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A smart movie powered by David Bennent's performance Oskar is a young man in World War II Germany who refuses to grow up when he was three years old. He deliberately let himself fall on a stair to injure himself and stop his growth. Oskar's refusal to grow and release his tin drum is an obvious metaphor about refusing the Nazi regime. This is made more obvious since he finally decided to grow and let go of his drum after the Nazi's defeat. The Tin Drum is based on a celebrated novel by German author Gunter Grass. Director Volker Schlöndorff brings it to life with profound elegance and intellectual humor. Made in 1979, in the middle of the German film renaissance, The Tin Drum pokes fun at the Nazi regime and at the same time presents an unforgettable and often hilarious story. The movie begins in the late 19th century when Oskar's grandmother helps his grandfather to escape German soldiers by letting him hide under her skirt. It is also where Oskar's mother Agnes (Angela Winkler) is conceived. Agnes grows up during the First World War and marries a man named Alfred Matzerath (Mario Adorf). She begins to have an affair with her cousin Jan Bronski, while Oskar slowly becomes aware of their relationship. David Bennent's performance as Oskar is simply amazing. He was about 12 years old at the time, and he plays Oskar from childhood to his 20s. Although Oskar's physical appearance never changes. We can see his aging process through Bennent's performance. Oskar's movement changes; he begins to become more mature and discover the world around him. Bennent plays the character with an impressive level of believability and intellectual maturity. The Tin Drum reminded me of one of my favorite movies-Forrest Gump. Both movies have central characters that are physically and mentally disabled, and both manage to have an interesting journey life. Both movies pass through an important historical event, with both heroes getting involved. The Tin Drum is not quite in the same league as Forrest Gump, but it still amazed and captivated me from beginning to end. The Tin Drum contains some really grotesque scenes. One scene in particular is when they show a fisherman using a dead horse's head as bait for eels. The fisherman removes the eels one by one from the horse's head, while Agnes vomits in disgust. To balance it out, the movie also contains moments of pure joy. I love the sequence where Oskar's drumming influences a band to change their music form a German march to Strauss' The Blue Danube. A Nazi officer screams in disgust, while the crowd joins together and dances. I enjoy watching intelligent satires. I laughed out loud a lot of times in this movie and I relished its lush story. The movie deals with many things, including warfare, adultery, and religion. It may be a little too long for some people at 140 minutes, but for me, no good movie is too long. The Tin Drum contains astonishing images powered by remarkable acting.
After 18 years of marriage, a middle-aged couple has to face the prospect of having their first child.
Sent to Mexico to help take care of aging Father Benito, young Father Amaro faces a moral challenge when he meets a 16-year-old girl who he starts an affair with. Likewise, the girl's mother had been having an affair with Father Benito. Father Amaro must choose between a holy or sinful life.
A ticking-time-bomb insomniac and a slippery soap salesman channel primal male aggression into a shocking new form of therapy. Their concept catches on, with underground "fight clubs" forming in every town, until an eccentric gets in the way and ignites an out-of-control spiral toward oblivion.
When their ocean liner capsizes, a group of passengers struggle to survive and escape.
Anaïs is twelve and bears the weight of the world on her shoulders. She watches her older sister, Elena, whom she both loves and hates. Elena is fifteen and devilishly beautiful. Neither more futile, nor more stupid than her younger sister, she cannot understand that she is merely an object of desire. And, as such, she can only be taken. Or had. Indeed, this is the subject: a girl's loss of virginity. And, that summer, it opens a door to tragedy.
20 volunteers agree to take part in a seemingly well-paid experiment advertised by the university. It is supposed to be about aggressive behavior in an artificial prison situation. A journalist senses a story behind the ad and smuggles himself in among the test subjects. They are randomly divided into prisoners and guards. What seems like a game at the beginning soon turns into bloody seriousness.
Suzanne Stone wants to be a world-famous news anchor and she is willing to do anything to get what she wants. What she lacks in intelligence, she makes up for in cold determination and diabolical wiles. As she pursues her goal with relentless focus, she is forced to destroy anything and anyone that may stand in her way, regardless of the ultimate cost or means necessary.
Wounded Civil War soldier John Dunbar tries to commit suicide—and becomes a hero instead. As a reward, he's assigned to his dream post, a remote junction on the Western frontier, and soon makes unlikely friends with the local Sioux tribe.
In 1983 East Berlin, dedicated Stasi officer Gerd Wiesler begins spying on a famous playwright and his actress-lover Christa-Maria. Wiesler becomes unexpectedly sympathetic to the couple, and faces conflicting loyalties when his superior takes a liking to Christa-Maria.
Throughout his life Edward Bloom has always been a man of big appetites, enormous passions and tall tales. In his later years, he remains a huge mystery to his son, William. Now, to get to know the real man, Will begins piecing together a true picture of his father from flashbacks of his amazing adventures.