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A French teacher in a small Algerian village during the Algerian War forms an unexpected bond with a dissident who is ordered to be turned in to the authorities.
Djamila, a young Algerian woman living with her brother Hadi and her uncle Mustafa in the Casbah district of Algiers under the French occupation of Algeria, sees the full extent of injustice, tyranny and cruelty on his compatriots by French soldiers. Jamila's nationalist spirit will be strengthened when French forces invade her university to arrest her classmate Amina who commits suicide by ingesting poison. Shortly after the prominent Algerian guerrilla leader Youssef takes refuge with her, she realizes that her uncle Mustafa is part of this network of anti-colonial rebel fighters. Her uncle linked her to the National Liberation Front (FLN). A series of events illustrate Jamila's participation in resistance operations against the occupier before she was finally captured and tortured. Finally, despite the efforts of her French lawyer, Jamila is sentenced to death...
In Algiers in 1993, while the civil war is starting, Mrs Osmane's tenants have to endure her bad temper. Her husband left her and the fear to lose her respectability haunt her. The former member of the Resistance during the Independence War persists in controlling the slightest moves of the households rather than struggle against her own frustrations. Learning her daughter is in love, the possibility of finding herself alone will push her to the limit: The symbolical Mrs Osmane "harem" is about to collapse.
The 25-year-old love story of a couple is told through the lens of their teenage daughter after she is diagnosed with pulmonary fibrosis.
“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.
A young man narrates two conflicting accounts of his life, changing the details and incidents in both, as he slowly approaches madness.
A quiet teen's life is shaken up when she's forced to be her arrogant neighbor's slave. He loves her, but they both have a lot to learn about trust.
1516, Legend has it that the king of Algiers had a wife named Zaphira. When the pirate Aroudj Barbarossa arrives to liberate the city from the Spaniards, he is determined to conquer Zaphira as well as the kingdom itself. But is Zaphira willing to let him, or is she plotting for herself?
The story centers on Yoshio, a poor and struggling manga artist who lives in Kitamachi. He is sent by Oyaji, the landlord of his apartment who is also engaged in other shady businesses, to help a novelist called Imori move in, and meets a recently-divorced woman named Fukuko. Yoshio is immediately bewitched by her beauty, even though she is already seeing someone else. In the meantime, Imori establishes an advertising agency, borrowing the name of a larger agency from the wealthier Minamicho, in order to sell his novel. Yoshio ends up helping with Imori's efforts, and somehow Imori and Fukuko come to live together with Yoshio.
Shun Fujishiro is a psychiatrist and works at a university hospital in Tokyo. He is engaged to Yayoi Sakamoto. One day in April, when he is about to marry Yayoi Sakamoto, he receives a letter from his first love Haru Iyoda. They dated 10 years ago. Suddenly, his fiancé Yayoi Sakamoto disappears.