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One Killer Question - (Mar 29th)
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"Rollo" (John Cleese) is drafted in by his ruthless American boss "McCain" - no fries on him - to run a British zoo. His policy upon arrival is to get rid of all the cute and cuddly critters and leave just the menacing lions and tigers and bears! The staff are horrified, especially when some neat new graves appear after five resonating gunshots. The staff revolt and that convinces "McCain" (Kevin Kline) to send his son "Vince" (also CK) to take the helm with his savvy executive "Willa" (Jamie Lee Curtis) and pretty soon his new branding policy has just about everything sponsored, including the staff - but, of course, none of this is legit. We just know that the tortoise named after benefactor Bruce Springsteen is not likely to ever see the man. When it appears that "Vince" has his hand in the till, too, his father decides to be shot of all of these smelly beasts and just build a golf course. To that end, he arrives on scene to help his two underlings impress the would-be Japanese investors who have their eye on the place. It does have it's funny moments, but I reckon much of those will depend on your fondness for Cleese and his slapstick style of humour. His tall, gangly, appearance frequently being his principle prop - that his his character's innate crassness and stupidity. As the story evolves, we get a bit less of that and more of Kline's mischievous humour and of course Curtis, whom her pal things is interested in him romantically but she is far more enamoured of the zoo and then rather predictably... There's an entertaining supporting cast here - Robert Lindsay, fellow Python Michael Palin and Ronnie Corbett, and they and their animals add the "aah" factor the the thing making it watchable, but not really very memorable.
A tale about a strange young man, Bulcsú, and the fellow ticket inspectors on his team who work aboard the subterranean Budapest Metro. A tale about racing along the tracks, and about a mysterious serial killer. And a tale about love.
Witty, fun, intoxicating film of Johann Strauss II's popular operetta, based on a stage production from Vienna State Opera; this is a showcase for the entire cast, but most especially Eberhard Wächter as the insufferably boorish Gabriel Eisenstein, and Gundula Janowitz as his long-suffering wife. Open the champagne, have yourself some torte, and enjoy this delectable comedy from Vienna.
Before horror enthusiast Max can break things off with his girlfriend Evelyn she dies in a bus accident. In time, Max meets another woman only to have Evelyn resurface as a zombie ready to resume their relationship.
Adolf Hitler is hiding out in California under the identity of Adolf Schwartz; however, he is soon murdered by a mysterious assailant. This coincides with the arrival of a mysterious woman in a nearby town. Whatever the case might be, nobody seems interested in investigating the crime, but there are many who are interested in her.
The eccentric and childish Pee-wee Herman embarks on a big adventure when his beloved bicycle is stolen. Armed with information from a fortune-teller and a relentless obsession with his prized possession, Pee-wee encounters a host of odd characters and bizarre situations as he treks across the country to recover his bike.
Clint must flee after his wife is killed by a psychopathic cop, who tries to pin the murder on him.
A publishing executive is visited and bitten by a vampire and starts exhibiting erratic behavior. He pushes his secretary to extremes as he tries to come to terms with his affliction.
When a young couple buys their dream home, they have no idea what the sweet little old lady upstairs is going to put them through!
This is a film about the movie industry, about favors, hooking up etc. It is mostly set in Copenhagen and the story begins with the son of a big producer going to Copenhagen from Hong Kong trying to seal a deal. He gets involved with the Denmark girls.
Tough talk takes a soft turn as Nate, played by comedian Natalie Palamides, explores humor, heartbreak, sexuality and consent — with a live audience.
The New York club scene of the 80s and 90s was a world like no other. Into this candy-colored, mirror ball playground stepped Michael Alig, a wannabe from nowhere special. Under the watchful eye of veteran club kid James St. James, Alig quickly rose to the top... and there was no place to go but down.
