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Loose cannon gets the method treatment. Steve Sinclair is an ex-gunfighter now contented with his lot as a peaceful farmer. His peace that is disrupted when his young brother, Tony, turns up with his intended new bride in tow. Tony has a thirst for gun play, and when he guns down a fellow gunman in the bar, things start to rapidly spiral out of control for the Sinclair family. Saddle The Wind has some top credentials coming with it. Written by one Rod Serling, and starring Robert Taylor and John Cassavetes as the Sinclair brothers, it's a film not short on quality. Into the mix is the splendid outdoor location work at Rosita, Colorado (courtesy of the prolific George J. Folsey) and the genre compliant score from Elmer Bernstein. But what of the film itself? Well the story is an over familiar one, gunfighter trying to leave his bad past behind (Steve was a one time member of Quantrill's Raiders), loose cannon youngster out to make a name for himself (Tony), and yes we get a female love interest causing conflict and confusion (Julie London in a stock and undemanding role). Yet in this instance familiarity definitely does not breed contempt. If new comers to this film are aware of John Cassavetes and his style of acting, then, in spite of the oddity of seeing him in Western surroundings, one can reasonably know what to expect. Cassavetes brings the method to young Tony Sinclair, instilling intensity, even borderline mania into the upstart hot shot, so much so that Robert Taylor's fine world weary turn as Steve gets lost until the splendid finale. To non Cassavetes fans it may be just too much to handle, but speaking personally I found it a terrific performance that lifts the picture way above average. Brilliant support comes in the form of Donald Crisp and Royal Dano (heart aching veteran of the Civil War) and the running time of under 90 minutes is just about right. Finally, it's with the ending that "Saddle The Wind" breaks away from the standard genre story and plotting. Played out on a lush lilac flowered hillside, the makers deviate from an expected cop out and give us something memorable and totally fitting to this method driven Western. 8/10
Jim Killian arrives in a small Arizona town hoping to establish a peaceful life as the local preacher, but he soon finds himself in the middle of a feud between sheep ranchers and cattlemen. Leloopa, a young Native American woman, pleads for Killian's help after her shepherd father is hung by Coke Beck, the vicious son of the head cattle rancher. Killian must weigh his actions carefully lest he perpetuate the cycle of retribution and revenge.
The Man With No Name enters the Mexican village of San Miguel in the midst of a power struggle among the three Rojo brothers and sheriff John Baxter. When a regiment of Mexican soldiers bearing gold intended to pay for new weapons is waylaid by the Rojo brothers, the stranger inserts himself into the middle of the long-simmering battle, selling false information to both sides for his own benefit.
Will Kane, the sheriff of a small town in New Mexico, learns a notorious outlaw he put in jail has been freed, and will be arriving on the noon train. Knowing the outlaw and his gang are coming to kill him, Kane is determined to stand his ground, so he attempts to gather a posse from among the local townspeople.
A mute gunslinger fights in the defense of a group of outlaws and a vengeful young widow, against a group of ruthless bounty hunters.
A former gunslinger is forced to take up arms again when he and his cattle crew are threatened by a corrupt lawman.
The story of three Korean outlaws in 1930s Manchuria and their dealings with the Japanese army and Chinese and Russian bandits. The Good (a bounty hunter), the Bad (a hitman), and the Weird (a thief) battle the army and the bandits in a race to use a treasure map to uncover the riches of legend.
The simple story has the pair coming to the rescue of peace-loving Mormons when land-hungry Major Harriman sends his bullies to harass them into giving up their fertile valley. Trinity and Bambino manage to save the Mormons and send the bad guys packing with slapstick humor instead of excessive violence, saving the day.
A mysterious woman comes to compete in a quick-draw elimination tournament, in a town taken over by a notorious gunman.
From Wichita to Dodge City, to the O.K. Corral in Tombstone, Wyatt Earp is taught that nothing matters more than family and the law. Joined by his brothers and Doc Holliday, Earp wages war on the dreaded Clanton and McLaury gangs.
After a band of drunken thugs overruns a small Indian Nation town, killing Reverend Goodnight and raping the women folk, Eula Goodnight enlists the aid of US Marshal Cogburn to hunt them down and bring her father's killers to justice.