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** I recently watched this movie again after several years and will add just a few small edits *** This is a quiet and quirky movie, and may not appeal to some viewers. Certainly it differs from 95% of the movies being made these days. But what the heck, our tastes are all different, right? William Hurt gives the restrained performance the role calls for, playing a man who has disconnected from his feelings so as to avoid the pain of thinking of his deceased son. He writes travel books for people who don't want to "go local" when they travel to other countries, but rather want to feel as comfortable as if they never left home. His character's siblings are even more eccentric than he is. I won't spoil anything by saying how. I will say that near the beginning of the movie is a scene between Macon and his wife about loss through violence that resonates in this age of mass shootings. William Hurt is at his best as Macon, wound up tight and denying the presence of emotions. Kathleen Turner is good as his wife. The movie has its share of slightly off center characters, in a good way, and Macon’s brothers and sister are no exception. You will perhaps recognize David Ogden Stivers and Ed Bagley Jr. in two of those roles. Geena Davis plays the wild card in this movie, an unconventional dog trainer who somehow sees something in William Hurt's character to want to try to pull him out of himself. Geena won an academy award for her role, as I recall, if you care about such things. Her character is, yes, you guessed it, also eccentric, so that might be a lot for the average viewer to take in. They could have done a bit more with her son, as he almost seems like plot device at times than a character. They might have overdone it on his allergies. Geena Davis is perfect as Muriel, who is at once flaky but solid when it is important to be. Her face is expressive. In fact, without spoiling anything, right near the end you see her facial expression change and show her feelings much more effectively than giving her 25 quirky words. Another quiet difference about this movie is the soundtrack. It doesn’t go the Big Chill or most other movie routes: cherry-picking pop or rock hits to accompany scenes for thirty seconds each and then gather on a soundtrack album. Instead, at certain times during the movie, the instrumental thread of music introduced at the beginning is repeated to stress the scene. It is a nice touch. This movie is a quirky sum of all the quirky characters, so give it a try; it might all grow on you.
In the fourth story of the epic of Harafish, Samaha Al-Nagy grandson of Ashour al-Nagy decides to marry Mahlabia. But Al-Qalali the bully of the neighborhood wants to marry her. When Samaha and Mahlabia try to escape, the men of Al-Qalali kill Mahlabia and frame Samaha, who flees to Upper Egypt.
While living separated, Mr. Kaski finds out that her wife has written a book about their marriage. And the book is not very flattering in tone towards Mr. Kaski and his abilities as a man.
Country girl Helena falls in love with an artist painting the local village scenery and one evening she lets herself be seduced by him. The artists leaves but soon invites Helena to Prague where they make love again. Helena then returns home to her sick father and refuses the constant attentions of the gamekeeper Rýza. After some time she realizes that she is pregnant. Since she knows that the artist will not marry her, she goes to visit her aunt who takes her to an abortionist. When the girl returns home after the abortion she discovers her father has died. The opportunist aunt sees her chance and moves in with Helena and persuades her to marry Rýza.
Such a soul torments young composer Georg von Wergenthin, around whom the author creates a precise picture of the fin de siècle, its neuroses and its politics. Georg starts a relationship with a young singer, but does not confess to her in front of his friends, even when she becomes pregnant by him.
A young American girl at a French boarding school develops a crush on an egotistical sculptor living next door. One night, driving in a drunken stupor, he runs over and kills a man, and she witnesses it.
The level-headed owner of a struggling coffee shop finds his future at risk when his partner - a talented but cocky barista - makes a major bet.
George Walters is a youth who is dominated by Bleary, a heartless bully, who forces him to pose as the son of millionaire George Warring, kidnapped as a baby. The missing son had a twin brother who had recently died, but a painting of the shadow of the late son is on one wall. Walters' shadow matches this painting perfectly, establishing him as the missing son to the Warring family. Walters falls in love with Warring's daughter Lucia and finds that the family attorney Glaxton is slowly poisoning the old man.
Forced out of his elite unit, a troubled cop launches his own rogue investigation when mysterious killings claim the lives of his former colleagues.