Giù dal vivo

The mostly true story of the legendary "worst director of all time", who, with the help of his strange friends, filmed countless B-movies without ever becoming famous or successful.

Originally founded as Freedman’s Town after the Civil War, The Fourth Ward is one of the oldest and most culturally significant black communities in Houston, Texas. In the 1970s, the city along with big business interests planned to redevelop the Fourth Ward in order to revitalize the dilapidated real estate and freshen the image of downtown Houston. The price of progress in this case would be the removal of many poor black families. The film explores a complex series of encounters with elected city officials, businessmen and the people of Fourth Ward in order to better understand how a city like Houston works. Who makes the decisions about where resources are spent and so determines the growth and wealth of the community.

During the Spanish occupation of Naples, the people led by Tommaso Aniello - known as "Masaniello" - plot against the Viceroy. The Viceroy's son, under another name, has a son from Masaniello's sister, but his father has already planned a marriage for him with a Spanish patrician against his wishes.

The story of how Sicilian Mafia boss Tommaso Buscetta (1928-2000), the Godfather of Two Worlds, revealed, starting in 1984, the deepest secrets of the organization, thus helping to convict the hundreds of mafiosi who were tried in the trial held in Palermo between 1986 and 1987.

A documentary released in 1985 about the Mothers of Place Vendôme.

When the director's life falls apart, he moves into a 1985 VW van, gets back to his Neapolitan roots, and discovers arrangiarsi, making something from nothing.

After the death of the paranoid emperor Tiberius, Caligula, his heir, seizes power and plunges the empire into a bloody spiral of madness and depravity.

Milan, western suburbs. In one of the nine districts ("zone") of the city, the students of the "Rosa Luxemburg" trade school meditate over the meaning of living in the suburbs. And they do so using their smartphones, filming their days and looking for a common thread among their lives. Crossing and mixing video-diaries, documentary shooting and fictional scenes, the project struggles to take a definite shape: every character and perspective channels the tale in a different direction, escaping from linear narrative lines and bringing us to some kind of archipelago.