War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
A key film of the late Fifties/early Sixties French New Wave, À bout de souffle (Breathless) opens with suave lowlife Michel Poiccard (Jean-Paul Belmondo) stealing a car. When he's caught speeding on the way to Paris and pursued by the police, Michel kills the officer. Desperate to collect some money owed and make his escape to Italy, he hides out with Patricia (Jean Seberg), an American girl he had slept with once and who is oblivious to the danger he's in. This is one of the most influential films of all time in its liberal use of jump cuts, in idolizing American noir films and transferring that aesthetic to a foreign country, and its allusions to other films and even self-referentially to itself. Goddard left plenty of signs that he was seeking to overturn the staid French mainstream tradition, such as when Michel rebuffs a hawker selling Cahiers du cinema (the French film magazine), or when Patricia interviews a film director named Parvulesco, who is none other than Godard's New Wave comrade-in-arms Jean-Pierre Melville. À bout de souffle is undeniably dated. Even knowing all that context around its creation and reception, I found it hard to be really bowled over and cannot award the film a full five stars – and I am a great fan of Godard’s subsequent work. Still, there's a lot to like. I'm particularly fond of the film's dialogue, which revels in French slang that hitherto had not been consider "proper" for art, most of which goes over Patricia's head and some of which Michel explains. In that sense one might compare the film to Raymond Queneau's novel Zazie dans le métro from the same time. The sexual frankness of its young characters might surprise younger viewers who would place this social upheaval to later in the 1960s.
Jean-Paul Belmondo spends much of this film in just his boxers after his "Poiccard/Kovacs" character pinches a car, kills the pursuing police officer and the ends up taking refuge with his new journalism student friend "Patricia" (Jean Seberg). She's not quite aware of the extent of the trouble her new beau is in when he sets about trying to convince her that he has some cash coming and that they should go and live in Italy. His identity isn't exactly unknown to the cops either, and with his face plastered over the front page of every newspaper in Paris, his chances of attaining his idyll are beginning to look remote - especially as he has precisely no self-awareness as he travels the city for all to see. Of course, it has to be only a matter of time before "Patricia" finds out the truth about him - but what will she decide to do? It's essentially a two-hander between the pair and they gel well as the story gathers pace. Seberg's character is engaging and it's easy to see why she falls for the enigmatic and charming criminal who exudes about as much menace as a wet cabbage. There's a fun interview scene when she is charged with quizzing the writer "Parvulesco" (Jean-Pierre mMlville) - a rather pompous individual who announces his life's ambition is to become immortal and die. I guess that might have been how "Poiccard" might have looked at things too - though maybe not the second element too soon. Now the editing. Hmmm. It's messy. Might that be deliberate or just an intern with some sellotape and a blunt razor blade? It's another talking point for this quirky and entertaining crime drama - with a difference.
On the night of August 24, 1944, the fate of Paris rests with General von Choltitz, who plans to destroy the city on Hitler's orders. As the general prepares to detonate explosives throughout the capital, Swedish consul Raoul Nordling uses diplomacy in a desperate bid to convince him to defy the orders and save Paris.
Punk-rocker turned suburban mom, Kelly, is nostalgic for a life she can no longer have and uncertain of a future she doesn’t yet fit in. Seventeen-year-old Cal is frustrated at his lack of control over the hand he's been dealt. When the two strike up an unlikely friendship, it's the perfect spark needed to thrust them both back to life.
The classic story of Emma Bovary, the beautiful wife of a small-town doctor in 19th century France, who engages in extra marital affairs in an attempt to advance her social status.
'Alan Smithee' is a film about a boy growing up. It delves into the darker side of what 'growing up' sometimes means: growing into your flaws, inevitably being met with the errors of your parents, and the necessity to make room for the pain. While Alan is surrounded by what is thought to be the American ideal, all the material comforts that should equate happiness, he learns that sometimes all we are is lost in the woods.
In 1895, Oscar Wilde (1854-1900) was the most famous writer in London, and Bosie Douglas, son of the notorious Marquess of Queensberry, was his lover. Accused and convicted of gross indecency, he was imprisoned for two years and subjected to hard labor. Once free, he abandons England to live in France, where he will spend his last years, haunted by memories of the past, poverty and immense sadness.
One Night in Oslo follows a group of young people in Oslo’s Eastern parts on the night before Norway’s National Day, and reflects their expectations and emotions ahead of the celebration.
A month after Genji Takiya graduates, a new battle for supremacy at Suzuran All-Boys High School begins. Transfer student Kaburagi Kazeo combats Kagami Ryohei for the coveted top spot, amidst a brewing inter-school conflict with Kurosaki Industrial High.
Upon receiving a message from an old friend’s daughter, Goro arrives in Paris and learns of the elderly man’s wish to taste a particular soup he had in his childhood before he dies. Deciding to help, Goro sets out on a quest to find this mysterious soup, traveling through Japan, braving a storm, and even ending up in South Korea.
Amina, Djeneba and Zineb are three inseparable teenagers who find themselves in hot water when they post a video on social networks identifying an assailant who attacked one of the three. The video draws a public outcry, and they will have to choose between continuing their fight or giving in to pressure.
A man who has failed as a father and husband commits a heist to make money for his fledging business, but things become complicated when his wife interferes.
Precocious young Harriet and her older sister Gwen live at their mother's motel in small-town New Hampshire. Harriet dreams of a life beyond her inattentive family and the stultifying town. A mentally disabled man named Ricky comes to stay at the motel, and Harriet finds him kinder and more interesting than anyone she has ever met. After tragedy strikes, Harriet and Ricky cling to each other ever more tightly.