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Incredible film-making, bravo for real classics. What a truly lavish and gorgeous film this is, thematically it pulls the emotions in different directions, and as a story it's as sharp as a tack. Boasting a quite incredible performance from Charles Laughton as the tragic bell ringer Quasimodo (no nomination Academy, are you flipping sure?), and sets that are simply out of this world, this film to me defines classic cinema. Into the mix we get a radiant Maureen O'Hara as Esmeralda who lights up the screen in every scene she is in, it's a very special performance in view of it being her first lead US turn. However, really the film's triumph lies with its script, a very aware piece of writing encompassing political goings on and the corruption of the church set around the hunchback's tragic love. The make up of Laughton leaves an indelible image when brought into focus with the great detail of the surroundings, and the score is mightily appropriate. All in all this film cost 2 Million Dollars for RKO Studios, one of their most expensive outlays, but they were rewarded in spades as the film was a monster success and here in the modern day age of cinema the film still stands up as a benchmark for great movie making. 9/10
The is a wonderfully evocative version of the timeless Victor Hugo story of love, desire, cruelty and brutality in 1490's Paris. Charles Laughton turns in a tour de force performance as the physically and mentally disabled "Quasimodo" who is feared, loathed and ridiculed by the local population. When a wandering gypsy girl "Esmerelda" (quite possibly Maureen O'Hara's best ever performance) is found guilty of murder he rescues her and gives her sanctuary in the high bell tower of Notre Dame cathedral. Here she is easy prey for the already infatuated "Frollo" - superby depicted by Sir Cedric Hardwicke. What follows is the stuff of great literature adapted with adroit skill and sympathy by Sonya Levein (screenplay) and directed by William Dieterie. The use of light and shadow, Alfred Newman's nimble score and an authentic set (recreated in California) make this by far the best rendering of this story on film.
A psychiatrist faces his past, present and future when he finds himself involved in the treatment of a young man recently released from prison for a murder committed when the boy was just 11 years old.
In Haiti, a black female plantation owner enacts a voodoo curse, and revives zombies for revenge on a white male neighbor, who has chosen a white woman over her for marriage.
Jean-Claude Delsart, a 50 years-old bailiff, with his worn-out smile and heart, abandoned a long time ago the idea that life could give him pleasures. Until the day, he dares to push the doors of a tango lesson...
A ticking-time-bomb insomniac and a slippery soap salesman channel primal male aggression into a shocking new form of therapy. Their concept catches on, with underground "fight clubs" forming in every town, until an eccentric gets in the way and ignites an out-of-control spiral toward oblivion.
When their ocean liner capsizes, a group of passengers struggle to survive and escape.
Anaïs is twelve and bears the weight of the world on her shoulders. She watches her older sister, Elena, whom she both loves and hates. Elena is fifteen and devilishly beautiful. Neither more futile, nor more stupid than her younger sister, she cannot understand that she is merely an object of desire. And, as such, she can only be taken. Or had. Indeed, this is the subject: a girl's loss of virginity. And, that summer, it opens a door to tragedy.
20 volunteers agree to take part in a seemingly well-paid experiment advertised by the university. It is supposed to be about aggressive behavior in an artificial prison situation. A journalist senses a story behind the ad and smuggles himself in among the test subjects. They are randomly divided into prisoners and guards. What seems like a game at the beginning soon turns into bloody seriousness.
Suzanne Stone wants to be a world-famous news anchor and she is willing to do anything to get what she wants. What she lacks in intelligence, she makes up for in cold determination and diabolical wiles. As she pursues her goal with relentless focus, she is forced to destroy anything and anyone that may stand in her way, regardless of the ultimate cost or means necessary.
When the seaside community of Amity finds itself under attack by a dangerous great white shark, the town's chief of police, a young marine biologist, and a grizzled hunter embark on a desperate quest to destroy the beast before it strikes again.
Wounded Civil War soldier John Dunbar tries to commit suicide—and becomes a hero instead. As a reward, he's assigned to his dream post, a remote junction on the Western frontier, and soon makes unlikely friends with the local Sioux tribe.
"The Hours" is the story of three women searching for more potent, meaningful lives. Each is alive at a different time and place, all are linked by their yearnings and their fears. Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.