is Leslie Nielsen, an actor veteran enough to have certainly realized that it would be a bad idea to take part in this new film. Robert Hays and Julie Hagerty are back, but they are not that interesting and the work they do is very weak. William Shatner is one of the few actors who deserves a positive rating, and who manages the job well enough.
Amalgamated Dairies hires David Rutherford, an FBI man turned industrial saboteur, to investigate a popular new product called “the Stuff,” a new dessert product that is blowing ice cream sales out of the water. Nobody knows how it’s made or what’s in it, but people are lining up to buy it. It's got a delicious flavor to die for!
Ryan Harrison, a violin god, superstar and sex symbol does not want to cheat on sexy Lauren Goodhue's husband with her. Mr. Goodhue is found murdered and Ryan suddenly finds himself being the main suspect. After being sentenced to death he manages to flee while being transferred to his execution site. Now, all the world is after him as he stumbles from one unfortunate incident to the next in order to prove himself innocent - by finding a mysterious one-eyed, one-armed, one-legged man...
In this riot of frantic disguises and mistaken identities, Victor Pivert, a blustering, bigoted French factory owner, finds himself taken hostage by Slimane, an Arab rebel leader. The two dress up as rabbis as they try to elude not only assasins from Slimane's country, but also the police, who think Pivert is a murderer. Pivert ends up posing as Rabbi Jacob, a beloved figure who's returned to France for his first visit after 30 years in the United States. Adding to the confusion are Pivert's dentist-wife, who thinks her husband is leaving her for another woman, their daughter, who's about to get married, and a Parisian neighborhood filled with people eager to celebrate the return of Rabbi Jacob.
King Arthur, accompanied by his squire, recruits his Knights of the Round Table, including Sir Bedevere the Wise, Sir Lancelot the Brave, Sir Robin the Not-Quite-So-Brave-As-Sir-Lancelot and Sir Galahad the Pure. On the way, Arthur battles the Black Knight who, despite having had all his limbs chopped off, insists he can still fight. They reach Camelot, but Arthur decides not to enter, as "it is a silly place".
Instead of flying to Florida with his folks, Kevin ends up alone in New York, where he gets a hotel room with his dad's credit card—despite problems from a clerk and meddling bellboy. But when Kevin runs into his old nemeses, the Wet Bandits, he's determined to foil their plans to rob a toy store on Christmas Eve.
It is 1967, and Larry Gopnik, a physics professor at a quiet Midwestern university, has just been informed by his wife Judith that she is leaving him. She has fallen in love with one of his more pompous acquaintances Sy Ableman.
It's summertime and Johnny hits upon the idea of restoring a disused old bar with his old friends Benny and Bobby. Raising the capital however is a problem, but luckily the landlord's geeky daughter Polly has long harbored a crush on Bobby. Bobby wants no part of this and neither does Polly who smells a rat. As the boys work on restoring the bar, preparing for it's grand re-opening, Polly's guard softens as seemingly does Bobby's but at the expense of possible heartbreak in the unlikeliest of places....
Gabriela, a Colombian immigrant, is obsessed with understanding violent crime. The current string of murders by "The Blue Blood Killer" of affluent Miami socialites provides her with fodder for her scrapbook of death. She lands a job with a post-murder cleaning service and during a Blue-Blood clean-up job, discovers evidence that police have overlooked.
An Afro-American organization, the B.R.O.T.H.E.R.H.O.O.D., is in permanent fight against a white organization "The Man" defending the values of the black people in North America. When the Afro-American candidate Gen. Warren Boutwell behaves strangely in his presidential campaign, Undercover Brother is hired to work undercover for "The Man" and find what happened with the potential candidate.
Now that Frollo is gone, Quasimodo rings the bell with the help of his new friend and Esmeralda's and Phoebus' little son, Zephyr. But when Quasi stops by a traveling circus owned by evil magician Sarousch, he falls for Madellaine, Sarouch's assistant.
A psychiatrist with intense acrophobia (fear of heights) goes to work for a mental institution run by doctors who appear to be crazier than their patients, and have secrets that they are willing to commit murder to keep.