The Dark Side of Life: Mumbai City

When professional ambitions clash with personal feelings for a modern-day couple, a love story from a bygone era may offer some wisdom.

Rajputana, India, 13th century. The tyrannical usurper Alauddin Khilji, sultan of Delhi, becomes obsessed with Queen Padmavati, wife of King Ratan Singh of Mewar, and goes to great lengths to satisfy his greed for her.

The gritty life of the Mumbai underworld, including prostitution, dance bars and gun crime.

The film is about three close friends, each one having a different perspective about marriage. Govinda plays a divorce lawyer in the film who doesn't believe in marriage and is a Casanova of sorts. Khan plays a character for whom being in love matters most and D'Souza plays his love interest. Kapoor plays a Gujarati who believes in the system of arranged marriage and Desai plays his Gujarati wife.

Firaaq is an Urdu word that means both separation and quest. The film is a work of fiction, based on a thousand stories. The story is set over a 24-hour period, one month after a campaign that took place in Gujarat, India, in 2002. It traces the emotional journey of ordinary people- some who were victims, some perpetrators and some who choose to watch silently.

The human drama is based on an interesting premise of a seasoned character actor who decides to come out of retirement and begin a quest for a record of some sorts, that elusive 500th role, the one for which he shall be remembered forever.

Badrinath is looking for a typical bride; Vaidehi is looking for an independent life. Together they must break with tradition and redefine their role

A woman from a rural family enters into an arranged marriage with a man from the city. While she is instantly taken with her husband, she is shocked to discover that the holy man who arranged the wedding had neglected to mention the crammed living conditions of her new family and soon the lack of privacy disrupts the marriage bliss of the newly-wed couple.

The film starts with the veteran thespian Harish Mishra, he is gravely ill. The punishments of a film shoot have left the old man in a coma. His co-star, Shabnam, is wracked with worry, but their director, Siddharth, keeps strangely distant and refuses to visit his ailing star. In flashbacks, their story emerges.

The young Shivudu is left as a foundling in a small village by his mother. By the time he’s grown up, it has become apparent that he possesses exceptional gifts. He meets the beautiful warrior princess Avanthika and learns that her queen has been held captive for the last 25 years. Shividu sets off to rescue her, discovering his own origins in the process.

A young orphan boy working as a tank cleaner is trapped in a water tank by someone. He struggles for his life for four days in this tank full of water.