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Just found this in the bargain bin for $3. What a cast! Shia had such potential, very intense, perfect for this role. Maybe he can find his way out of wherever he is now and become the great actor he was on the brink of being. In general, the cast just looked old and tired for the activities they had to perform. I found that took away from what was a very interesting and varied plot line with enough twists to keep me interested for the whole 2 hours plus. I do recommend this film and it will go on my 'keepers' shelf for future viewing.
The Company You Keep keeps excellent company; Robert Redford, Chris Cooper, Susan Sarandon, Nick Nolte, Terrence Howard, Sam Elliott, Stephen Root, Julie Christie, Richard Jenkins. I would usually say that no movie can be bad that includes these people (even Stanley Tucci and Shia LaBeouf; Anna Kendrick as an FBI agent, on the other hand — that dog will not hunt, Monsignor), but the movie turns out to be too much of a good thing; these actors are capable of generating such a massive amount of gravitas that Redford, who also directs, ends up losing control and the film falls under its own weight. All those names in the credits make TCYK seem deeper than it really is, until we discover that screenwriter Lem Dobbs didn't bother to give them anything to do or say; as good as this cast is, they’re not miracle workers — in Lear’s words, “nothing will come of nothing.” Thus, many of them are reduced to glorified cameos, which tends to be counterproductive. What's the point of a Richard Jenkins cameo when nine out of 10 people in the audience have not the slightest idea who Richard Jenkins is? Or, if they recognize Root, it’s in a Troy McClure sort of way; i.e., "you may remember me from Office Space or Dodgeball." Redford, doing a The Fugitive routine as a former member of the Weather Underground, briefly insinuates himself, only to depart as abruptly as he appeared, into the lives of these individuals, none of whom we ever see again. You don't need Nick Nolte for this; for this you get Gary Busey (the poor man's Nick Nolte) and move on. Curiously, the real-life Weather Underground had strong Black Power ties, but all the ex-members we see in the film could very well pass for WASPs. At the same time, the only black character, federal agent Cornelius (Howard) is a representative of law and order — but no more of an 'Uncle Tom' than hippies playing revolution turned middle-class bourgeois three decades later.
A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he attempts to persuade a girl to run away to Italy with him.
The Maclean brothers, Paul and Norman, live a relatively idyllic life in rural Montana, spending much of their time fly fishing. The sons of a minister, the boys eventually part company when Norman moves east to attend college, leaving his rebellious brother to find trouble back home. When Norman finally returns, the siblings resume their fishing outings, and assess where they've been and where they're going.
Andy moves to New York to work in the fashion industry. Her boss is extremely demanding, cruel and won't let her succeed if she doesn't fit into the high class elegant look of their magazine.
Mark (a journalist from Xice Magazine) is sent to do a premier article on Steve and John (co-creators of XBus & owners of Bang-on Entertainment). They decide to take Mark on a ride that, unbeknownst to them, turns into a vicious nightmare. Caught in a revenge plot that's been brewing for years, Mark tries to escape with his life as our mysterious Beth reigns down punishment for Steve and John's past dirty deeds. What is a "just" consequence for a couple of scum-bag's?... And how far will one go to get even?
Inspired by true events of 2010 Polish Air Force Tu-154 crash in Smolensk, the film tells the partially fictional story of crash and various people affected by the tragedy. The protagonist is a journalist Nina, who refuses to accept the official version of the story and pursues her own independent investigation.
Lichter is an episodic tale from Hans-Christian Schmid about the life on the border between Germany and Poland. The film sheds light on the everyday stories of escape and desperateness.
In this loose adaptation of Shakespeare's "Henry IV," Mike Waters is a hustler afflicted with narcolepsy. Scott Favor is the rebellious son of a mayor. Together, the two travel from Portland, Oregon to Idaho and finally to the coast of Italy in a quest to find Mike's estranged mother. Along the way they turn tricks for money and drugs, eventually attracting the attention of a wealthy benefactor and sexual deviant.
A career criminal who has been deformed since birth is given a new face by a kindly doctor and paroled from prison. It appears that he has gone straight, but he is really planning his revenge on the man who killed his mentor and sent him to prison.
Zed is an American vault-cracker who travels to Paris to meet up with his old friend Eric. Eric and his gang have planned to raid the only bank in the city which is open on Bastille day. After offering his services, Zed soon finds himself trapped in a situation beyond his control when heroin abuse, poor planning and a call-girl named Zoe all conspire to turn the robbery into a very bloody siege.
Prot is a patient at a mental hospital who claims to be from a far away planet. His psychiatrist tries to help him, only to begin to doubt his own explanations.
Two victims of traumatized childhoods become lovers and serial murderers irresponsibly glorified by the mass media.