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We're the victims of a foul disease called social prejudice, my child. Stagecoach is directed by John Ford and adapted by Dudley Nichols from a story by Ernest Haycox. It stars Claire Trevor, John Wayne, John Carradine, Thomas Mitchell, Andy Devine, Donald Meek and Louise Platt. Director of photography is Bert Glennon and director of music Boris Morros. 6 people on board a stagecoach bound for Lordsburg, each one very different in character, each one with their own issues in life, and some carrying shame as well as dark secrets. The journey is fraught with danger as the Apache are tracking them thru the desert flats, can all the polar opposites come together to form a united front? It's now written in history that the 1930s was a bad decade for the Western movie. The decade began with expensive flops The Big Trail & Cimarron and from there the big studios pretty much condemned the genre to being nothing more than a B movie production line. Then in 1937 a story called Stage to Lordsburg was published in Collier's magazine, a story written by Ernest Haycox that itself was inspired by a short story called Boule de Suif written by Guy de Maupassant. John Ford liked the story very much and purchased the rights, trusting Dudley Nichols to rework a screenplay into a classic Western narrative. Meeting resistance from some of the head men at the studios, Ford had to fight hard to not only get the film made, but to also have John Wayne playing The Ringo Kid. Gary Cooper and Joel McCrea were wanted instead of Wayne, and Marlene Dietrich was suggested for the role of Dallas, the role eventually went to Claire Trevor. But Ford stuck to his guns, and rightly so, for now Stagecoach can be seen as a wonderful film that not only launched Wayne to stardom, but also as the film that reignited the Western genre and paved the way for some essential classics that followed. John Ford's first sound Western is rich with character dynamics at play, with the great director exploring what would become a trademark theme of his, that of moral qualities born out of people deemed less pure in society's eyes. True enough Stagecoach is still very traditional in an early Western movie sense, but the study of different characters under duress is magnificently moulded by director and cast alike. It was something that Orson Welles liked about the film, calling it perfect textbook film making, even claiming it to be a film he watched numerous times whilst crafting Citizen Kane. It's easy to believe Welles, we obviously remember the stunning Apache pursuit of the rocketing stagecoach, the stunt work, the breathless energy and the majestic location of Monument Valley, but thematically the film sizzles as well. That Ford is able to marry sharp action with real human drama - intimate drama played out on a massive panoramic landscape - is why Stagecoach continually entertains and influences with each passing year. From the moment Ford zooms up close on the face of John Wayne, a mega-star was born, but more importantly, from the opening credits to the last second of Stagecoach, the Western movie was reborn. A near masterpiece of the genre. 9/10
Jesse W. Haywood (Don Knotts) graduates from dental school in Philadelphia in 1870 and goes west to become a frontier dentist. Penelope "Bad Penny" Cushing (Barbara Rhoades) is offered a pardon if she will track down a ring of gun smugglers. She tricks Haywood into a sham marriage as a disguise. Haywood inadvertently becomes the legendary "Doc the Haywood" after he guns down "Arnold the Kid".
After his career is destroyed, a brilliant but arrogant surgeon gets a new lease on life when a sorcerer takes him under her wing and trains him to defend the world against evil.
When Letty Mason relocates to West Texas, she finds herself unsettled by the ever-present wind and sand. Arriving at her new home at the ranch of her cousin, Beverly, she receives a surprisingly cold welcome from his wife, Cora. Soon tensions in the family and unwanted attention from a trio of suitors leave Letty increasingly disturbed.
To many, Joshua McCord is a charismatic Asian studies professor. To the President of the United States, he's America's greatest secret weapon; a covert operative charged with only the most sensitive and dangerous missions.
A short student film about a lonesome cowboy in the 21st century attempting to prove his love to a teenage crush cowgirl, who recently falls into a coma.
Phoebe Titus is a tough, swaggering pioneer woman, but her ways become decidedly more feminine when she falls for California bound Peter Muncie. But Peter won't be distracted from his journey and Phoebe is left alone and plenty busy with villains Jefferson Carteret and Lazarus Ward plotting at every turn to destroy her freighting company. She has not seen the last of Peter, however.
Two peanut vendors at a rodeo show get in trouble with their boss and hide out on a railroad train heading west. They get jobs as cowboys on a dude ranch, despite the fact that neither of them knows anything about cowboys, horses, or anything else.
Marshal Wyatt Earp kills a couple of men of the Clanton-gang in a fight. In revenge Clanton's thugs kill the marshal's brother. Thus, Wyatt Earp starts to chase the killers together with his friend Doc Holliday.
After her husband is taken by a malicious pterodactyl, a schoolteacher enlists the help of a prostitute and a gunslinger to rescue him.
Story follows a stagecoach ride through Old West Apache territory. On board are a cavalry man's pregnant wife, a prostitute with a broken heart, a Marshal taking in his prisoner Johnny Ringo, a crooked gambler, and the infamous Doc Holliday