ميلة (Djamilah)

A naive young college student, who is majoring in chemistry, is persuaded by her roommates and a would-be drug dealer to make LSD for them, and she winds up getting caught up in the "acid" lifestyle.

The first part tells the story of Moses leading the Jews from Egypt to the Promised Land, his receipt of the tablets and the worship of the golden calf. The second part shows the efficacy of the commandments in modern life through a story set in San Francisco. Two brothers, rivals for the love of Mary, also come into conflict when John discovers Dan used shoddy materials to construct a cathedral.

Longfellow Deeds lives in a small town, leading a small town kind of life. When a relative dies and leaves Deeds a fortune, Longfellow moves to the big city where he becomes an instant target for everyone. Deeds outwits them all until Babe Bennett comes along. When small-town boy meets big-city girl anything can, and does, happen.

As the Algerian War draws to a close, a teenager with a girlfriend starts feeling homosexual urges for two of his classmates: a country boy, and a French-Algerian intellectual.

After years of investigation, Assistant District Attorney Martin Ferguson has managed to build a solid case against an elusive gangster whose top lieutenant is about to testify.

Nabqa the seamstress is looking for a groom. She reads in the newspaper ads about a groom named Gamil Gamal, so they get engaged. Unfortunately, Nabqa goes out on the train one day, and without her noticing, a thief steals her wallet, including her engagement papers to Gamil Gamal and her ID card, and claims to be a woman of good lineage.

The homoerotic poetry of Mutsuo Takahashi sets the stage for these associated images based on male desire.

A poetic story about the first love of boy Sanya to girl Lena.

Khadiga lives in a poor neighborhood with her parents. She tries to save up money so she could marry her sweetheart Taha. Taha buys a lottery ticket in hope of winning a lot of money, but it ends up in Khadiga's religious father's hands who throws it away. The ticket gets picked up by the town's fool, who gets lucky and wins, driving the town into chaos.

“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.