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- (Jan 1st)
Class of 92- Full Time - (Feb 23rd)
Never Mind the Buzzcocks - (Feb 23rd)
Australian Survivor - (Feb 23rd)
True Crime Presents - (Feb 23rd)
Air Crash Investigation- Special Report - (Feb 23rd)
The Only Way Is Essex - (Feb 23rd)
Married at First Sight - (Feb 23rd)
Oceanfront Property Hunt - (Feb 23rd)
All Elite Wrestling- Collision - (Feb 23rd)
Lakefront Luxury - (Feb 23rd)
Britains Got Talent- Unseen - (Feb 23rd)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
The agony of the moral high ground. Fred Zinnemann directs and Robert Bolt adapts the screenplay from his own play. It stars Paul Scofield, Wendy Hiller, Leo McKern, Robert Shaw, Orson Welles, Susannah York, Nigel Davenport and John Hurt. Music is by Georges Delerue and cinematography by Ted Moore. Plot has Scofield as Sir Thomas More, the man who refused to cede to the mighty machinations of King Henry VIII (Shaw). It's very much an actors movie, beautifully literate and costumed and photographed up to the nines. So not one for those more keen on the action orientated historical epic, then! The story is thriving on the anguish of Thomas More, who is torn between loyalty to his King and his own moral beliefs, the beliefs of his religion system and the potential damning of his soul. The political and religious machinations positively pulse throughout, vividly brought to life by a cast of great thespians (Scofield is as great as you have heard). Great credit has to go to Zinneman, one of the deserved recipients of the 6 Oscars the film garnered. He never lets the cast run away with things, no chewing the scenery or smell the fart acting, he keeps them in check and they respond by providing an utterly fascinating and compelling historical saga. But most of all, with all the royal pomp on show, it's the intelligence of the writing that shines brightest. The dialogue via the sharp script throws cloaks of suspicion over everything being played out. Religion and politics, huh, it's for the birds. Top film making. 8/10
Paul Scofield is superb as the Lord Chancellor of England ultimately torn between his loyalty to his king and to his conscience. As Henry VIII (Robert Shaw) becomes more and more infatuated by Anne Boleyn (Vanessa Redgrave) he insists that all of his subjects acknowledge his absolute supremacy over the church. Most, fearful for their lives and property, acquiesce but Sir Thomas More (Scofield) cannot. The King has long relied on the honest counsel of his friend as so initially is content to allow him to retire, but soon those conspiring against More use everything at their disposal to bring him to ruin. Wendy Hiller sensitively portrays his stoic wife desperate to save her husband from the scaffold but cognisant of his overwhelming sense of right and wrong. Leo McKern also stands out as his scheming successor Thomas Cromwell and there is a cameo from Orson Welles as the clearly out-of-favour Cardinal Wolsey. Robert Bolt adapts his own stage play without compromising the genuine sentiment of his original work - fear, honesty, integrity and power - making this a thought-provoking watch from Fred Zinnemann.
Hero and Beatrice, cousins and best friends, have very different approaches to love. Beatrice, burned once, is fiercely avoiding her arrogant ex-boyfriend Benedick and has sworn off men in general. Hero, a true romantic, is deeply in love with Benedick's friend Claudio, but too shy to say it. When they get trapped in a house with the entire boys rugby team, they'll be forced to face the questions they'd been avoiding.
When the young, attractive Joe Orton meets the older, more introverted Kenneth Halliwell at drama school, he befriends the kindred spirit and they start an affair. As Orton becomes more comfortable with his sexuality and starts to find success with his writing, Halliwell becomes increasingly alienated and jealous, ultimately tapping into a dangerous rage.
Socialite Judith Traherne lives a lavish but emotionally empty life. Riding horses is one of her few joys, and her stable master is secretly in love with her. Told she has a brain tumor by her doctor, Frederick Steele, Judith becomes distraught. After she decides to have surgery to remove the tumor, Judith realizes she is in love with Dr. Steele, but more troubling medical news may sabotage her new relationship, and her second chance at life.
Nora Moran, a young woman with a difficult and tragic past, is sentenced to die for a murder that she did not commit. She could easily reveal the truth and save her own life, if only it would not damage the lives, careers and reputations of those whom she loves.
Based on Güner Sümer's play, Bozuk düzen tells the story of four children (Erol Keskin, Nedret Güvenç. Ekrem Bora and Salih Güney) trying to survive difficult relationships and situations they are involved in.
A magician seeks vengeance upon the man who paralyzed him and the illegitimate daughter he sired with the magician's wife.
After a baron steals his scientific discoveries, runs away with his wife, and slaps him in public, a man joins a Parisian circus sideshow as a clown whose act consists of being slapped repeatedly and becomes infatuated with a showgirl colleague whose father intends to marry her off to the baron.
Middle-class housewife Kay Miniver deals with petty problems. She and her husband Clem watch her Oxford-educated son Vin court Carol Beldon, the charming granddaughter of the local nobility as represented by Lady Beldon. Then the war comes and Vin joins the RAF.
Life for a happy couple is turned upside down after their young son dies in an accident.
In the early years of the 20th century, Mohandas K. Gandhi, a British-trained lawyer, forsakes all worldly possessions to take up the cause of Indian independence. Faced with armed resistance from the British government, Gandhi adopts a policy of 'passive resistance', endeavouring to win freedom for his people without resorting to bloodshed.
As a young and naive recruit in Vietnam, Chris Taylor faces a moral crisis when confronted with the horrors of war and the duality of man.