War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
Nice try from Raimi, but ultimately it creeps just above average. The Western is a tough genre to tackle in the modern age, more so when it's post Dances With Wolves and Unforgiven's masterclasses 101. But tackling both these challenges is nothing to the one which director Sam Raimi asks of the audience in his stab at the genre. A female gunslinger is here played by a Hollywood beauty, Sharon Stone, but she isn't right for the lead role. She obviously looks gorgeous and she broods and pouts better than most of her modern day peers, but she lacks a menacing streak, a bit of believable nastiness that just might have lifted the film to better heights. We understand and expect the vulnerability she shows, but to succeed here in the testosterone fuelled town of Redemption, she's going to have to convince as a tough gal. And Stone just isn't up to the task. The film does have good points to enjoy though, very much so. The story, although gimmicky, works well as an entertaining popcorn munching tale, while the cast list reads like a whose who of solid and quality thespers, (Gene Hackman wandering in from Unforgiven to play Little Bill's ghost, Russell Crowe, Leonardo DeCaprio, Keith David, Pat Hingle & Lance Henriksen). Also into the plus column is the always impressive cinematography from Dante Spinotti, and there is no denying Sam Raimi's keen eye for detail, with his zooming shots a real treat during the shoot out sequences - his Spaghetti Western leanings further enhanced by Alan Silvestri's pasta influenced score. Yet in spite of this bravado attempt, and acknowledging that the makers have tried something different, The Quick & The Dead isn't quite quick enough on the draw to outlive the leading lady misstep. 6/10
Now I saw this in the cinema in 1995 and had somehow managed to completely forget all about it - until I saw it again just last week and realised why. It's not that it is awful, it's just that it is so very derivative and very, very dependant on Gene Hackman ("Herod") who walks a fine line between menace and ham in a none too convincing fashion. He is running a to-the-death gun slinging competition - almost like one of the chivalric jousts of old - with the winner having to face him in the final shoot-out for an huge poke. Sharon Stone ("Ellen") arrives in his dingy town just at the start of the process determined to avenge her father's killer; Russell Crowe is "Cort", a preacher who also has a pretty violent past and "the Kid" (Leonardo di Caprio) who has the clear belief that his youth and skill make him all but immortal are all coaxed, cajoled and threatened into participating in this game of death. Sam Raimi has all the ingredients of a great little western adventure, but the cast don't work well together at all. Stone is well past her potent best and the usual guy-with-a-grudge theme is now so hackneyed as to render this little better than a series of gunfights with characters about whom I could not care less. The cinematography and some of the photographic styles are interesting, though - the film has a classy look to it and Alan Silvestri creates some tension with his slightly untypical (for a western) score; but the whole is nowhere near the sum of the parts leaving us with something that now, more than ever, just looks like it's been made for telly.
**_Mythic Western about a quick-draw contest in a town with an all-star cast_** Sharon Stone stars as a grim, nonchalant woman who, curiously, enters a dueling contest in a remote Southwest desert town "ruled" by outlaw Herod (Gene Hackman). A pacifist preacher is forced by Herod to participate in the contest, but he ain't no conventional minister (Russell Crowe). Other notables include: Leonardo DiCaprio, Lance Henriksen, Tobin Bell, Keith David, Gary Sinise and Pat Hingle. "The Quick and the Dead" (1995) was co-produced by Stone and she was responsible for getting the youthful & skinny DiCaprio in the cast, she even paid his salary (?!). Stone also apprehended New Zealander Crowe with this being his first American feature. When dressed in her tight leather pants Sharon was unable to sit down (lol). Interestingly, she fired her hottie stand-in because she was getting more attention from the crew on set (!). She later confessed that Crowe was her favorite on screen kisser, but kissing DiCaprio was like kissing her arm (lol). The tone is mythic in the manner of those spaghetti Westerns of the 60s, but with superior production values and obviously seminal to Tarantino Westerns ("Django Unchained" and "The Hateful Eight"). While the vibe isn't exactly realistic, the cast members take the material seriously and ham it up with gusto. You can tell they all had a great time. The movie's town bound and comic booky with larger-than-life characters, but it's not campy or comedic, although it's somewhat silly. The film's title is presumably taken from 1 Peter 4:5 of the KJV translation of the Bible, which details how Christ "is ready to judge the quick and the dead." The phrase also appears in the Apostle's Creed with the same meaning. In both cases 'quick' is an Old English term for "living." The movie's title clearly plays off both the modern and archaic meanings in that there are two kinds of gunfighters in the Old West: those who are quick (that is, fast and alive) and those who are dead. It runs 1 hour, 47 minutes, and was shot completely in Arizona (including Old Tucson). GRADE: B+
Chev Chelios, a hit man wanting to go straight, lets his latest target slip away. Then he awakes the next morning to a phone call that informs him he has been poisoned and has only an hour to live unless he keeps adrenaline coursing through his body while he searches for an antidote.
Steve Kinney and his henchman, Mort, are trying to stir up trouble between the local ranchers and farmers, behind a wave of rustling and lawlessness. Mort kills Vic, a Kirby cowhand, and lays the blame on Dan Harper, the leader of the farmers faction. Storekeeper Fuzzy Q. Jones, fearful of losing the outstanding charge-accounts he has on his books, drags his reluctant pal, Billy Carson, into the fray, and the two soon prove Kinney and his henchmen to be behind the valley's troubles.
A mild-mannered man becomes a local hero through an act of violence, but it brings forth consequences with connection to a dangerous world, one which will shake his carefully constructed life to its very core.
After seeking to live a normal life, Logan sets out to avenge the death of his girlfriend by undergoing the mutant Weapon X program and becoming Wolverine.
Mark Kaminsky is kicked out of the FBI for his rough treatment of a suspect. He winds up as the sheriff of a small town in North Carolina. FBI Chief Harry Shannon, whose son has been killed by a mobster named Patrovina, enlists Kaminsky in a personal vendetta with a promise of reinstatement into the FBI if Patrovina is taken down. To accomplish this, he must go undercover and join Patrovina's gang.
With friends like these, who needs enemies? That's the question bad guy Porter is left asking after his wife and partner steal his heist money and leave him for dead - or so they think. Five months and an endless reservoir of bitterness later, Porter's partners and the crooked cops on his tail learn how bad payback can be.
Talented but unproven stock car driver Cole Trickle gets a break and with the guidance of veteran Harry Hogge turns heads on the track. The young hotshot develops a rivalry with a fellow racer that threatens his career when the two smash their cars. But with the help of his doctor, Cole just might overcome his injuries- and his fear.
After saving each other from jumping off a bridge, Henry Bell and Karen Knightly plot to avenge the people who drove them to suicide. Henry will ruin the life of the woman who married Karen's boyfriend, while Karen will work as a secretary for the man who took Henry's job. Whether revenge will be sweet – or bittersweet – is anyone's guess.
Upstanding community leader Nils has just won an award for "Citizen of the Year" when he learns the news that his son has died of a heroin overdose. Suspecting foul play, Nils begins to investigate, and soon finds himself at the center of an escalating underworld gang war between Serbian drug dealers and a sociopathic criminal mastermind known only as “The Count.”
A posthumous look at the last days of Guenther's life as he, his best friend, and his sister let loose on a four-day binge of alcohol, drugs, and sex.