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The Life of a Gangster! I Mobster is directed by Roger Corman and adapted to screenplay by Steve Fisher from the novel written by Joseph Hilton Smyth. It stars Steve Cochran, Lita Milan, Robert Strauss, Celia Lovsky and John Brinkley. A CinemaScope production, music is by Gerald Fried and Edward L. Alperson Junior and cinematography by Floyd Crosby. Roger Corman was late in coming to the film noir/crime splinter of film making, but in 1958 he manufactured two very accomplished gangster pictures. Machine Gun Kelly starring Charles Bronson was something of a success, so it was hardly surprising to see Corman serve up another helping of gangster cinema with I Mobster. Pic charts the rise of Joe Sante (Cochran), from a boy running bets for a local hood, to being the leader of all illegal and violent operations in the city. There’s nothing remotely new here as per the genre scheme of things, it is what it is, a straight forward tale of a bad man who finds himself getting deeper in the mire the higher up the hoodlum ladder he gets. On the side of this normal trajectory is how his climb affects those closest to him, notably the two ladies of his life, Ma Sante and Teresa Porter. Come the resolution of the tale, Joe Sante is hit with the stark realisation of the life he has led. But is it too late for him? Along the way there’s some sexy sizzle by way of a show put on by burlesque queen Lili St. Cyr, while Corman even inserts a sex metaphor that’s so unsubtle that Hitchcock himself would doubtless have approved. Corman re-teams from “Kelly” with Crosby and Fried, who once again provide crisp black and white images and furious jazz strains respectively. He is well served by his cast, Cochran is too old for the role as written, but he has a magnetic presence. Milan impacts strongly as the one time honest girl turned moll in the name of love, while Lovsky as Joe’s weary mother is hugely effective in conveying a parent with a broken heart. Best of the bunch is Strauss as Black Frankie, he’s a larger than life henchman and with the writers affording the character some telling passages in the play, Strauss responds in kind. Recommended fare for genre fans after a quick fix of gangster shenanigans. 7/10
Johnny Quinlan is so desperate for a job that he takes a gig as a "bag man" for the mob. Meanwhile, his beleaguered wife has to deal with her bizarre, unemployed, wise-cracking brother and various neighbors while keeping house in their Brooklyn tenement.
A young aspiring screenwriter takes a ride along to research his script. But this is no ordinary ride along: he’s researching for a gangster film. And he may have bitten off more than he can chew.
They're the real 'goodfellas': 'Joe Dogs' Iannuzzi, Tommy DelGiorno, 'Big Dom' Lofaro. For the first time on television, Mafia turncoats give personal accounts of life inside the Mob. In this shocking documentary, five high-ranking informants tell tales of murder, brutality, greed and vanity-and why they broke the Sicilian code of honor. The first generation of the American Mafia stood on the foundation of loyalty and a code of silence. The second and third generations traded their Sicilian traditions for government protection and instant personal gain. MOB STORIES presents five chilling narratives from five members of the underworld, most of whom are overwhelmed with fear and paranoia with the exception of “Fat Jackie”, a loyal lifelong mobster. Father and son team, Alan and Marc Levin, direct and produce an honest and personal portrayal of the demise of the Mafia.
The story follows Jamie, a troubled young man with a birthmark on his face, which has left him feeling isolated and fearful, hiding from the world outside. He lives in the East End of London, an area notorious for its violent hooded gangs. According to news reports, the gangs are now wearing demon masks. But, one night, Jamie discovers the terrifying truth.
Four sons of well-known New York mobsters must retrieve a bag of cash from a small Montana town ruled by a corrupt sheriff.
Ivanhoe Martin arrives in Kingston, Jamaica, looking for work and, after some initial struggles, lands a recording contract as a reggae singer. He records his first song, "The Harder They Come," but after a bitter dispute with a manipulative producer named Hilton, soon finds himself resorting to petty crime in order to pay the bills. He deals marijuana, kills some abusive cops and earns local folk hero status. Meanwhile, his record is topping the charts.
When a Las Vegas performer-turned-snitch named Buddy Israel decides to turn state's evidence and testify against the mob, it seems that a whole lot of people would like to make sure he's no longer breathing.
An inside look at Italy's modern-day crime families, the Camorra in Naples and Caserta. Based on a book by Roberto Saviano. Power, money and blood: these are the "values" that the residents of the Province of Naples and Caserta have to face every day. They hardly ever have a choice and are forced to obey the rules of the Camorra. Only a lucky few can even think of leading a normal life.
Lorna is a young Albanian woman in a marriage of convenience with Claudy, a heroin addict. Just as Lorna is about to be granted Belgian citizenship, Claudy finds the strength to detox; this presents a problem not only for Lorna, but for the criminal who brokered the deal.
New York, 1929, a war rages between two rival gangsters, Fat Sam and Dandy Dan. Dan is in possession of a new and deadly weapon, the dreaded "splurge gun". As the custard pies fly, Bugsy Malone, an all-round nice guy, falls for Blousey Brown, a singer at Fat Sam's speakeasy. His designs on her are disrupted by the seductive songstress Tallulah who wants Bugsy for herself.
The comic strip detective finds his life vastly complicated when Breathless Mahoney makes advances towards him while he is trying to battle Big Boy Caprice's united mob.