Black Diamond 2025 - Movies (Feb 7th)
Daytime Revolution 2024 - Movies (Feb 7th)
Flight Risk 2025 - Movies (Feb 7th)
Disco’s Revenge 2024 - Movies (Feb 7th)
The Coddling of the American Mind 2024 - Movies (Feb 6th)
Death Without Mercy 2024 - Movies (Feb 6th)
V/H/S/Beyond 2024 - Movies (Feb 6th)
Mafia Wars 2024 - Movies (Feb 5th)
Love Hurts 2025 - Movies (Feb 5th)
Cinderellas Revenge 2024 - Movies (Feb 5th)
Slide 2025 - Movies (Feb 5th)
Queer Planet 2024 - Movies (Feb 5th)
The Forge 2024 - Movies (Feb 4th)
Green and Gold 2025 - Movies (Feb 4th)
Grace Wins 2024 - Movies (Feb 4th)
Deadzone 2024 - Movies (Feb 4th)
The Distance Between Us 2024 - Movies (Feb 4th)
A European Christmas 2024 - Movies (Feb 4th)
Super Icyclone 2024 - Movies (Feb 4th)
The Perfect Mother 2024 - Movies (Feb 4th)
Thirsty for Likes 2024 - Movies (Feb 4th)
Piers Morgan Uncensored - (Feb 7th)
Live from the Other Side with Tyler Henry - (Feb 7th)
The Repair Shop on the Road - (Feb 7th)
Perfect Match - (Feb 7th)
Wizards Beyond Waverly Place - (Feb 7th)
Jesse Watters Primetime - (Feb 7th)
Gutfeld - (Feb 7th)
Special Report with Bret Baier - (Feb 7th)
Outnumbered - (Feb 7th)
The Ingraham Angle - (Feb 7th)
The Five - (Feb 7th)
Reality of Wrestling - (Feb 7th)
Air Crash Investigation- Special Report - (Feb 7th)
After Midnight - (Feb 7th)
Taronga- Whos Who In The Zoo - (Feb 7th)
The Chase Australia - (Feb 7th)
The 11th Hour with Stephanie Ruhle - (Feb 7th)
Extreme Makeover- Home Edition - (Feb 7th)
Tribunal Justice - (Feb 7th)
TNA iMPACT - (Feb 7th)
Injured "Vanner" (Lew Ayres) arrives in a barn where he meets a priest. The holy man (Victory Jory) suggests he might be more comfortable in the house and upon arrival, listens to his rather complicated story. He used to work in the oilfields of Mexico when he apprehended a man he believed was implicated in a payroll robbery. The man was duly taken into custody but perished shortly thereafter. Though not responsible, "Vanner" is troubled. His engagement goes the way of the dodo and he quits his job, setting off for the small-holding home of the man's widow. Ostensibly just a homeless factotum, he meets "Ellen" (Teresa Wright) and her young son "Mike" (Jimmy Hunt) just as they have advertised for someone to help get their 300-odd head of cattle to market. Briefly, what now ensues is a sort of reversal of the "Shane" story, with she the distant and aloof character - a scenario that is only worsened when she declares that she knows who he is and forgiveness is far from her mind. Perhaps the solution is for them to work together as maybe just maybe, he got it wrong in the first place? This is actually quite a decent little thriller until the last fifteen minutes, which really don't make a great deal of sense at all and appear designed to maximise the dramatic conclusion rather than have the story add up. The acting and writing are all adequate and John Sturges keeps it moving along well enough - it's just that underwhelming denouement that really does let it down.
To draw attention to a popular show, a publicity expert hires a former carnival character, not knowing that the man is on the run from the law.
William Popper is the son of a stockbroker and is thoroughly disenchanted with "the system." So much so that even though he can prove that he ran over a woman in his car entirely by accident, he accepts a sentence for manslaughter.
One dark and stormy night, an escaped convict, an embezzler, a runaway daughter, her intended and her father, and a gangster take refuge in a remote inn called "The Black Raven" after the nickname of a second gangster who owns it; and murder ensues.
A young country-star wannabe takes off from her carhop career to join with a young, modern Billy the Kid wannabe for an adventure in theft, murder and mayhem.
This is one of David Hemming's earliest performances in the cinema: the star actor was just 15 when he portrayed a teenager who determines to clear a black friend on the run who is accused of murder.
Orense, Spain, 1940, just after the end of the Civil War. Every time Elena locks the door of her home, she and her children become the faithful guardians of a sacred secret: Ricardo, her husband, their father, hides in the house, trying to avoid the brutal political persecution of the victors, who hunt, as if they were wild animals, and imprison or execute, those who have lost the bloody and tragic struggle…
Most of the scenes are laid in a parrot-and-monkey country in South America, a land where "it is always after dinner." The Llano Kid, a Texas bad man, flees there from justice. The consul persuades him to play the long-lost son of a Castilian family, and tattoos a coat of arms on the back of the Kid's hand to make the deception complete. The Kid is taken into the household, trusted and loved by the gladdened mother. For the first time he has a home. The romance develops. And when the time comes to rob and flee he has too much manhood to break the loving mother's heart. The surprise comes when it is revealed that the man the Kid killed in Texas was the real son.
Amid the dust storms and economic depression of Dust Bowl Era Oklahoma, Eugene Evans finds his family farm on the brink of foreclosure. Discovering fugitive bank robber Allison Wells hiding in his small town, he is torn between claiming the bounty on her head and his growing attraction to the seductive criminal.
Two young men, one in need of medical attention, are cryogenically frozen in the early 1960s. The two are preoccupied with the fact that the police are pursuing them to realise what they are doing. The next thing they know is that they are in a strange new world (thirty years on).
Marie-Chantal travels by train to her cousin's place to spend a winter holiday, when a stranger entrusts her with false jewels that contain a virus powerful enough to destroy all humankind.