War of the Worlds Extinction 2024 - Movies (Mar 28th)
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England’s Lions The New Generation 2025 - Movies (Mar 26th)
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The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
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Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
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The Young and the Restless - (Mar 29th)
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The Beat with Ari Melber - (Mar 28th)
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Simone Signoret is on great form here as the beautiful barfly who gets herself mixed up in an internecine series of relationships with a gang of petty criminals. She's supposed to be courting "Raymond" (Raymond Bussières) but isn't averse to the odd flirtation and he gets quite irked when she spends some time with the already engaged carpenter "Manda" (Serge Reggiani) - also to the chagrin of their vintner boss "Leca" (Claude Dauphin) who also has his eye on her. She falls out with her beau after this encounter despite assuring him that he's got the wrong end of the stick - and this leads her to recalibrate just what she wants for herself rather than just pleasing those around her. Meantime, the relationship between the three men is beginning to fray and for all concerned, things are starting to look just a little bit hostile - dangerous even - as the green eyed goddess of jealousy turns up to sow seeds of rancour and discord. The story itself isn't actually that great, it's the dark and gritty photography and the powerfully paced direction from Jacques Becker (who also adapted the screenplay) that gives it more character and allows Signoret to shine here. Her persona is flawed and actually not that likeable, but somehow I still felt like I was bothered about what happened to her. I can't say I was remotely fussed about her admirers, though - and the last few scenes felt quite suitable, if a touch brutal, to me. It's also worth factoring in the impact of the Van Parys score - that also adds a seaminess to the whole thing and though I can't say it's enjoyable, per se, it's a cracking piece of drama.
In 15th century France, a gypsy girl is framed for murder by the infatuated Chief Justice, and only the deformed bellringer of Notre Dame Cathedral can save her.
Against the backdrop of New York City of the early 1850s, a young woman - naively seeking to win the love she reads about in the romance novels she devours - finds one prospect in an earnest denizen of the Bowery, and another in an elegant young aristocrat. Focusing on the bygone era's fashions, the novelty of the bicycle-built-for-two, and an inventor's quest for the horseless carriage, the film gently stirs the audiences' nostalgia for simpler times.
When an exclusive clique of teenage socialites accidentally murder their best friend on the morning of her birthday, the three girls responsible conspire to hide the truth.
Kei works at a cocktail bar, while Ai works as a model. Fearing she'll be ostracized by society, Kei chooses not to admit her sexual orientation to anyone, and, as a result, she becomes distressed and lonely. One day, Kei gets close to Naima, an Iranian student studying art in Japan.
A modern and independent girl, but when it comes to love, the only novels in her life are those from Jane Austen's literary universe. After using a borrowed cell phone, something mysterious happens and she is transported to a different world, which resembles the 19th century. Sofia is taken in by the family of the charming Ian Clarke, while desperately trying to find a way to return to her life. What she didn't know is that her heart had other plans.
In 19th-century Italy, Giacomo Leopardi channels his debilitating illness and isolation into poetry.
A man must overcome his demons in order to save his brother who has been falsely convicted of a crime in a foreign land and sentenced to death.
Attorney Anthony Keane agrees to represent Londonite Mrs. Paradine, who has been fingered in her husband's murder. From the start, the married lawyer is drawn to the enigmatic beauty, and he begins to cast about for a way to exonerate his client. Keane puts the Paradine household servant on the stand, suggesting he is the killer. But Keane soon loses his way in the courtroom, and his half-baked plan sets off a stunning chain of events.
Paris, France, 1482. Frollo, Chief Justice of benevolent King Louis XI, gets infatuated by the beauty of Esmeralda, a young Romani girl. The hunchback Quasimodo, Frollo's protege and bell-ringer of Notre Dame, lives in peace among the bells in the heights of the immense cathedral until he is involved by the twisted magistrate in his malicious plans to free himself from Esmeralda's alleged spell, which he believes to be the devil's work.
Helen Alving leads an outwardly contented life. On the eve of the 10th anniversary of her husband's death, she is about to open an orphanage as a memorial to him. To mark this occasion, her bohemian painter son Oswald has returned from Paris. Helen plans to take the opportunity to tell Oswald the truth about his father. But ghosts of the past erupt during an eventful evening, bringing the facade of civilised family life crashing down.