War of the Worlds Extinction 2024 - Movies (Mar 28th)
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Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
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Through the Door 2024 - Movies (Mar 27th)
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We're the victims of a foul disease called social prejudice, my child. Stagecoach is directed by John Ford and adapted by Dudley Nichols from a story by Ernest Haycox. It stars Claire Trevor, John Wayne, John Carradine, Thomas Mitchell, Andy Devine, Donald Meek and Louise Platt. Director of photography is Bert Glennon and director of music Boris Morros. 6 people on board a stagecoach bound for Lordsburg, each one very different in character, each one with their own issues in life, and some carrying shame as well as dark secrets. The journey is fraught with danger as the Apache are tracking them thru the desert flats, can all the polar opposites come together to form a united front? It's now written in history that the 1930s was a bad decade for the Western movie. The decade began with expensive flops The Big Trail & Cimarron and from there the big studios pretty much condemned the genre to being nothing more than a B movie production line. Then in 1937 a story called Stage to Lordsburg was published in Collier's magazine, a story written by Ernest Haycox that itself was inspired by a short story called Boule de Suif written by Guy de Maupassant. John Ford liked the story very much and purchased the rights, trusting Dudley Nichols to rework a screenplay into a classic Western narrative. Meeting resistance from some of the head men at the studios, Ford had to fight hard to not only get the film made, but to also have John Wayne playing The Ringo Kid. Gary Cooper and Joel McCrea were wanted instead of Wayne, and Marlene Dietrich was suggested for the role of Dallas, the role eventually went to Claire Trevor. But Ford stuck to his guns, and rightly so, for now Stagecoach can be seen as a wonderful film that not only launched Wayne to stardom, but also as the film that reignited the Western genre and paved the way for some essential classics that followed. John Ford's first sound Western is rich with character dynamics at play, with the great director exploring what would become a trademark theme of his, that of moral qualities born out of people deemed less pure in society's eyes. True enough Stagecoach is still very traditional in an early Western movie sense, but the study of different characters under duress is magnificently moulded by director and cast alike. It was something that Orson Welles liked about the film, calling it perfect textbook film making, even claiming it to be a film he watched numerous times whilst crafting Citizen Kane. It's easy to believe Welles, we obviously remember the stunning Apache pursuit of the rocketing stagecoach, the stunt work, the breathless energy and the majestic location of Monument Valley, but thematically the film sizzles as well. That Ford is able to marry sharp action with real human drama - intimate drama played out on a massive panoramic landscape - is why Stagecoach continually entertains and influences with each passing year. From the moment Ford zooms up close on the face of John Wayne, a mega-star was born, but more importantly, from the opening credits to the last second of Stagecoach, the Western movie was reborn. A near masterpiece of the genre. 9/10
"Black" is a stunning fire-and-silk stallion celebrated the world over. But to his young American owner, Alec Ramsay, he's much more. So, when the amazing animal is stolen, Alec will stop at nothing to get him back. Alec finally unravels the mystery of Black's theft...only to discover that he must overcome even greater odds to reclaim his beloved horse.
Two hapless drifters, Frank and Bruno, team up with Linde to recover her land and trek across 1870's Southern Arizona to find an elusive frontier musician. The complex quantum time theory is blended with philosophical musings about art as the way we understand our history and memories, with gunfights, horses, dance halls, cacti, and saloons!
The Straw Hat Pirates are on a quest to save the desert kingdom of Alabasta. A civil war brews among the sands, one started and stirred by the hand of none other than Crocodile and his corrupted Baroque Works gang. The stakes run ever higher as Princess Vivi's homeland threatens to tear itself apart. More than lives are on the line.
Meet Moe (Larry the Cucumber), a good-natured cowboy living high on the hog out in Dodgeball City while his kinfolk work their fingers to the bone digging the Grand Canyon. When Moe asks the heartless mayor to let his people go, he refuses and a heap of trouble comes to town. Can Moe help free his people from bondage and flee Dodgeball City once and fer all? Saddle up fro a rootin' tootin' Bible adventure as VeggieTales® heads west and teaches a lesson in followin' directions! Yee-Haw!
As Colorado Springs' Commisioner, Sully opposes a deal to mine for copper to make electricity. In order to sway Sully's decision, Mr. Garrick threatens Sully. Sully and Michaela's daugther, Katie, is then kidnapped while the town celebrates Michaela's birthday. The search for Katie takes Sully, Micheala, and their friends on an adventure through Mexico that is filled with danger at every turn.
A girl goes on vacation to the mountains where she finds a wild horse named Hacksaw. With a little help, she captures the stud and it doesn't take long until the man who helped her starts wagon racing, since Hacksaw refuses to have any man or woman on his back.
Queen Poppy and Branch make a surprising discovery — there are other Troll worlds beyond their own, and their distinct differences create big clashes between these various tribes. When a mysterious threat puts all of the Trolls across the land in danger, Poppy, Branch, and their band of friends must embark on an epic quest to create harmony among the feuding Trolls to unite them against certain doom.
Gunning for revenge, outlaw Nat Love saddles up with his gang to take down enemy Rufus Buck, a ruthless crime boss who just got sprung from prison.
Mitch Robbins' 40th birthday begins quite well until he returns home and finds his brother Glen, the black sheep of the family, in his sofa. Nevertheless he is about to have a wonderful birthday-night with his wife when he discovers a treasure map of Curly by chance. Together with Phil and unfortunately Glen he tries to find the hidden gold of Curly's father in the desert of Arizona.
El Topo decides to confront warrior Masters on a trans-formative desert journey he begins with his 6 year old son, who must bury his childhood totems to become a man.
The final installment finds Marty digging the trusty DeLorean out of a mineshaft and looking for Doc in the Wild West of 1885. But when their time machine breaks down, the travelers are stranded in a land of spurs. More problems arise when Doc falls for pretty schoolteacher Clara Clayton, and Marty tangles with Buford Tannen.