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The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
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Nicole Kidman stars as a local television personality who will stop at nothing to get what she wants, but it is Gus Van Sant's direction that really shines. Kidman plays Suzanne, a none-to-bright woman who decides she wants to be a giant media personality. She marries Larry (Matt Dillon), a restaurateur, and settles for doing the weather at a dead-end television station. Suzanne sees that Larry is not behind her career, and uses a trio of teens to kill him. She begins her plan by befriending them while shooting a documentary, then begins sleeping with James (Joaquin Phoenix), who in turn conspires with Russell (Casey Affleck) and Lydia (Alison Folland). Most of the film is told in flashback by the killers and families of Suzanne and Larry, and Suzanne herself. "To Die For" is a strange film. Acting wise, the professional cast is saddled with one-note characters. While top-heavy with supporting players, Suzanne never really changes much, or offers enough menace to feel anything for her. Dillon fades into the background as Larry, trying too hard to make him normal. Buck Henry's screenplay is full of fits and starts, never gathering enough darkness to become a successful dark comedy, nor enough edge to become a successful satire. This is a shame, since celebrity due to murderous acts is such a part of our lives today. The film never takes that final step and calls the media on the carpet, instead trying to get the viewer caught up in the mechanics of Suzanne and Jim's relationship, and Suzanne's progressively strange certainty that she will be famous. Gus Van Sant's direction is absolutely fantastic. The interior of Larry and Suzanne's home is hysterical. His camera always finds the perfect tone of a scene, even if the scene is not especially well-written. I am one of the few who did not think much of "Drugstore Cowboy," although I do appreciate many of the films Van Sant has done since. "To Die For" gets the viewer geared up for a no-punches-pulled look at popular culture, then throws in the towel before the bell even rings. I cannot recommend it, despite the fine direction, the rest is a disappointment.
Great performance from Nicole Kidman but this dark comedy didn't always do it for me, though it also could be I'm not the biggest fan of these mockumentary-like style films where actors (in character) talk to the camera. Still well worth watching for a fine cast. **3.75/5**
"Suzanne" (Nicole Kidman) is the epitome of ambition as she convinces local cable boss "Ed" (Wayne Knight) that she'll do just about anything to get her foot in the door - even read out the weather forecast! She's not exactly bright, but she knows exactly how to press the buttons to get her ahead. Snag is she's married to "Larry" (Matt Dillon) and he wants a more traditional family unit with, ideally, kids at some point. To that she merely points out that he ought to have just married a baby sitter! She decides that a change is now necessary and to that end recruits the services of the gullible "Jimmy" (Joaquin Phoenix) and his pal "Russel" (Casey Affleck) to eliminate her problem. Thing is, the former lad actually falls for her big time and though compliant both he and his other friend "Lydia" (Alison Folland) might not prove too reliable when the police come a-knocking. She's going to have take a few risks and keep her wits about her, if her dream of daytime television stardom is ever to reach fruition... This starts off strongly depicting the story via a series of interviews with those closest to her, and they serve quite effectively as pillars supporting the deviousness of the plot. Thing is, though, given we know all along who's done what to whom, and why - there's no jeopardy and I missed that. Kidman does fine, but the menacing aspects of the role really do rather peter out half way through and the comedy is more miss than hit. Folland probably delivers best cutting a ditzy and lonely figure as the film develops and it's quite a potent indictment of ambition and manipulation from time to time too, but I just couldn't quite take her seriously. I did really quite like the solution, though! My kind of denouement.
A criminal subculture operates among U.S. soldiers stationed in West Germany just before the fall of the Berlin wall.
Time-traveling bounty hunters find a doomed race-car driver in the past and bring him to 2009 New York, where his mind will be replaced with that of a terminally ill billionaire.
A $10-million diamond rip-off, a stolen identity, a new life married to a diplomat. Laure Ash has risked big, won big. But then a tabloid shutterbug snaps her picture in Paris, and suddenly, enemies from Laure's secret past know who and where she is. And they all want their share of the diamond heist. Or her life. Or both.
England, 1600. Queen Elizabeth I promises Orlando, a young nobleman obsessed with poetry, that she will grant him land and fortune if he agrees to satisfy a very particular request.
A computer specialist is sued for sexual harassment by a former lover turned boss who initiated the act forcefully, which threatens both his career and his personal life.
When two married business executives having an affair are blackmailed by a violent criminal, they are forced to turn the tables on him to save their families.
Shortly after David Abbott moves into his new San Francisco digs, he has an unwelcome visitor on his hands: winsome Elizabeth Masterson, who asserts that the apartment is hers - and promptly vanishes. When she starts appearing and disappearing at will, David thinks she's a ghost, while Elizabeth is convinced she's alive.
A mute gunslinger fights in the defense of a group of outlaws and a vengeful young widow, against a group of ruthless bounty hunters.
Eddie, the 40-year-old confirmed bachelor finally says "I do" to the beautiful and sexy Lila. But during their honeymoon in Mexico, the woman of his dreams turns out to be a total nightmare, and the guy who could never pull the trigger realizes he’s jumped the gun.
Isabelle, Parisian artist, divorced mother, is looking for love, true love, at last.
An awkward, telekinetic teenage girl's lonely life is dominated by relentless bullying at school and an oppressive religious fanatic mother at home. When her tormentors pull a humiliating prank at the senior prom, she unleashes a horrifying chaos on everyone, leaving nothing but destruction in her wake.