War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
Valley of the Dead follows the standard Zombie flick formula with one or two twists, that add a little added novelty. Its Spanish civil war setting is not something I have seen before. It offers a tie in with Nazi experimentation and creation of zombies, as a biological weapon. Given Hitler backed one side of the conflict this is a clever tie in. Does it really make a difference though? Well in a superficial sense, yes. But then this is a drama that runs primarily on exposition, shoot zombies, run from zombies, repeat, find out who's behind it all and try to stop them. The downside and this is a problem I have encountered with a lot of content with the Netflix label is its "woke-ness." It sets up a toxic masculinity scenario at one point and has a women deal with it. Its a rather nasty little number too, involving the clergy and kids....yuck. Frankly I considered switching off at this point. No one wants to be lectured watching what is supposed to be entertainment. Knock it off guys, its not doing your reputation with me at least, any favours. Anyway moving on from that its otherwise mostly watchable. Exposition is well done, sets are good and acting is solid, with a decent cast. 6/10.
At the latest since id software published their second Wolfenstein game, there's a "Nazis making zombies" trope. This instance isn't especially original, and I agree with the reviewer who was annoyed about the PC BS (though it wasn't overmuch). But there's two aspects that make this movie stand out in a good light: the pacing, and the banter. Especially the latter. While the characters are a bit schematic, the dialogue is nimble, amusing, and makes the characters more alive. All in all it is, as one would expect, not of a high standard - but it manages to be entertaining. 6/10
Oskar Matzerath is a very unusual boy. Refusing to leave the womb until promised a tin drum by his mother, Agnes, Oskar is reluctant to enter a world he sees as filled with hypocrisy and injustice, and vows on his third birthday to never grow up. Miraculously, he gets his wish. As the Nazis rise to power in Danzig, Oskar wills himself to remain a child, beating his tin drum incessantly and screaming in protest at the chaos surrounding him.
Shaun lives a supremely uneventful life, which revolves around his girlfriend, his mother, and, above all, his local pub. This gentle routine is threatened when the dead return to life and make strenuous attempts to snack on ordinary Londoners.
When a Sumatran rat-monkey bites Lionel Cosgrove's mother, she's transformed into a zombie and begins killing (and transforming) the entire town while Lionel races to keep things under control.
In 1979, a group of college students find a Sumerian Book of the Dead in an old wilderness cabin they've rented for a weekend getaway.
Ash, a handsome, shotgun-toting, chainsaw-armed department store clerk, is time warped backwards into England's Dark Ages, where he romances a beauty and faces legions of the undead.
In WWII-era Rome, underground resistance leader Manfredi attempts to evade the Gestapo by enlisting the help of Pina, the fiancée of a fellow member of the resistance, and Don Pietro, the priest due to oversee her marriage. But it’s not long before the Nazis and the local police find him.
A young Jewish American man endeavors—with the help of eccentric, distant relatives—to find the woman who saved his grandfather during World War II—in a Ukrainian village which was ultimately razed by the Nazis.
1941, Ukraine. A group of German soldiers occupy a small town populated exclusively by women and children of German descent, way behind enemy lines. There's tension from the beginning, that always threatens to erupt in violence from both sides.
At odds with one another, a family embarks on a harrowing journey to escape the epicenter of a zombie outbreak and reach the last safe haven.
Dictator Adenoid Hynkel tries to expand his empire while a poor Jewish barber tries to avoid persecution from Hynkel's regime.