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**_Bucolic Western with Clint Walker tangling with a satanic bruin_** A man & his loved ones (Clint Walker, Martha Hyer, Don Haggerty, etc.) take over an inherited ranch in Wyoming, but are beset by a rogue grizzly, a mogul who wants the land (Keenan Wynn), his troublemaking sons (Ron Ely and Sammy Jackson) and a mysterious man from the past (Leo Gordon). “The Night of the Grizzly” (1966) was reworked from an unused script of Walker’s successful Western series Cheyenne with some fans of that show viewing it as the unofficial epilogue since Clint’s character often spoke of getting a ranch. The tone is reminiscent of “Shane,” which also featured Ellen Corby and Nancy Kulp, but this is less cinematic, no doubt due to the lesser budget and the fact that it was helmed by Joseph Pevney, known for directing some of the better episodes of Star Trek, like “Arena” and “The City on the Edge of Forever.” This happened to be Pevney’s final theatrical film, although he continued to direct TV movies and shows. Western fans might be turned off by a cutesy vibe that smacks of Disney-goes-West but, if you can roll with that side element, there’s more than enough for maturer viewers to appreciate, not to mention quite a bit of action, like brawls, gunfights, knife fights and an extremely violent bear. Speaking of the latter, while exaggerated, savage bear attacks did happen in the Old West, such as the three cowboys massacred in 1870 near the San Benito Ranch by Hollister, California (south of the Bay Area). One of them was decapitated (!). The flick has a welcome warm heart amidst the mayhem and is augmented by Walker’s quality example of manhood. For instance, he says to his beloved: “Angie, there ain’t a man alive that doesn't have trouble. How he handles that trouble is what counts. In every man's life there’s a Cass or a Satan, one kind or another, trying to whip him, beat him down, destroy him. He can't run away from it. He's got to stand strong and fight! Whatever it is, he's got to fight! That’s how God made a man.” It runs 1 hours, 41 minutes, and was shot in San Bernardino National Forest at Holcomb Valley north of Big Bear Lake, as well as Big Bear Valley, which is east of the lake. Studio stuff was done a Paramount Studios. Jack Elam is also on hand in the cast. GRADE: B
A troubled teen is sent to live with his estranged father, a park ranger. During his time there, he develops an unusual affinity with and passion for the wolves in a local pack.
A marshal tries to bring the son of an old friend, an autocratic cattle baron, to justice for the rape and murder of his wife.
Jerry Johnson inherits a 50,000 acre ranch. Lucky Miller wants to take over the ranch. Roy is trying to get a railroad spur right of way. Lucky has a woman come west to marry Jerry to get control of the ranch. After the wedding, Lucky has the owner killed. Roy’s gun is substituted for the murder weapon, so Roy is put in jail.
A man who's a dead ringer for the leader of an outlaw gang kills the gang leader, then takes his place to try to bring the gang to justice.
A group of men are on safari. One of the party refuses to give a gift to a tribe they encounter. The tribe is offended, seizes the party, and one-by-one, kills all but one of the safari members in various creative and horrifying ways. The last surviving member is given "The Lion's Chance" by the tribal leader to be hunted down by a party of tribal warriors.
A singing rodeo rider hires on at an expensive all-women dude ranch and beauty spa. He falls for a pretty fitness trainer who is constantly threatened by a gang who wants her late grandfather's cache of gold hidden in a ghost town.
On vacation at his ranch, western actor Roy quickly finds himself involved with a horse rustling operation and a boy ward of one of the rustlers, leading to the kidnapping of Roy's trick horse Trigger by the gang with a demand for ransom.
One of puppet-maker Geppetto's creations comes magically to life. This puppet, Pinocchio, has one major desire and that is to become a real boy someday. In order to accomplish this goal he has to learn to act responsibly. This film shows you the adventures on which he learns valuable lessons.
The romance of a rancher's niece and a rival rancher's son parallels that of a stallion and a mare.
Ken McLaughlin is a precocious 10-year-old who lives with his family on a remote Wyoming ranch. When Ken returns home from school with failing grades, his father, Rob, blames the boy's lack of personal responsibility. At the suggestion of his wife, Nell, Rob allows Ken to choose a single colt from the herd to raise as his own. Much to his father's dismay, Ken chooses a fiery mustang filly - but the two soon become fast friends.