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If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com It’s definitely my fault, but my Sundance schedule so far can mostly be characterized by incredibly ambiguous endings, extremely layered narratives, and emotionally heavy stories that left me utterly exhausted by the end of the day. After an overwhelming, devastating viewing of Mass, I seriously needed something to boost my spirit and recharge my energy for the rest of the day. Therefore, I’m super delighted that Marvelous and the Black Hole is such a wonderfully light, funny, uplifting film. Miya Cech (Sammy) and Rhea Perlman (Margot) offer two heartfelt, amusing performances by portraying captivating characters who have more things in common than they imagine. With a beautifully written, nuanced screenplay and terrific direction, Kate Tsang delivers a lovely story about sensitive matters such as grief, anger, and the whole “moving on” theme, but also about following your passion without holding anything back. It was with genuine pleasure and joy that I closely followed the young protagonist throughout the entire runtime without looking away from the screen. My biggest compliment has to go to Tsang’s writing. I can count so many apparently irrelevant little details that later pay off in such an emotionally resonant manner. I dropped a couple of tears in the last few minutes when Sammy gets to prove her worth, and part of that is also due to Miya’s display, an astonishing surprise for me. In addition to this, I love the little sketches spread across the movie, like the screen was Sammy’s notebook, demonstrating what she’s feeling in the moment. An innovative, entertaining way of developing a character further. Marvelous and the Black Hole is a massive surprise, being one of my absolute favorites from Sundance so far. Kate Tsang’s feature directorial debut is a huge success that definitely places her as a filmmaker to pay close attention to in the following years. With a remarkably subtle, detailed screenplay, Miya Cech and Rhea Perlman spread their sparkling chemistry across the screen, delivering two of the most entertaining performances I’ve seen in the last few days. A heartwarming story that begins with the impact of the loss of a mother and finishes with an emotionally powerful, uplifting, magic(al) show that I’ll remember for quite a while. The young protagonist is so relatable that I couldn’t help but drop a couple of tears by the end. Rating: A-
The sweet and formulaic “Marvelous and the Black Hole” is an easily approachable and accessible indie movie. The story of an ornery teenage delinquent (Miya Cech) who befriends a surly, eccentric magician (Rhea Perlman) is a cute coming of age tale about finding joy in unexpected places. It’s an odd couple pairing that fits well with the equally offbeat themes. Sammy (Cech) can’t deal with her dad’s new girlfriend. She acts out in school, has a penchant for vandalism, and is constantly irate at just about everything and everybody. Concerned about her path, her dad enrolls her in a business course at the local community college. While on campus, Sammy meets Margot (Perlman), who forces the 13-year-old girl to be her assistant for the day. The two forge an unlikely friendship, with Margot dishing out plenty of words of wisdom along with the keys to performing the best magic tricks. The film is whimsical, playful, and straightforward. Writer / director Kate Tsang tells Sammy’s story with a delicate touch, addressing the teen’s depression and and pain with honesty, and the mentorship between the characters feels very organic. “Marvelous and the Black Hole” is a kindhearted tale of acceptance and friendship, and it’s a reminder that life’s to short to waste a lot of time being angry. By: Louisa Moore
Marvelous and the Black Hole was screened on the second day of the Fort Myers Beach International Film Festival. It is an interesting movie about grieving. It explores the mind and the heart of a teenage girl, the consequences and the conflicts created by trauma, what it's like to face a sudden tragedy. The movie has a weird style that makes it unique and keeps the story light.
An comedy set in 1960s Helsinki. The story revolves around Elsa, a resolute hatmaker who is in complete control of her life. Besides running her shop, she sometimes doubles as a fortune teller. When Jan, a Czechoslovakian jazz musician and Elsa's old lover comes to town to perform at a "peace and friendship festival", her well-organised life is jolted out of balance.
An unusual visit to a large, empty apartment. But is it empty or not? Maybe a family has lived there or is going to live there. Maybe a young girl is going to escape from there. Maybe some of the old-timers who lived there never left. The walls themselves tell the stories of the time passing by.
Marion and Jack try to rekindle their relationship with a visit to Paris, home of Marion's parents — and several of her ex-boyfriends.
The retelling of France’s iconic but ill-fated queen, Marie Antoinette. From her betrothal and marriage to Louis XVI at 15 to her reign as queen at 19 and ultimately the fall of Versailles.
Starting his new job as an instructor at a New England school for the deaf, James Leeds meets Sarah Norman, a young deaf woman who works at the school as a member of the custodial staff. In spite of Sarah's withdrawn emotional state, a romance slowly develops between the pair.
Or shoulders a lot: she's 17 or 18, a student, works evenings at a restaurant, recycles cans and bottles for cash, and tries to keep her mother Ruthie from returning to streetwalking in Tel Aviv. Ruthie calls Or "my treasure," but Ruthie is a burden. She's just out of hospital, weak, and Or has found her a job as a house cleaner. The call of the quick money on the street is tough for Ruthie to ignore. Or's emotions roil further when the mother of the youth she's in love with comes to the flat to warn her off. With love fading and Ruthie perhaps beyond help, Or's choices narrow.
Fiona and Grant have been married for nearly 50 years. They have to face the fact that Fiona’s absent-mindedness is a symptom of Alzheimer’s disease. She must go to a specialized nursing home, where she slowly forgets Grant and turns her affection to Aubrey, another patient in the home.
Filmmakers from all over the world provide short films – each of which is eleven minutes, nine seconds, and one frame of film in length – that offer differing perspectives on the 9/11 terrorist attacks.
Louise, who has just written a novel, comes to Paris to meet with a potential publisher. While in the city, she stays with her older sister, Martine, who in many ways is the exact opposite of Louise: she lives in a fashionable neighborhood, is cold to others, and has snobby friends, while Louise lives in a small town and is thoroughly unpretentious. Louise's apparent happiness - and similarities to their mother - gradually gets on Martine's nerves.
Ambulance driver Frank Jessup is ensnared in the schemes of the sensuous but dangerous Diane Tremayne.