Yogi Vemana

In a realm beyond the senses, plants interact with surreal cinematography to chart the course of our character: an entity said to embody the life and work of Felisberto Hernández, Uruguayan father of magical realism. Through this journey, we are confronted with an open-ended experience questioning the nature of musicality versus cinematography, entity versus aberration, and self versus space, in a self-referential, blurry, digital and mystical setting.

Before Dawn charts the years of exile in the life of famous Jewish Austrian writer Stefan Zweig, his inner struggle for the "right attitude" towards the events in war torn Europe and his search for a new home.

Elisabeth, a fifty year old woman, visits her old father in the outskirts of Klagenfurt. There, she reflects about her childhood and her romantic life.

Based on a popular 1931 play, the film tells the fate of a naive young woman named Marianne, who breaks off her reluctant engagement with Oskar the butcher after falling in love with a fop named Alfred who, however, has no serious interest in returning her love. For this error, she must pay bitterly.

At the age of 71, a highly regarded writer, José Cardoso Pires, suffers a major stroke and loses his memory and the ability to relate to the rest of the world. Everybody seems to defy the famous author to write another novel that recounts this adventure telling his "last story", the most conclusive of his career, the one of his accidental journey to the clear shadows territory.

The Picture of Dorian Gray, the seminal work of Irish writer Oscar Wilde (1854-1900), continues to find new readers and inspire artists and creators around the world more than a century after its publication in 1891, because it was endowed with all the elements necessary to make it an undisputed heritage of world literature.

Based on a actual events, the story is about a Pakistani Hindu boy and his father who accidentally cross the border into India from their village in Pakistan at a time of extreme war like tension between the 2 countries and end up spending 5 years in an Indian prison while the mother left behind wonders what has happened to them.

A mother finds it hard to believe that her son is convicted as a terrorist and is sent to gallows. Eventually, she loses her mental balance.

Yes, we will build a world. We're not dreaming. Despite the struggle, brick by brick, part by part, we will build it. We're not dreaming.

Two storytellers put forth their versions of the story of Shravan Kumar. The art for the film uses painted images from a wooden portable shrine called a Kaavad. The film is a collaborative work between traditional Kaavad storytellers and Kaavad artists from Rajasthan, together with the filmmaker. Combining lush animation with live-action, the film is an interpretation of two stories which are forever fused in the act of telling and retelling.