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The Bachelor - (Jan 28th)
Raw - (Jan 28th)
Below Deck Sailing Yacht - (Jan 28th)
Paradise - (Jan 28th)
90 Day- The Last Resort Between the Sheets - (Jan 28th)
American Dad - (Jan 28th)
The Last Word with Lawrence ODonnell - (Jan 28th)
The Curious Case of... - (Jan 28th)
The Rachel Maddow Show - (Jan 28th)
The Yorkshire Auction House - (Jan 28th)
Maine Cabin Masters - (Jan 28th)
Baylen Out Loud - (Jan 28th)
NCIS - (Jan 28th)
Rescue- HI-Surf - (Jan 28th)
Inside with Jen Psaki - (Jan 28th)
Poppas House - (Jan 28th)
9-1-1- Lone Star - (Jan 28th)
The ReidOut with Joy Reid - (Jan 28th)
90 Day- The Last Resort - (Jan 28th)
Kids Baking Championship - (Jan 28th)
I want a ticket to Birmingham but you've given me one to Crewe... ...Oh Mr Porter what a funny man you are. William Porter is an inept railway worker who keeps getting fired from his various positions in the industry. In spite of his dubious record he gets sent to dead end station Buggleskelly, Northern Ireland, a place where many of the previous station masters have met mysterious ends. "Every night when the moon gives light, the miller's ghost is seen.. He walks the track, a sack on his back, and his ear hole painted green.. He haunts the tunnel, he haunts the hill and the land that lies between...." Bumbling buffoonery from the dynamite comic team of Will Hay, Moore Marriott, and Graham Moffatt. Set in the fictional Irish town of Buggleskelly, the film never lets up the chuckles from first reel to last. From the ramshackle way the guys run their, ahem, ramshackle rail station, to the wonderful array of characters they come across. The film perfectly fuses mirthful double takes with a decidedly mysterious undertone. Playing very much on spooky superstition, gun running baddies and trusty railway fables, Oh Mr. Porter! delivers to the audience pure unadulterated entertainment that's been crisply put together. Local conditions would appear to be peculiar! It's co-written by a fine team consisting of Frank Launder, J.O.C. Orton, Val Guest and Marriott Edgar, and once more Marcel Varnel is on hand to direct the nutty trio to one of their greatest achievements. Though this trio of "workers" are clearly unable to run a rail station properly, which of course give us the viewers some excellent character comedy moments, they are not found wanting in the detective stakes. Which in turn gives us joyous fun as the guys, once realising something is amiss, give us classic British scenes involving a windmill and the last journey of the locomotive Gladstone. Nicely blending slap-stick with the wonderful character interplay, it's not hard to understand why Oh, Mr. Porter! is still a critics favourite after all these years, and thus why it's still a staple showing on British television each and every year. See it at your first opportunity since it be a true British comedy classic. 10/10
In Ancient Polynesia, when a terrible curse incurred by Maui reaches the island of an impetuous Chieftain, his willful daughter answers the Ocean's call to seek out the demigod to set things right.
Witty, fun, intoxicating film of Johann Strauss II's popular operetta, based on a stage production from Vienna State Opera; this is a showcase for the entire cast, but most especially Eberhard Wächter as the insufferably boorish Gabriel Eisenstein, and Gundula Janowitz as his long-suffering wife. Open the champagne, have yourself some torte, and enjoy this delectable comedy from Vienna.
The misfortunes that befall three dental students when they become unwitting accessories to a burglary.
Ex-policeman Rollo Lee is sent to run Marwood Zoo, the newly acquired business of a New Zealand tycoon. In order to meet high profit targets and keep the zoo open, Rollo enforces a new 'fierce creatures' policy, whereby only the most impressive and dangerous animals are allowed to remain in the zoo. However, the keepers are less enthusiastic about complying with these demands.
A somewhat daffy book editor on a rail trip from Los Angeles to Chicago thinks that he sees a murdered man thrown from the train. When he can find no one who will believe him, he starts doing some investigating of his own. But all that accomplishes is to get the killer after him.
Honey Skinner is proud of her successful husband. When he tells her he's going to ask for a raise, she knows he'll get it. He asks his boss just as their big client announces he's not renewing his contract. He doesn't get the raise, but he's too embarrassed to tell his wife the truth. She starts making plans to spend that extra $10 a week; the first thing is a new dress suit for him and a new outfit for her so they can fit in at a swanky party. They're the hit of the party, and Honey is embraced by the 'smart set.' Meanwhile, business is bad and Skinner loses his job. The tailor is after him for payment on the suit, and Honey is still spending the salary he doesn't have.
The unruly schoolgirls of St Trinian's are more interested in men and mischief than homework and hockey. But greater trouble than ever beckons when the arrival at the school of Princess Fatima of Makyad coincides with the return of recently expelled Arabella Fritton, who has the kidnap of a prize racehorse on her mind. The first film in the classic comedy series.
A depressed wealthy businessman and a spunky carefree young woman embark on an unexpected journey that changes their lives.
The famous Pink Panther jewel has once again been stolen and Inspector Clouseau is called in to catch the thief. The Inspector is convinced that 'The Phantom' has returned and utilises all of his resources – himself and his Asian manservant – to reveal the identity of 'The Phantom'.
Not only is Jessica Spencer the most popular girl in school - she is also the meanest. But things change for the attractive teen when a freak accident involving a cursed pair of earrings and a chance encounter at a gas station causes her to switch bodies with Clive, a sleazy crook. Jessica, in the form of the repulsive Clive, struggles to adjust to this radical alteration and sets out to get her own body back before the upcoming prom.
Larry Donner, an author with a cruel ex-wife, teaches a writing workshop in which one of his students, Owen, is fed up with his domineering mother. When Owen watches a Hitchcock classic that seems to mirror his own life, he decides to put the movie's plot into action and offers to kill Larry's ex-wife, if Larry promises to murder his mom. Before Larry gets a chance to react to the plan, it seems that Owen has already set things in motion.