University Challenge - (Mar 4th)
Below Deck Down Under - (Mar 4th)
Paradise - (Mar 4th)
The Rachel Maddow Show - (Mar 4th)
The Last Word with Lawrence ODonnell - (Mar 4th)
90 Day- The Last Resort Between the Sheets - (Mar 4th)
Celebrity IOU - (Mar 4th)
Contraband- Seized at the Border - (Mar 4th)
Maine Cabin Masters - (Mar 4th)
The Hunting Party - (Mar 4th)
Rescue- HI-Surf - (Mar 4th)
NCIS - (Mar 4th)
Inside with Jen Psaki - (Mar 4th)
Death by Fame - (Mar 4th)
Kids Baking Championship - (Mar 4th)
Baylen Out Loud - (Mar 4th)
The Fearless - (Mar 4th)
The Beat with Ari Melber - (Mar 4th)
First Dates - (Mar 4th)
Batch from Scratch- Cooking for Less - (Mar 4th)
Land sakes!!! They don't make films like this anymore...and that's a dirty rotten shame! =)
Walk through a Bosch painting and marvel at the excesses and debauchery. Critics don't take this seriously because a porn producer snipped it up and inserted his own scenes. It is what it is. A near masterpiece.
A distinguished international cast; a screenplay by Gore Vidal; respected, award-winning talent behind the scenes; and millions of dollars at its disposal. What could possibly go wrong? Where would you like to start? CALIGULA (1979) had so much potential. I'd like to think that there's another universe where Vidal's much darker original script was given over to, say, Stanley Kubrick. That world now has a SPARTACUS (1960) for the post-porn age. Instead, we have something closer to CENTURIANS OF ROME (1981) with only slightly less cocaine. Producer Bob Guccione could have made a case for the big budget/star/studio X-rated film, which hadn't really existed in a meaningful way since the early-'70s. But in insisting that his art must be pornographic, he failed artistically 𝘢𝘯𝘥 pornographically: It's not intellectually engaging enough to satisfy the art crowd, and it's not physically arousing enough to satisfy the raincoat crowd. Still, this film remains a one-of-a-kind curiosity. Its enduring infamy allows it to be re-released in various home video editions every so often, bringing in viewers - and more importantly, money - like a carnival barker reels in passers-by to see the bearded lady. Perhaps Guccione knew what he was doing after all.
Now I'll be honest, I think John Hurt ("I Claudius" - BBC - 1976) made a better Caligula, but Malcolm McDowell is still pretty convincing as the despotic sexual deviant who held the ultimate power in the Roman Empire for four years. It ought not to have been a surprise that he turned out the way he did when we are introduced to the decrepitly monstrous Tiberius (Peter O'Toole) on his island paradise of Capri. He lives there in a court of acolyte nymphs and "fishes" guided only by the vaguest semblance of decency from his friend Nerva (Sir John Gielgud). When that brief sequence of hedonism is swiftly over, our antihero assumes the throne and proceeds to share it with his sister Drusilla (Teresa Ann Savoy) with whom he enjoys a pretty incestuous relationship. There's pressure on him to marry, though, and father a legitimate child - so along comes Caesonia (Helen Mirren) - a woman all too keen to father the imperial progeny whilst enjoying a life of luxury and depravity. That's the history bit - which is really all rather peripheral to this shockingly scripted exercise in soft-porn which we are now going to watch in all it's three hour glory. It's clear that no expense has been spared on the look of the film, and to be fair to director Tinto Brass he does offer us quite a convincing glimpse at the excessiveness of a despotic court ruled by a monarch who believed himself a god - and who had few prepared to argue. It's maybe on that last point that "Longinus" (John Steiner) takes a decisive stance. He is the chancellor who increasingly finds himself, along with Praetorian Commander Chaerea (Paolo Bonacelli), more and more disgusted by the antics of this man with the thinnest grasp on reality. There's nudity all over the shop to the point that it becomes innocuous and once you've got used to that the rest of it fails to carry what could have been a blank cheque opportunity to portray the pivot of historical decadence. Instead, we have McDowell hamming it up energetically as he flounces around, scantily clad, but very little else. It's tawdry, no other word for it - and the unwelcome intermission completely throttled whatever pace there was as it sort of lumbered along in the most clunky of episodic fashions to an denouement that history told us about nearly two thousand years ago. It doesn't seem to know whether it's a movie or a sequence of short theatrical plays, Mirren adds precisely nothing and the magnificently odious O'Toole isn't around long enough to make enough of a difference. It's a shambles, certainly, and this ultimate cut is far, far too long - but somehow it's not unwatchable. You might never eat cottage cheese again!
In 1983 East Berlin, dedicated Stasi officer Gerd Wiesler begins spying on a famous playwright and his actress-lover Christa-Maria. Wiesler becomes unexpectedly sympathetic to the couple, and faces conflicting loyalties when his superior takes a liking to Christa-Maria.
A hack screenwriter writes a screenplay for a former silent film star who has faded into Hollywood obscurity.
A vampire relates his epic life story of love, betrayal, loneliness, and dark hunger to an over-curious reporter.
The drug-induced utopias of four Coney Island residents are shattered when their addictions run deep.
A thirteen-year-old French girl deals with moving to a new city and school in Paris, while at the same time her parents are getting a divorce.
Prim professor Immanuel Rath finds some of his students ogling racy photos of cabaret performer Lola Lola and visits a local club, The Blue Angel, in an attempt to catch them there. Seeing Lola perform, the teacher is filled with lust, eventually resigning his position at the school to marry the young woman. However, his marriage to a coquette - whose job is to entice men - proves to be more difficult than Rath imagined.
Episodic journey of journalist Marcello who struggles to find his place in the world, torn between the allure of Rome's elite social scene and the stifling domesticity offered by his girlfriend, all the while searching for a way to become a serious writer.
George, host of a television show focusing on literature, receives videos shot on the sly that feature his family, along with disturbing drawings that are difficult to interpret. He has no idea who has made and sent him the videos. Progressively, the contents of the videos become more personal, indicating that the sender has known George for a long time.
In this loose adaptation of Shakespeare's "Henry IV," Mike Waters is a hustler afflicted with narcolepsy. Scott Favor is the rebellious son of a mayor. Together, the two travel from Portland, Oregon to Idaho and finally to the coast of Italy in a quest to find Mike's estranged mother. Along the way they turn tricks for money and drugs, eventually attracting the attention of a wealthy benefactor and sexual deviant.
Recently released from a mental hospital, Ricky ties up Marina, a film star he once had sex with and keeps her hostage.