La Femme publique

After the death of his son, travel writer Macon Leary seems to be sleep walking through life. Macon's wife is having similar problems. They separate, and Macon meets a strange, outgoing woman who brings him 'back down to earth', but his wife soon thinks their marriage is still worth another try.

A dark thriller about a successful businesswoman and her young assistant who toy with a slow-witted businessman while stuck at an airport hotel.

A murder story with a comedic twist. A famous photographer uses his models for more than taking pictures. He needs them as victims to satisfy his blood-lust. Each murder becomes more bizarre than the next.

A series of events unfold like a chain reaction, all stemming from a minor event that brings the film's five characters together. Set in Paris, France, Anne is an actress whose boyfriend Georges photographs the war in Kosovo. Georges' brother, Jean, is looking for the entry code to Georges' apartment. These characters' lives interconnect with a Romanian immigrant and a deaf teacher.

In this third installment of the "Olga" series, our heroine adds jewel smuggling to her repertoire of dope pushing and white slavery. As the vicious Olga (Audrey Campbell) expands her criminal empire, she also encounters more resistance as a string of once-trusted partners turn traitor in an effort to steal the successful racket out from under her. The result is exactly what fans of the series expect, a barrage of torture scenes featuring soldering irons, floggings, spankings, and even an electric chair. As with its predecessors, Olga's House of Shame is a silent black and white film with narration to explain the action, but even with direct commentary it's difficult to keep track of the characters and Campbell (who is occasionally caught laughing out loud at the absurdity of it all) has all the menace of a kindergarten teacher, even when wielding a machete.

This last gasp of the grindhouse "Olga" series is a tossed off shrug of a movie that nonetheless entertains in a tacky, surreal style. Audrey Campbell no longer stars as the sinister femme fatale Olga, and her replacement retains none of her clumsy menace. Instead she languidly lounges about the flimsy sets smoking cigarettes and looking pale and sweaty. This new Olga is apparently too bored by the proceedings to even torture her white slaves. Instead the dirty work is handled by her partner Nick (Larry Hunter), a slimy, weasel faced man who lures innocent housewives into prostitution by offering them jobs as "dance instructors" in Olga's dance hall. Group sex, nude dancing and pretty ladies wrestling in their underwear are the results, along with several long, seemingly impromptu scenes where the characters talk endlessly and in circles.

Pathemari features the life of Pallikkal Narayanan who migrated to the Middle-East in the early 1980s, when the Kerala Gulf boom was at its peak.

A young woman answering an ad for a traveling companion winds up drugged, kidnapped and in the clutches of a white slavery ring.

A rundown establishment, a retro diner, lies in the middle of nowhere on the MOTORWAY. It's our hero's, Jimmy's, only legacy and connection to his deceased parents. It's where he lived his whole life. Even when the new MOTORWAY blocked access to the diner, Jimmy preferred to stay, holding on to the memories of his family and providing a job to three incompetent but deep-down good-hearted employees: Mara, the rebellious till girl; Nicko, the grumpy handyman who struggles to complete his pension plan; and Abi, a Nigerian immigrant who works there as the cook.

Gautam is an NRI who returns to India to cast his vote. When challenged by the woman he loves, Bhavana, to make a politician fulfil his campaign promises if he wants to win her over, Gautam sets off on a path to change the system.

A comedy-drama about marriage and divorce. A wife does not want children, her husband leaves her and marries a woman who does.