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It’s admirable when someone has obvious enthusiasm for a personal passion and is eager to share that sentiment with others. However, it’s something else entirely when that burgeoning zeal is expressed with condescension, arrogance and disdain toward others when they share their views on the subject. That’s the issue 17-year-old Canadian high school senior Lawrence Kweller (Isaiah Lehtinen) wrestles with when it comes to his love of movies. As an aspiring film student seeking to attend New York University after graduating as part of the class of 2003, he speaks about his obsession – often quite naively – as a pompous, self-absorbed aesthete who doesn’t know as much as he thinks he does (and doesn’t realize it either). He routinely puts down fellow students in his media studies class, co-workers at the video store where he works, his widowed, hard-working single mother who struggles to make ends meet and even his supposed best friend and film project collaborator, Matt (Percy Hynes White). While it’s true that some of Lawrence’s behavior is attributable to psychological troubles and personal trauma, there are limits to what others will tolerate. The result of this is a series of hard lessons in comeuppance, especially when his inflated, entitled attitude is slapped back by those looking to put him in his place. Writer-director Chandler Levack’s debut feature serves up a smart, sassy, edgy comedy-drama about learning how to be legitimately inspired and impassioned without making an insufferable ass out of oneself, youthful inexperience notwithstanding. The picture is loaded with hilarious and poignant movie references that avid cinephiles are sure to love and appreciate, as well as an array of sidesplitting coming of age bits that probably take many of us back to the geeky ways of our own adolescence. Admittedly, some of the story threads seem a little implausible and don’t work as well as they might have (especially in the final act), and a few of the jokes – though funny – nevertheless stand alone like comic islands that seem disconnected from the main narrative. Nevertheless, “I Like Movies” is an otherwise-whimsical, delightful, engaging indie gem that will remind us of what it was once like to be idealistic yet blissfully ignorant, one that we can only hope will leave an indelible impression on younger viewers whose off-screen behavior tends to mirror that of the protagonist. Indeed, it’s one thing to love movies, but it’s something else entirely to think that life operates the same way.
Headly, a 15-year-old teenager, thinks her mother, Rene, has mourned her father's death long enough, so she decides to find her a new husband by the end of the summer.
A ragtag group of students try to steal from the faculty room as they save both their grades and friendship.
When aspiring filmmaker David is mandated by a judge to attend a social program at the Jewish Community Center, he is sure of one thing: he doesn't belong there. But when he's assigned to visit the Brooklyn Bridge with the vivacious Sarah, sparks fly and his convictions are tested. Their budding relationship must weather Sarah's romantic past, David's judgmental mother, and their own pre-conceptions of what love is supposed to look like.
A gifted teenager, dreaming of life beyond her small town, becomes inspired when a 15-year-old girl from New York moves in next door.
Mrs. Van Houten has shown signs of losing touch with reality, and her husband discusses possible treatment with Dr. Caligari, who says Mrs. Van Houten has a disease of the libido.
Two teen girls, one from the city, one from the country, try to find the hidden gold of Bear Mountain learning about friendship, loyalty and courage on the way.
After the indomitable and beloved founder of a scrappy theater camp in upstate New York falls into a coma, the eccentric staff must band together with her clueless "crypto-bro" son to keep the thespian paradise afloat.
Thirteen-year-old Ramon is on the verge of many adolescent discoveries - and the confusion that goes along with them. Shy and awkward, he's moved from town to town throughout his childhood and believes that life is about winning and losing. But he soon learns it's all about survival. Like Ramon, Spain is in transition (President Francisco Franco is about to die); it's a time of social upheaval marked by change, illusion and struggle.
Under the pretense of having a picnic, a geologist takes his teenage daughter and 6-year-old son into the Australian outback and attempts to shoot them. When he fails, he turns the gun on himself, and the two city-bred children must contend with harsh wilderness alone. They are saved by a chance encounter with an Aboriginal boy who shows them how to survive, and in the process underscores the disharmony between nature and modern life.
A mentally disturbed young woman takes a job at a posh country club and falls in with a clique of wealthy college kids where she's taken under the wing of the clique's twisted leader, who harbors some dark secrets too terrifying to tell.