The Face on the Barroom Floor

Kitty Carroll, an attractive store model, volunteers to become a test subject for a machine that will make her invisible so that she can use her invisibility to exact revenge on her ex-boss.

Greedy heirs wait in a mansion for a rich cat lover to die, only to learn her cats come first.

Everything is arranged by Dick and his college chums to have their sweethearts from the city, with their chaperone, visit them to spend the day. At the eleventh hour the boys receive a telephone message from the girls informing them that their chaperone has disappointed them, and they will not be able to come. The boys are disconsolate. While they are deploring the matter, their tailor, the ninth part of a man, enters. Struck with a sudden idea, they seize him and compel him to impersonate Dick's godmother.

(Mounir Wagdy) A reckless reckless young man residing in Cairo with a friend like him, overburdened by debts despite the 100 pounds his uncle sends him every month. He deliberately tricks and lies to extort money from his uncle, telling him a lie that he married a girl of large families, and his debts grow. He is confined to a movable room on the roof of a large building that uses his address in his correspondence with his uncle and sent to his uncle that his wife was placed to ask for help. Uncle rejoices and comes with his sister to see the child and Munir falls into the evil of his deeds!

One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.

An extremely patient man shares a sleeping car on a overnight express train with a complete hypochondriac. Anxious for his berth mate to reveal any habits which might disturb his delicate sleep, the neurotic man subjects the other to an absurd interrogation.

On the run and in search of help, two wounded gangsters find refuge in the secluded castle of a feeble man and his wife; however, under the point of a gun, nothing is what it seems.

Baggage handlers Bud and Lou accidentally stumble upon Frankenstein's Monster, Dracula and the Wolf Man.

A runaway heiress makes a deal with the rogue reporter trailing her but the mismatched pair end up stuck with each other when their bus leaves them behind.

Showman Jerry Travers is working for producer Horace Hardwick in London. Jerry demonstrates his new dance steps late one night in Horace's hotel room, much to the annoyance of sleeping Dale Tremont below. She goes upstairs to complain and the two are immediately attracted to each other. Complications arise when Dale mistakes Jerry for Horace.

A bumbling tramp desires to build a home with a young woman, yet is thwarted time and time again by his lack of experience and habit of being in the wrong place at the wrong time..