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From now on, I'm going to make a life of my own. And, being a woman, I won't have to use guns. Ramrod is directed by Andre DeToth and collectively written by Luke Short, Jack Moffitt, C. Graham Baker and Cecile Kramer. It stars Joel McCrea, Veronica Lake, Don DeFore, Donald Crisp, Preston Foster, Arlene Whelan and Charles Ruggles. Music is by Adloph Deutsch and cinematography by Russell Harlan. Sick of self proclaimed bully boss of the valley Frank Ivey (Foster) getting his way, hard driven Connie Dickason (Lake) sets up the Circle 66 Ranch. Hiring Dave Nash (McRea) as her ranch foreman (ramrod), Connie uses tricks and feminine wiles to win the personal battles to hand - which may well spell bad news for everyone... Ramrod was the first Western directed by De Toth, and it's quite an impressive genre start. Splendidly capturing the film noir zeitgeist that was occurring at this time, pic looks terrific, De Toth and Harlan bring perfect monochrome moodiness for narrative compliance. The story pulses with psychological beats, the characters ranging from damaged addicts, the lovelorn and the lost, the power crazy and the cowardly, and right there at the core of it all is a femme fatale who is very much all woman but manipulative, bitter and destructive to the bone! Story has a number of splinters lifting it out of the ordinary, the twists and turns not ridiculous, the sly machinations of principals are devilishly enjoyable for the like minded noir of heart. The plotting is clinically smart by not being ordinary, De Toth toying with the traditional tropes of the good versus bad Western staples. It's fair to say that Ramrod will reward more on further viewings, where it has the power to have the viewer dissecting the Freudian angles on show. Cast are well suited to their respective roles. Lake rightly deglamourizes for Connie, and yet she carries a steely sexiness that has you understanding how men fall under her spell. McRea underplays it perfectly, he got the dupe role down pat, whilst DeFore steals the men acting honours as Bill Schell, who is Dave's mate, a jumping bean loose cannon dealing death with a nod and a wink. Support cast all come out in credit to seal the deal, for Ramrod is a must see for those who like Western and film noir hybrids. 8/10
When Colt kills the men that murdered his father, he escapes his pursuers and joins Wolf and his outlaw gang. After two years Wolf breaks up the gang, deeds his ranch to Colt, and turns himself in. Now an honest rancher, things are going fine for Colt until Wolf's old gang shows up under a new leader. Colt get the Governor to release Wolf claiming the two of them can bring in the gang.
Renegades trying to get the army to abandon their fort get the Indians addicted to whiskey, then convince them to attack and drive out the soldiers.
Gene goes after the badguys after they kidnap the baby he should have been babysitting.
Marshall "Big Jim" Cole turns in his badge and heads to Wyoming with his family in order to settle on some land left him by a relative. He faces opposition both from a neighbor who wants that land for his own sons, and from a grizzly bear nicknamed "Satan" who keeps killing Cole's livestock.
A woman seeking revenge for her murdered father hires a famous gunman, but he's very different from what she expects.
Questions arise when Senator Stoddard (James Stewart) attends the funeral of a local man named Tom Doniphon (John Wayne) in a small Western town. Flashing back, we learn Doniphon saved Stoddard, then a lawyer, when he was roughed up by a crew of outlaws terrorizing the town, led by Liberty Valance (Lee Marvin). As the territory's safety hung in the balance, Doniphon and Stoddard, two of the only people standing up to him, proved to be very important, but different, foes to Valance.
An ex-con returns to his rural Ontario roots and outwits a corrupt and wealthy thoroughbred owner trying to take over a slew of local farms. Ray Dokes, a charming ex-ballplayer, returns from jail to discover the rural landscape of his childhood transformed by urban development. Determined to stay out of trouble, Ray heads to the farm of his old friend Pete Culpepper, a crusty Texas cowboy who trains losing racehorses and whose debts are growing faster than his corn.
Rodeo contestants Johnny King and Corrigan meet, their fathers having been members of the Range Busters. When Johnny is knocked unconscious, time reverts to their father's era and the Range Busters are soon involved in the scheme to get Railroad right-of-way across Mother Slocum's ranch. When she is tricked into signing a release, the Range Busters find their job more difficult as the Sheriff is in with the crooks.
When attacked by two dogs, Joe Gilmore leaves them on the desert to die. Later one of the dogs saves John Blake from drowning. Men arrive claiming the dog is killing their chickens. They want to kill the dog but John convinces them the dog's fate should be determined by a trial.
A group of young gunmen, led by Billy the Kid, become deputies to avenge the murder of the rancher who became their benefactor. But when Billy takes their authority too far, they become the hunted.
The brother (House Peters Jr.) of rancher Bill Martin (Bill Elliott) is killed in a stampede started by cattleman. Bill returns to the Fargo country to take his brother's place and is welcomed by law-abiding cattleman MacKenzie (Jack Ingram)) and his daughter Kathy (Phyllis Coates). The leader of the ruthless cattle interests are townsman Austin (Arthur Space) and his henchmen Red (Myron Healey), Link (Robert J. Wilke) and Albord (Terry Frost). Bill has the idea of putting up barbed wire to keep the herds from been driven over the land cultivated by the farmers. He, aided by Tad Sloan (Fuzzy Knight), produces the wire by make-shift methods, but it proves effective. The cattleman charge in court that the wire is dangerous to their herds but lose the case. Austin orders his men to seize Bill, bale him in strands of the wire, and throw him on the stage of the town hall during a fall festival. Bill doesn't take kindly to this and it precipitates open war.